Boogaloo

Social dance

Chicago Record Hops

The Boogaloo was initially a social dance within the African American community in Chicago; it also appealed to white teenagers. Between 1965 and 1966, it was described as “a total new look compared to previous (social) dances...the entire body moved in a pulsating motion from side to side. The rhythmic impulse seemed to have centered in the upper torso, shoulders, and head...”

The Boogaloo dance step has also been described as a “single-step combination made up of a smooth repetitive side-to-side movement, based on the soul music dance beat on a 44 time signature, it consists of lunging motion to the side on the downbeat, held for two counts...accented by a distinct arm swing where the hand is raised to eye level...then combined with a distinctive backward head-nod to the beat...on the third musical beat, the body and head abruptly shift back and lunge in the opposite direction, before shifting once again on the fourth beat.”

The boogaloo dance craze would inspire a number of soul dance records, such as “Boo-Ga-Loo” by Robert “Tom” Tharpe and Jerry “Jerrio” Murray, as well as Fantastic Johnny-C's “Boogaloo Down Broadway”. Tharpe created “Boo-Ga-Loo” after seeing local African American teenagers dancing the Boogaloo at a Chicago record hop hosted by radio DJ Herb “Cool Gent” Kent.

James Brown

In 1966, soul and funk musician James Brown released a boogaloo dance single, "James Brown's Boogaloo". He danced his interpretation of the boogaloo on Where the Action Is on national TV.

The Soul Dance Era (1960s)

The Italian (also known as the Ditalian)

In 1966, Larry Thompson, a local dancer in Oakland, California, created a new boogaloo style. Thompson was inspired by the boogaloo social dance, James Brown, the Temptations, and Fred Astaire. Thompson was also inspired by watching a dancer from The Hy-Lit Show named Harold Hazzard: "The move this guy did on the show was a Boogaloo style step with flailing arm moves that would cross the body then end in a freeze with the chest sticking out. This was a good step because we could use it to go into the Camel Walk and into the Skate."

Thompson formed a dance group called Pirate and the Easy Walkers, together with Cornell "Tony Rome" Reese, Wayne "Freddy Snow" Dillard, and Levi Warner. The Easy Walkers were unique because they mixed different steps of social dances in a uniform boogaloo style. They also innovated challenge steps such as the "Ditalian". In the Ditalian, dancers would shuffle a combination of cha-cha steps, stomp, and end by pointing their right hand to challenge another dancer. The Ditalian was created by Danny Boy Reese, who was the younger brother of Easy Walker's member Cornell Reese.

From 1967 to 1968, soul dancers in Sobrante Park in Oakland, California, would challenge Pirate and the Easy Walkers through "face offs".

3-D - Dinosaur - Animation

In 1967, 1968, & 1969, a style known as 3-D, Dinosaurin', or Animating developed. The group One Plus One imitated Ray Harryhausen's stop-motion DynoRama movies, incorporating these movements as slap-stick crowd entertainment. Albert "Iron Man" Milton, a member of the group, took particular influence from 20 Million Miles to Earth, imitating the dinosaur-like creature birthed in the movie and dancing to James Brown.

A second generation of animated dancers in the 1970s innovated this style with a less comical approach to their dance, and focused on intricately detailed dinosaur movement. They specialized in sudden stopping-in-motion techniques called "dime-stops", as well as minute stop-motion effects and posing. Dancers from the group Soulful Movements, such as Ted Williams, Steve Williams & Tony Newsome were masters of this Boogaloo animated style.

The Robot

In 1964, a Boogaloo dancer named John Murphy imitated the movements of the robot in the 1954 sci-fi movie Tobor the Great. He moved from West Oakland to East Oakland and introduced The Robot in various school talent shows. Murphy is credited with introducing the Robot to the Boogaloo community, influencing and teaching popular dancers such as Derrick Lovings of Derrick & Company, Newberry, Boogaloo Dan, and the Robotroids. In 1972, John Murphy helped form the Boogaloo dance group The Black Messengers and developed a robotic boogaloo.

Funk dance movement (1970s)

High school mascots

In the 1970s, Oakland high schools would host dance competitions to select their high school mascots. Mascots competed in their school's costumes, such as the Fremont Tigers, Castlemont Knights, and Oakland Technical Bulldogs. While in costume, every mascot created in-character steps and developed "hitting" techniques to be noticed in large rallies. Competing high schools would have a mascot dance-off during basketball and football games.

For example, Donald "Duck" Mathews was the Fremont High School's Tiger mascot. During half-time football shows, he would grab his tail, point, and pose to taunt the opponents' mascot, while performing wiggling or worming movements with his chest. Mathews became notable for worming, wiggling, and posing while taunting school opponents as the Tiger mascot. Fremont High would be known to popularize the "Oakland Hit," allowing his headpiece to shake during each hit. This inspired future vibrating Boogaloo hat effects.

Other innovative dancers in this era include Gregory Holm from Castlemont High, Donald Jones, Henry Fischer, Lil Willie, Larry Robertson and John Murphy at Fremont High, and Ronald Nerves at Oakland Technical High School.

Cartoon Influence and Posing

In 1967, while living in Oakland, Jerry Rentie would innovate soul boogaloo styles with new funk movements inspired by "mimicking toys, cartoons, movies... everywhere we would cut a step (e.g., creating a step). We took the Ditallion from soft and sliding to a step with a stomp, a bounce, a hop, and a skip."

Rentie would also innovate the concept of "the Freeze". He explains, "The Freeze was a part of a step whereas in doing it you would stop and that pause was to lead into or accent the next movement. Lock It Down was how we called freezing so hard to the point that we would jiggle when we would freeze." The Freeze was the predecessor to the "popping" or "hitting" techniques of the late 70s.

Rentie referred to their new Boogaloo style as "Bug'n". He recalls, "When we were Bug'n, we meant Boogaloo in the term of our dance style, but it was not the James Brown Boogaloo anymore".

Posing Hard

In the early 1970s, dancers from the Black Messengers group innovated a new Boogaloo technique called "Posing Hard". They would end their Boogaloo poses and dime-stops with a hard "hit" - freezing in place until their muscles vibrated. This technique would influence the modern day "popping" technique within the Popping dance form.

Since Boogaloo dancers would dance to the changing sounds of funk, Posing Hard matched the rhythm and intensity of the beat with their body's vibrations. Dancers chanted "BAM!" or "BOOM!" with each new pose.

Oakland Talent Shows & Group Routines

In East Oakland and West Oakland, federally-funded community development districts hosted talent shows. During these shows, Boogaloo dancers would showcase routines alongside live bands and singers. Throughout the 1960 and 1970s, Oakland had numerous teenage funk bands that created the musical landscape for Boogaloo dancers. Some Boogaloo groups had their own band to perform with; East Oakland often had three to four funk bands on every block.

Black Power Movement

Throughout the late 1960s and early 1970s, Oakland was the center of the Black Power Movement, including the creation of the Black Panther Party. Boogaloo dance groups such as the Black Resurgents performed for Black Panther community rallies and events. With the advent of the liberation spirit of funk music and Black Power, Boogaloo group names such as The Black Messengers, The Black Resurgents, Black Mechanics, and Black Operators came to signify Black pride and self-determination.

In East Oakland, to outreach to militant youth, the Allen Temple Baptist Church created a partnership with the Black Panthers. The Black Panthers would host Oakland socials at their Temple church hall; these programs featured Boogaloo dancers such as the Black Messengers.

Another central venue for Oakland's Boogaloo dancers was the Oakland Community School (OCS). The Black Panthers operated this school as part of their community "survival programs". As local Nation of Islam members hosted services in this venue on the weekends, this venue also came to be known as "the Temple".

The Temple hosted numerous talent shows that featured Boogaloo groups such as the Black Messengers, as well as funk bands and singers. As part of the Black Panthers' curriculum, the venue's motto was “We serve the people every day. We serve the people, body and soul.” Directed by Ericka Huggins and Donna Howell, OCS provided youth with culturally relevant education and challenged the public school system’s perceptions of what it meant to be Black and poor.

Notable Boogaloo dance groups

Boogaloo dance groups incorporated various formations with different styles; here is a compiled list of active Boogaloo dance groups during the 1960s and 1970s.

1966 to 1969 era

Pirate & the Easy Walkers

One Plus One

The Five Clowns

1970 to 1975 era

Continental Five

The Robotroids (Later "Granny & Robotroid Inc")

Aces of Soul

Mystic Robots

The Black Messengers (Also known as "Mechanical Device")

Soulful Movements

The Black Resurgents

Exotic Movements

Electronical 4

SS Enterprise

1976 to 1980s era

Derrick & Company

Gentlemen of Production

The Black Mechanics

1976 to 1980s groups outside of Oakland (Boogaloo influenced from Oakland foundations)

Green Machine

Saturn 5

Black Operators

Granny & the Robotroids

Black Velvet

Live Inc

Soul Sisters Incorporated

The Emergens

The Prime Ministers

Phase II

Disco Derby Dancers

Ace Tre Lockers

Electronic Boogaloo Lockers (Later Electric Boogaloos)

Scooby Brothers

Scott Brothers

Sunshine Lockers

Fantastic Four

Moves

Soul Boogaloo (Early Funk Boogaloo movements)

The Italian aka. The Ditallion

The Harold (Later Swinging Arms)

Cha-cha-cha (3-step, 2-step)

Fancy Feet

The Swoop

Swinging / Throwin' the Arms

Wigglin' / Wormin'

Side to Side (Footwork)

Hops

Robot Boogaloo

Breakdown / Break-up

Chinese Robot

Posin'

Hittin / BAM

The Slot

The Baby Doll

Animated Boogaloo

Dynorama / Dinosaurin'

Vibratin / Tremblin

3-D / Tickin

The Moonwalk

Puppet

Old Man / Old Man Rudy

The Medusa

The Stedford

The Million-Dollar Man

The Lean

Levitating

Backslide

Looney Cartoony

Posing

Creepin

3-D

The Bounce

Dime-stopping

Posing Hard

Falling Man

Broken Man

Stopping-in-the Air

Group Movement Techniques & Traditions

Dominoes

Stepping

Canework

Music

Boogaloo relies on the swing and groove of live funk records. Below are notable songs Boogaloo dancers dance to:

James Brown "Cold Sweat" Pt. 1 & 2

James Brown “There Was a Time”

James Brown "Soul Power"

James Brown "Mind Power"

Average White Band "Pick up the Pieces"

Parliament & Funkadelic "Flashlight"

George Duke "Reach for It"

Cameo "Rigor Mortis"

Donald Byrd and the Blackbyrds "Unfinished Business"

Impact

Connections to Strutting

In 1975, the Oakland Boogaloo group Robotroids performed at a talent show in San Francisco. Eventually, the Robotroids would join Debrah "Granny" Johnson. Through the combination of robotic dance moves of Lorenzo "Tony" Johnson and Donald “Rubber-band Man” Jones & Alfred “Baby Boy” Jones', they would refer to this style as Strutting in San Francisco. Strutting was done in a solo through swift arm angles (The Fillmore) and group choreography. Boogaloo Dancers such as Benjamin James from Live, Inc. were also instrumental in the evolution of Boogaloo to Strutting.

Connections to Richmond Robot

Oakland Boogaloo groups as well as prominent San Francisco, and San Jose dancers, would compete in talent shows held in Richmond, California; this would be a cultural center for regional dance influences, by the late 1970s Richmond would be an epicenter of performers such as the Posing Puppets, Richmond Robots, Androids, Audionauts, Criminons, Lady Mechanical Robots, and Green Machine. Groups from Richmond would refer to their style as Richmond Robottin.

Connection to Turfing

The 60s and 70s Boogaloo generations have similar storytelling and animated movements and share the same neighborhoods and families as today's Turf dancers who practice a street-style Turfing. Turf dancers cite inspiration from the previous generations of Boogaloo; they come from a long lineage of dancers in the Bay Area, specifically from Oakland, California.

Impact on Popping

Popping would be eventually adapted from earlier Boogaloo movements to influence dancers in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events called the West Coast Relays. Often, the best boogaloo dancers in Oakland would be chosen as high school mascots: all of the surrounding high school mascots would compete against each other with a live school band during the half-time show.

Original Boogaloo Reunion BBQ

An annual event held in Oakland honors the contributions of the Boogaloo generation and hosts an intergenerational event for dancers in the Popping and Hip hop community to meet the original Boogaloo generation. Many Bay Area styles represented through Boogaloo, Robot, and Strutting are also showcased through different dancers at this event.

Media exposure

Television

1976: "Soul Is" & "The Jay Payton Show" - The Boogaloo group - The Black Resurgents were frequent dancers on a local syndicated dance Oakland show, displaying solo and group routines.

Granny & the Robotroids were one of the first Boogaloo groups on national TV performing on Chuck Barris' Gong Show in 1976.

1977 & 1978: The Black Messengers, as Mechanical Device, performed on the Gong Show and displayed their style of "Posing Hard" The group choreography also includes "Domino" steps, creeping, cane work, and the famous M&M routine choreographed by Chuck Powell. Kerney Mayers also displays a signature solo with vibrating and trembling techniques. The Black Messengers were declared Gong Show winners on both occasions.

1991: MC Hammer, a popular rapper from Oakland who grew up watching the Boogaloo group the Black Resurgents, includes Boogaloo choreography and fashion in his music video "This is The Way We Roll". The music video also features a Boogaloo dancer "Frosty".

Notable boogaloo dancers

1966 to 1969 era

Albert Milton aka "Iron Man"

Jerry Rentie "The Worm"

Michael Enoch "The Mad"

Larry Thompson "Pirate"

Cornell "Tony Rome" Reese,

Wayne "Freddy Snow" Dillard

Levi Warner

Danny Boy Reese

Donald Mathews "Duck"

Patricia Scott

Red (Patricia Scott's brother)

Henry Fischer

Gregory Holm

1970 to 1975 era

Steve Williams

Ted Williams

Kerney Mayers

Chuck Powell

Donald “Rubber-band Man” Jones

Alfred “Baby Boy” Jones

John Murphy

Jorey "Monk" Walker

Michael Carter

Randy Pennington

William Bilal "Boogaloo Bill"

Noah Johnson

Gaston Ducote

Ricky Gantt

Lil Ricky

Ronald Nerves

Paul Reid

Amelia

Tony Newsome

Kenny Chambers

Derrick Lovings

Anthony Hamilton

Darryl Hamilton "Hamo"

Newberry

Rosie

Will Randolph III

Vic Randolph

Larry Robertson

Ted Wincher

1976 to 1980s era

Dan Hodges "Boogaloo Dan"

Andrew "PopDog" Paris

Ben James

Dan "Boo the Bot" Martin

Boogaloo Vic

Boogaloo Dana

Pierre Hudson

Chris James

Darrin Hodges "Dubb"

Reo Robot

Dennis "Mechanical Man" Newsome

Walter "Sundance" Freeman