Carmelo Pompilio Realino Antonio Bene (1 September 1937 – 16 March 2002) was an Italian actor, poet, film director, and screenwriter. He was an important exponent of the Italian avant-garde theatre and cinema.
In 1968, his movie Our Lady of the Turks won the Special Jury Prize (Venice Film Festival) at the Venice Film Festival.
He died of a heart ailment in 2002.
Contents
Works
Literature
In 1979 he wrote, in collaboration with French philosopher Gilles Deleuze, the essay "Superpositions". In 1984 his play Adelchi was published. In 1970 he wrote the screenplay A Boccaperta.
I Appeared to the Madonna, translated with a preface by Carole Viers-Andronico (Contra Mundum Press: 2020)
Partial filmography
Oedipus Rex (1967, directed by Pier Paolo Pasolini) - Creonte
Nostra Signora dei Turchi - Our Lady of the Turks (1968, director, Venice Film Festival Special Jury Prize) - The Man / Narrator
Catch as Catch Can (1968) - Priest
Capricci (1969, director) - Poet
The Syndicate: A Death in the Family (1970) - Billy Desco
Don Giovanni (1970, director) - Don Giovanni
Necropolis (1970)
Tre nel mille (1971)
Salomè (1972, director) - Erode Antipa / Onorio
One Hamlet Less (1973, director) - Hamlet
Claro (1975)
Selected bibliography in English
Carmelo Bene, I Appeared to the Madonna, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2020).
Carmelo Bene, "I am Non-Existent: Therefore I am," tr. by Carole Viers Andronico, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 37–44.
Carmelo Bene, “Being in Abandonment: Reading as Non-Memory,” tr. by Rainer J. Hanshe, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 45–49.
Carmelo Bene, "Well, yes, Gilles Deleuze!," tr. by Rainer J. Hanshe, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 50–57.
Carmelo Bene, Our Lady of the Turks, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2021).
Gilles Deleuze, "One Manifesto Less," tr. by Alan Orenstein. The Deleuze Reader, ed. by Constantin V. Boundas (New York: Columbia UP, 1993) 204–222.
Gilles Deleuze, "Cinema, body and brain, thought," in Cinema 2: The Time-Image, tr. by Hugh Tomlinson & Robert Galeta (Minnesota: University of Minnesota Press, 1989) 190–191; 220.
Gilles Deleuze, "Manfred: an Extraordinary Renewal," in Two Regimes of Madness, tr. by Ames Hodges & Mike Taormina (New York: Semiotext(e), 2006) 188-189.
Tristan Grünberg, "Outrageous Salome: Grace and Fury in Carmelo Bene’s Salomè and Ken Russell’s Salome’s Last Dance," in Performing Salome, Revealing Stories, ed. by Clair Rowden (Abingdon; New York: Routledge, 2016) 171–189.
Emilio Villa, "Litany for Carmelo Bene," tr. by Dominic Siracusa, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 58–67.