Absolute Power is a British comedy programme, set in the offices of Prentiss McCabe, a fictional public relations company (or 'government-media relations consultancy') in London, run by Charles Prentiss (Stephen Fry) and Martin McCabe (John Bird).
It started in 2000 on BBC Radio 4, lasting until 2004 with the fourth and final radio series. A six-part television series ran on BBC Two towards the end of 2003; the second six-episode television series ran on BBC Two on Thursdays at 10 pm from 21 July to 25 August 2005. A one-off radio episode was broadcast on 3 November 2006.
The title is taken from a quotation by the historian Lord Acton: "power tends to corrupt, and absolute power corrupts absolutely".
Contents
Radio version
The programme was devised and written by Mark Tavener, and logically follows the programme In the Red, In the Balance, In the Chair, and In the End which he wrote with Peter Baynham. In some of these, Prentiss and McCabe (again played by Fry and Bird) are elevated members of the BBC, before getting kicked out. Indeed, there is a scene on the last page of the novel In the Red, in which the newly appointed director general of the BBC gives them the sack.
The idea is that after this they created Prentiss McCabe, which is the subject of Absolute Power. The tone and style of Absolute Power is so different from the In the... series that it can be regarded as a totally different programme. It was produced, like so much of Tavener's work, by Dawn Ellis.
Prentiss is a man without morals, whose only objectives are money and power. He is portrayed as being the brains, while McCabe, though an excellent speech-writer, lacks his motivation and insight. McCabe's ambitions include retiring and drinking claret, and he spends his life in a state of cynicism, lack of energy and boredom. McCabe (who describes himself as "a first class mind") does sometimes have good ideas, but they usually become Prentiss's ideas by the time they are presented to the client, and he lacks the energy to make more than mild objections. McCabe is also more likely to baulk at a scheme for moral reasons than Prentiss.
Stephen Fry said of Charles Prentiss, "He's a brute of a man, out to win, with no morals; he's completely shameless. There's not much to say that's nice about him, except that there is some pleasure in watching a natural born killer at work and knowing whatever happens he will win".
Prentiss and McCabe often find themselves working on behalf of two rival clients, one of whom is often the shadier side of the Labour government, often called their "Downing Street Retainer". This is usually something of an inconvenience as Prentiss is met by Archie Hilditch (Tony Gardner, Alex Lowe), a faceless member of the government, in a deserted location (such as Frank Dobson's campaign headquarters), and told he needs to ruin the popularity of the organisation that he has spent half the programme building up. For example, in one episode they're employed by the government to increase the popularity of the European Union, while also being employed by the Eurosceptic newspaper The Sun to increase sales. It is probably a good thing in the end, as the firm relies on these payments since neither Prentiss nor McCabe seems to want to do any real work.
Hutton Report
The first episode of series 4 was controversially edited because of references to the Hutton Report. The words "manipulation and lying" were cut from Prentiss's line: "There's nothing Prentiss McCabe can teach this prime minister about deception, manipulation and lying, except how to do it properly".
TV programme
The television programme was written by Guy Andrews, Mark Lawson and Andrew Rattenbury, and had the tag "spin is dead, long live PR". Unlike most radio to TV sitcom transfers, none of the TV episodes was based on a radio episode. There are many differences to the radio version. Prentiss McCabe is a much more powerful and respected organisation than in the radio series. Martin McCabe is much more worldly wise. The secret meetings with government representatives are gone and replaced with more cups of coffee with newspaper editors and private secretaries.
While the radio programme has one trainee, the TV version has several young professionals working at the agency. Most notable are Jamie Front (James Lance) and Alison Jackman (Zoe Telford). While Jamie is a brilliant liar and naturally devious, Alison is very intelligent but too honest and somewhat literal-minded. Charles Prentiss said of her, "Most of the young people here at Prentiss McCabe don't know their arse from their elbow, but with Alison, at least you know she'll join the Royal Arse Society and get a book about elbows from the library". Also in the firm are Cat Durnford (Sally Bretton), the young party girl, and Nick Mayer (Nick Burns), Charles's personal assistant.
Instead of political schemes, the agency concentrates on working with celebrities: something that is rare in the radio version. In the radio episode where McCabe works with a Big Brother contestant, this is shown as an exceptional event, but would be normal behaviour in the TV series. Contrariwise, in the TV episode "The House of Lords", Charles is mildly surprised to be contacted by a government spin doctor.
Notable cameo and guest-starring roles in the television series have included:
Fern Britton
Tim Brooke-Taylor
Angus Deayton
Gareth David-Lloyd
Huw Edwards
Sharon Horgan
Gareth Hunt
The London bombings
Owing to the terrorist attacks on London on 7 and 21 July 2005, the first episode of the second series (in which a member of the bin Laden family attempted to buy British Airways) was replaced by an episode from later in the series. The bin Laden episode was aired several weeks later.
Episode list
The radio series
Series 1
S01 E01 – Conservative Party (5 January 2000)
S01 E02 – Relaunch of the Sun (12 January 2000)
S01 E03 – Mayor of London (19 January 2000)
S01 E04 – The Church of England (26 January 2000)
S01 E05 – Radio 3 (2 February 2000)
S01 E06 – English Sporting Success (9 February 2000)
Series 2
S02 E01 – Martin is Bored (30 January 2001)
S02 E02 – Promoting Philosophy (6 February 2001)
S02 E03 – Relaunching a Literary Career (13 February 2001)
S02 E04 – The Elderly Initiative (20 February 2001)
S02 E05 – Prison Reform (27 February 2001)
S02 E06 – Gayle Shand (6 March 2001)
Series 3
S03 E01 – Poking the PM (1 January 2002)
S03 E02 – Health Service (8 January 2002)
S03 E03 – Big Brother (15 January 2002)
S03 E04 – A Tennis Star (22 January 2002)
S03 E05 – Men (29 January 2002)
The television programme
Series One
S01 E01 – History Man (10 November 2003)
S01 E02 – Pope Idol (17 November 2003)
S01 E03 – Tory Woman (24 November 2003)
S01 E04 – Mr Fox (1 December 2003)
S01 E05 – Country Life (8 December 2003)
S01 E06 – Crash and Burn (15 December 2003)
Series Two
S02 E01 – The Nation's Favourite
S02 E02 – The Trial
S02 E03 – Blood Bank
S02 E04 – The House of Lords
S02 E05 – Spinning America
S02 E06 – Identity Crisis
Critical reception – television programme
Transferring a radio series to television can be risky [...] Absolute Power, however, succeeds where previous comedies have failed, and looks set to do for PR what Drop The Dead Donkey did for the newsroom. A good cast helps.
fitfully amusing comedy
The script presses the right buttons relentlessly. The names that are invoked contribute artfully to the atmosphere of heightened unreality. The idea of Mark Thatcher is tossed about in this corner, while the notion of Dennis Waterman is examined in another [...] I suppose it is a credit to all involved in the programme that I didn't like it at all. Although the characters are clearly exaggerations and grotesques, I felt they were probably close enough to the truth to be convincing. Form and content were perfectly matched. Like Trevor's World of Sport, of which this is clearly a superior relation, it is impossible to like any of the characters. [...] It delivers a stringently corrective dose of satire. It is quite appallingly knowing, and deliberately so.
effortlessly witty comedy
deliciously witty and sharp series, up there with Extras as one of the best comedies of the moment (or, indeed, any moment).