Courting Condi is a 2008 documentary and mockumentary film written, produced and directed by British filmmaker Sebastian Doggart and starring Devin Ratray, Adrian Grenier and Jim Norton. The film uses a pastiche of styles and genres to portray the "life quest" of a love-struck man, actor Devin Ratray, who plays himself as a man who wants to win the heart of United States Secretary of State Condoleezza Rice and that makes plans to meet her while learning about Rice's life and career before George W. Bush's administration.
Contents
Plot
Devin Ratray is a musician and besotted admirer of Condoleezza Rice, 'Condi,' who travels across America, learning more about Rice from those who knew her. He speaks to her childhood friends in Birmingham, Alabama. In Denver, Colorado, he performs at Red Rocks, where he meets some of her former teachers, and the one man to whom Rice has been engaged, Rick Upchurch. Upchurch tells Devin that Rice made an oath to God not to have sex before she got married, and deduces that her continued single status and her enduring Christianity confirm that she is still a virgin. Ratray follows Rice's rise to Provost of Stanford University, where he discovers that, while in that position, she departed from the practice of applying affirmative action to tenure. In Los Angeles, he is given courtship advice by Adrian Grenier and cult comedian Jim Norton and is presented with a power ballad to send to Condi from Oscar nominated songwriter Carol Connors. When he arrives in Washington, D.C., he is assisted by Republican strategist Frank Luntz and is counseled by Newsweek editor Eleanor Clift.
Ratray also learns from various people he meets along the way about Rice's controversial statements to the 9/11 Commission. Through interactions with and clips featuring Colin Powell's Chief of Staff Lawrence Wilkerson, 9/11 Commission investigator Richard Ben-Veniste, and Congressman David Price, Ratray gets a fuller picture of how Rice's political positions and political philosophy developed and changed over the years. Finally, Glenn Kessler, a Washington Post reporter and author of a book about Rice and the Bush Administration, discusses Rice's involvement with the government's use of torture during the war on terror.
Style
The film's creators describe it as a 'musical docu-tragi-comedy'. It uses an actor, Ratray, to interview friends, relatives and colleagues of Dr. Rice. It combines interviews, archive footage, animated stills, dramatizations and original songs. Critics described this hybrid genre as "a heady melange of styles and aims" and "a strange mash-up by many measures."
History
A promo of the film screened at the IFC Center in New York City in April 2007, and led to Discovery Communications commissioning the film for $600,000. In August, one week before principal photography was due to begin, Discovery suddenly announced that they had 'canceled' the film. This followed pressure from Karl Rove, who had found out about the film's critical stance on the Bush Administration and warned Discovery that the movie could damage their "good relations with government". Discovery settled with the producers, American Princess LLC, for a $150,000 'kill loan', forcing the producers to make the film on a shoestring.
The Bush Administration continued to obstruct the film, sending State Department officials to raid the producers' guesthouse in Washington DC, and plant a bug under a coffee table in their living room—actions which were documented on camera and broadcast on the internet. In February 2008, Channel 4 in the UK provided further financing for the film, leading to its completion in September 2008.
Tensions between Rice and the film's producers continued in the film's marketing and distribution stage. On October 28, 2008, the Stanford Film Society invited the film to screen at Stanford University where Rice was due to return as a fellow. The SFS President Kerry Mahuron wrote: "I have seen the movie and am interested in showing it. However, as you are probably aware, Condoleezza Rice is a current faculty member of the Political Science Department at Stanford, and starting next February will be returning to the University as our Vice Provost. Showing a film that paints her in such a negative light is not only controversial, but also potentially inflammatory and a violation of Stanford policies." Despite these concerns, Mahuron proceeded to confirm a December 2 booking, arguing that "to prevent us from showing the film would violate our right to free speech, so I don't anticipate them being able to stop us."
The SFS also scheduled a post-screening debate on the motion that "This house believes that Stanford University would be well served by welcoming back Condoleezza Rice to its faculty". The SFS invited conservative supporters of Rice, including Stanford fellow, Donald Rumsfeld, to debate in support of the motion. The film's director, Sebastian Doggart, was due to oppose the motion. The 500-seater Cubberley Auditorium was tagged as the venue; flyers and posters were ready for circulation, and invitations sent to the Hoover Institute, Stanford Daily, Intermissions, Stanford College Republicans, Stanford Review, Stanford Conservative Society, Stanford Amnesty, and Stanford Iraq Coalition.
Awards
The film had advance screenings at festivals across the globe, and won many awards, including wins in both Best Documentary and Best Narrative Feature categories. At the Milan International Film Festival, the film won the Leonardo's Horse Award for Best Documentary. At the DaVinci Film Festival, the film won the Audience Award for Best Feature Film. At the New Beijing International Film Festival, it won the Golden Duck for Best Long Narrative. At the Garden State Film Festival, it won the Bud Abbott Award for Best Feature Length Comedy, and at White Sands International Film Festival, it won Best Narrative Feature. At the International Film Festival of South Africa, it won Best Documentary. Orlando Film Festival selected the film as the Opening Night film, and awarded it three prizes: Best Performance (Devin Ratray), and second prize for Best Picture and Best Director categories. At Fort Lauderdale International Film Festival, the film won Special Award: Most Creative Concept. At Paso Robles International Film Festival, the film won Best Comedic Documentary, and at Connecticut Film Festival, it won Best Political Satire. At the Mammoth Film Festival, where the film was selected as Opening Night performance, the film won Best Comedy/Musical. At the Cinema City Film Festival in Novi Sad, Serbia, it won Best Socially Responsible Film. At the Treasure Coast International Festival, the film was selected for the Opening Night screening, and won awards in four categories: Audience Choice Award (as voted by audiences throughout the festival), Best Documentary, Best Director (Sebastian Doggart), and Best Song (Carol Connors' Condoleezza Condi, I think of you so Fondly). At the Tallahassee Film Festival, composer Carol Connors won the award for Outstanding Achievement for Music in Film for the three songs she wrote. At the 42nd annual WorldFest Houston International Film Festival, it won the Special Jury Remi Award; it won the Bronze Palm for Excellence in Film-making at the Mexico International Film Festival, it won the Bronze Palm for Excellence in Filmmaking; at the Honolulu International Film Festival, it won the Gold Kahuna Award for Documentary; at the Tallahassee Film Festival it won a special award for Outstanding Achievement for Music in Film (Carol Connors); at the British Film Festival of Los Angeles, it won three awards: Best American Documentary, Best Comedy, and Best Song (Invisible); and at Mockfest Hollywood, Carol Connors won Best Cameo.