A lecturer at a college university in England accused a beloved Childrenâs book author of stealing stories from African slaves.
On May 19, Dr. Emily Zobel Marshall from Leeds Beckett University claimed in an article the âPeter Rabbitâ tales by author Beatrix Potter, who died in 1943, plagiarized earlier works.
âAs a scholar of folktales and postcolonial literature, however, I spend a lot of time tracing the roots of stories and examining the impact of colonial legacies on them. While rereading another collection of Childrenâs stories featuring the âtrickster heroâ Brer Rabbit â for my own book on how these folktales were introduced to North America by enslaved Africans â it became clear to me that the similarities between Beatrix Potterâs tales and the Brer Rabbit stories demand further consideration,â Marshall wrote.
She added, âThe tales of Brer Rabbit can be traced back to pre-colonial Africa, from where they were transported to the plantations of America by enslaved people. The stories were first adapted for a white audience in the late 19th century by the American journalist and folklorist Joel Chandler Harris.â
Marshall acknowledged in her findings she âwas amazed to realise how little comment there has been over the years about the many similarities between Potterâs tales and the Africa-originated Brer Rabbit folktales.â
She further explained the main plot behind Potterâs writings and that it corresponded with the African slavesâ need âto steal food from their mastersâ for survival.
Marshall called Potterâs attempt to âsteer readers away from her sourcesâ as âproblematic.â
She also exposed the deception behind Porterâs writings.
ââPeter Rabbitâ and the rest of Potterâs tales are viewed as quintessentially English stories about characters conjured from Potterâs brilliant mind and inspired by her life in rural England. Yet her tales are, at heart, folktales that originated in Africa before being adapted to expose and reflect the violence, resistance and survival tactics of the plantation life of enslaved people in the Americas,â she revealed.
Marshall expressed her frustrations over the original sources not receiving the credit she feels they deserved and also mentioned the film based on Potterâs life.
âThe Beatrix Potter and âPeter Rabbitâ brands are highly lucrative. Yet I have found no references to the black American sources of these tales in any of the Beatrix Potter museums and experiences in the UK and US, which attract hundreds of thousands of visitors yearly. There is similarly no mention of these sources in any of the films of her tales, nor in the 2006 Hollywood biopic âMiss Potter,'â she continued.
Marshall concluded her article by calling for the original sources of Potterâs writings to be recognized.
âIn contrast, through Potterâs silence concerning her sources, the African American tales that helped create her stories are passed over without acknowledgement or celebration. Brer Rabbit must be firmly reasserted into our understanding and appreciation of Beatrix Potterâs tales. For far too long, they have been stealing from his briar patch,â she stated.
This comes after Childrenâs author Roald Dahlâs book âCharlie & The Chocolate Factoryâ was rewritten to remove any offensive descriptions about the characters in the original text.
In February, the publishing company, Puffin Books released a statement that they would give readers a choice between the rewritten version and the original text.
