Even the Rain

Plot

Mexican filmmaker Sebastián and his Spanish executive producer Costa arrive in Cochabamba, Bolivia, accompanied by the cast and crew, to create a historical film depicting Christopher Columbus's first voyage to the New World, the imposition of Spanish authority over the natives of Hispaniola, and the subsequent indigenous rebellion by Hatuey. Cognizant of his limited budget, Costa decides to film in Bolivia, the poorest country in South America. Hundreds of Bolivian locals show up and wait in long lines in response to the open casting pamphlet. Costa is enthusiastic about saving thousands of dollars by having underpaid extras perform tasks on set meant to be done by experienced engineers.

Sebastián casts Daniel, a local man, in the role of Hatuey, the Taíno chief who led a rebellion against Columbus. Daniel's daughter Belén lands a crucial role as well. Their first encounter with Daniel is during the casting process. When casting directors start to turn people away in line, Daniel makes a scene and states that everyone should get a chance to audition, as the pamphlet advertised. This makes Costa oppose the hiring of Daniel, but Sebastián sees Daniel's fire and liveliness as perfect for the role. Sebastián is unaware that Daniel is leading demonstrations against the new government-protected water company during the water privatisation plan. Filming begins smoothly despite the alcoholism of Anton, the actor cast as Columbus, but when Costa observes Daniel's revolutionary involvement, he becomes increasingly uneasy about Sebastián's decision.

While filming, Costa starts speaking badly of the natives in English, not knowing that Daniel understands that language. Because of this, Daniel becomes more aware of how Costa and the rest of the crew are taking advantage of the natives. After seeing that Daniel understands that abuse, Costa becomes more cognizant of it himself and starts feeling guilty.

As the crew begins to wrap up the film, the exasperation of the natives intensifies. They begin to consider fighting for their rights to water by protesting in the streets. All these efforts are led by Daniel, who, despite being asked to lie low in exchange for a bigger pay, continues to protest. Costa reaches his breaking point with Daniel when the latter gets beaten by the police during the riots. He tries to bribe Daniel, offering him several thousand dollars to stay silent for a few weeks. Daniel accepts the money but uses it to fund the protesters and remains involved, eventually becoming imprisoned. Sebastián experiences moral conflict and begins to doubt the likelihood of the film's completion, but is reassured by Costa, who bribes the police for Daniel's temporary release to film a key scene, in which Colón and his conquistadors execute Hatuey and his rebels. Upon this scene's completion, the police arrive and detain Daniel again, but are besieged by the film's extras, who allow him to escape.

Cast

Luis Tosar as Costa, executive producer in the movie

Gael García Bernal as Sebastián, director in the movie

Juan Carlos Aduviri as Daniel, Bolivian native cast as Hatuey

Karra Elejalde as Antón, alcoholic Spanish actor cast as Colón

Raúl Arévalo as Juan, Spanish actor cast as Montesinos

Carlos Santos as Alberto, Spanish actor cast as Las Casas

Cassandra Ciangherotti as María, assistant director to Sebastián

Milena Soliz as Belén, Daniel's daughter cast as Panuca in the movie

Leónidas Chiri as Teresa, Bolivian native and Daniel's wife

Ezequiel Días as Bruno

Release

On 16 September 2010, the film premiered at the Toronto International Film Festival. In October, it released in the United States (Los Angeles, California), Britain (London Film Festival), and Spain (Valladolid Film Festival). It made its French debut at the Les Arcs Film Festival in December 2010. It was screened in the Panorama section at the 61st Berlin International Film Festival, followed by the 2011 Sydney Film Festival. After special screenings in Cochabamba's Southern Zone and for the Bolivian press, it opened in Bolivia on twelve screens on March 17, 2011.

Reception

Critical response

The film received generally positive reviews. Even the Rain has an approval rating of 88% on review aggregator website Rotten Tomatoes, based on 64 reviews, and an average rating of 7/10. Metacritic assigned the film a weighted average score of 69 out of 100, based on 20 critics, indicating "generally favourable reviews".

Roger Ebert admires the filmmakers' courage in choosing the Bolivian water crisis as subject matter, but notes potential hypocrisy, writing, "…at the end I looked in vain for a credit saying, 'No extras were underpaid in the making of this film.'" The New York Times writer Stephen Holden also raises this concern, asserting, "You can't help but wonder to what degree its makers exploited the extras recruited to play 16th-century Indians." Also, Holden addresses Costa's transformation, writing, "Mr. Tosar goes as far as he can to make the character's change of heart believable, but he can't accomplish the impossible." Contrarily, Marshall Fine of the Huffington Post views Tosar's efforts as praiseworthy, calling him "perfect as the producer: bull-headed, charming, conniving and wheedling when he needs to be – but a man with a vision, who ultimately gets his mind changed. Tosar makes his conflict not only credible but palpable." Praising the film overall, Ann Hornaday of The Washington Post calls Even the Rain "a story in which personal connections can transcend even the most crushing structures of history and politics."

Awards and nominations

Academy Award entry

The film was selected in September 2010 over Daniel Monzón's Cell 211 which also stars Luis Tosar, as the Spanish entry for the Best Foreign Language Film category at the 83rd Academy Awards. In January 2011, it landed a spot on the list of the top nine films in its category. However, it was not selected to be among the final five films nominated for the Oscar.

Ariel Awards

Best Ibero-American Film

Berlin International Film Festival

Panorama Audience Award, Fiction Film

Cinema Writers Circle Awards

Won

Best Cinematography (Alex Catalán)

Best Director (Icíar Bollaín)

Best Film (Icíar Bollaín)

Best Score (Alberto Iglesias)

Best Original Screenplay (Paul Laverty)

Best Supporting Actor (Karra Elejalde)

Nominated

Best Actor (Luis Tosar)

Best Editing (Ángel Hernández Zoido)

European Film Awards Nomination

Audience Award, Best Film

Goya Awards

Won

Historical context

The mayor and the Bolivian government were wrong to insist on an expensive and unnecessary dam. But the bigger problem was that [the state utility company] Semapa's water tariffs had been too low for too long, starving the system of investment. Had the tariffs been raised earlier, more cash would have been available to improve service. These twin failings meant that any new contract, public or private, was bound to lead to unacceptable price rises.

The restoration of civilian rule to Bolivia in 1982 ended decades of military dictatorships, but did not bring economic stability. In 1985, with hyperinflation at an annual rate of 25 thousand percent, few foreign investors would do business in the country. The Bolivian government turned to the World Bank as a last refuge against economic meltdown. For the next 20 years, successive governments followed the World Bank's provisions in order to qualify for continued loans from the organization. In order to move towards independent development, Bolivia privatised its railways, telephone system, national airlines, and hydrocarbon industry. In October 1999, the privatization of Cochabamba's municipal water supply followed, allowed by a new law and the investment of a new firm, Aguas del Tunari – a joint venture involving San Francisco-based Bechtel Corporation. The agreement involved the firm investing in a long-envisioned dam so they dramatically raised water rates.

Protests, largely organized through the Coordinadora in Defense of Water and Life, a community coalition, erupted in January, February, and April 2000, culminating in tens of thousands marching downtown and battling police in the 2000 Cochabamba protests. In April 2000, the national government reached an agreement with the Coordinadora to reverse the privatization. The wave of demonstrations and police violence was described as a public uprising against water prices.

Fact and fiction

The film conveys messages against colonialism and is based on the 2000 Cochabamba Water War. Strikes and protests eventually led engineering company Bechtel to abandon the Bolivian market after its water contract was cancelled, and a new company was installed under public control. However, in 2005, half of the 855,000 people in Cochabamba were still without water and the rest only received intermittent service (some for as little as three hours a day).