Career
Ann Maxwell has written over 50 novels, some individually and some in collaboration with her husband. Her novels have been published in 21 foreign languages, and there are over 23 million copies of her books in print.
Ann Maxwell began her writing career in the science fiction genre. Her first novel, Change, was published in 1975. Over the next decade, eight other science fiction novels followed. Seven of those novels were recommended for the Science Fiction Writers of America Nebula Award, with the first coming within one vote of being a Nebula Award finalist. Another, A Dead God Dancing, was nominated for what was then called TABA (The American Book Award).
Ann and her husband Evan, in conjunction with Ivar Ruud, a Norwegian polar bear hunter, published the non-fiction work The Year-Long Day in 1976. This book had been published in four countries and was condensed in Reader's Digest.
Several years later the couple began collaborating on a crime novel. This resulted in a series of books about a couple named Fiddler and Fiora, all published under the name A.E. Maxwell. The University of California gave one of the books, The Frog and the Scorpion, a creative writing award. Time magazine named Just Enough Light to Kill, one of the best crime novels of 1988.
The couple have also produced four best-selling suspense novels. Although these books are the result of a collaboration, they are published as Ann Maxwell, as the publisher wanted to use a woman's name.
Ann and Evan have also collaborated to write the novelization of the 1992 Val Kilmer movie Thunderheart. This novel is written under the pen name Lowell Charters, taking his middle name and her maiden name.
The couple have a structured system for their collaborations to minimize arguments. Evan Maxwell usually chooses the setting for the story. Together, the pair create the characters and then the plot. Once the plot has been fairly well established, Evan writes the first draft of the manuscript, consulting Ann if there are any major questions about the characters or plot changes that he would like to make. Ann then writes the second draft, with the freedom to make any changes that she thinks are necessary for "clarity, pacing, dialogue, and characterization."
The first dedicated word processor was introduced after Maxwell had already become established as a science fiction writer. She bought one immediately and soon found that she had tripled her productivity, as she was no longer forced to spend a great deal of time retyping her pages as she edited. This enabled her to get ahead of her contract, so Maxwell began to look for another type of writing that she would enjoy, but that would pay better.
Maxwell approached her agent for ideas. The agent suggested that she look into thrillers, romance novels and horror fiction, as all three were becoming very popular. After reading several horror novels, Maxwell realized that she would not enjoy writing that type of fiction. Her husband brought her five Silhouette novels, three of which were for a brand-new line, Sihouette Desire. Although Maxwell thought the novels were well written, she did not really enjoy the first four stories. The last one that she read, Corporate Affair by Stephanie James (a.k.a. Jayne Ann Krentz) made her fall in love with the genre. Because she had never read romance novels before, Maxwell picked up over fifty additional category romances to familiarize herself with the expected format and then set out to write her own romance. The resulting novel, Summer Thunder, published in 1982, was the debut of her romance career. This novel, and the more than thirty that have followed, are published under the pseudonym Elizabeth Lowell, a combination of Ann's middle name (Elizabeth) and Evan's middle name (Lowell), even though the books are written solely by Ann.
After several years writing category romances, Maxwell turned to historical romance. After she and her husband stopped writing their own mysteries, Maxwell found that she missed writing suspenseful plots and chose to take a slight turn into contemporary romantic suspense. She has no plans to return to the historical romance genre.