Accident is a 1967 British drama film directed and produced by Joseph Losey, adapted by Harold Pinter from the 1965 novel by Nicholas Mosley. It stars Dirk Bogarde, Stanley Baker, and Jacqueline Sassard, with supporting roles played by Michael York, Vivien Merchant, Delphine Seyrig, and Alexander Knox. In the film, two middle-aged academics find themselves in love triangle with their own student, who is already engaged.
This film is the second of three Losey–Pinter collaborations; the others are The Servant (1963) and The Go-Between (1971). It was also the last of several collaborations between Losey and Stanley Baker.
Accident was released by London Independent Producers on 9 February 1967, and received generally positive reviews. At the 1967 Cannes Film Festival, it won the Grand Prix Spécial du Jury award. It was nominated for four BAFTA Awards, including Best British Film and Best British Screenplay.
Contents
Plot
During the hours of darkness, a car crashes. A man, Stephen, goes to it and finds a young man dead and a shocked but uninjured young woman whom he lifts from the car and takes back to his nearby house. The film then goes into flashback.
Stephen, a married Oxford tutor in his forties, has two students: the rich and likeable William, of whom he is fond, and a beautiful, enigmatic Austrian named Anna, whom he secretly desires. William also fancies Anna and hopes to know her better. While Stephen's wife is away having their third child, he looks up an old flame in London and they have sex. Returning home, he finds that his pushy colleague Charley has been using the house for sex with Anna. She tells Stephen privately that she and William are engaged to be married.
William says that he will go to Stephen's house after a party that night. As he is too drunk to drive, Anna takes the wheel, but she crashes the car outside Stephen's gate. Upon finding the accident and William dead, Stephen pulls the deeply shaken Anna from the wreckage and hides her upstairs while he calls the police. Later, he rapes her while she is still in shock, then takes her back to her room at the university. He comes by in the morning to find a bemused Charley, who cannot prevent Anna from packing to return to Austria.
Cast
Losey makes a cameo appearance in the film, and Pinter has a brief speaking role as the television producer, Mr. Bell.
Reception
Box office
The film performed poorly at the box office. In 1973, Losey said the film was "officially in bankruptcy."
Initial critical response
In his review upon the film's release, New York Times critic Bosley Crowther called Accident "a sad little story of a wistful don ... neither strong drama nor stinging satire."
Responding to criticism that the film's meaning was difficult to discern, Stanley Baker said: "It's obvious what Accident meant ... It meant what was shown on the screen." Of Joseph Losey's direction, Baker said: "One of Joe's problems is that he tends to wrap things up too much for himself. I think that 75% of the audience didn't realise that Accident was a flashback."
On Rotten Tomatoes, Accident holds a rating of 76% from 29 reviews.
Retrospective appraisal
Perhaps the most celebrated sequence in the movie, comprising 25 minutes of the 105 minute film, is set at Stephen and Rosalind's home on a Sunday afternoon. Anna and William are the invited guests, but Charley intrudes on the company unexpectedly. A tennis doubles match is arranged—Stephen and Charley vs. William and Anna—in which Losey reveals, cinematically, the undercurrents of sexual tension among the three men. Film critic Robert Maris writes:
As in Pinter's plays, the dialogue is often mundane, but conversations are usually loaded with menacing implications or punctuated by lengthy silences. One scene, involving a doubles tennis match, is so laden with psychological tension and jealousy—with piercing glances across the court or a ball hit at an opponent a little too hard—that it seems less a tennis match than some sort of sexual game.
Film critics James Palmer and Michael Riley cite the dialogue from the "deceptively casual, languid scene on the lawn" which follows the tennis match, serving as "a paradigm of reflexive storytelling."
Charley, Stephen's academic colleague, challenges literature student William to create an omniscient narrative for characters in a novel, based on those attending the gathering:
CHARLEY. - Describe what we're all doing. (WILLIAM looks around the garden.)
WILLIAM. ''Rosalind's lying down. Stephen's weeding the garden. Anna's making a daisy chain.
CHARLEY. Good. But you could go further. Rosalind is pregnant. Stephen's having an affair with a girl at Oxford. He's reached the age where he can't keep his hands off the girls at Oxford.
WILLIAM. What?
CHARLEY. But he feels guilty, of course. So he makes up a story.
WILLIAM. What story?
