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FILM

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Overview

FILM(dzama) is a Canadian short drama film, directed by Deco Dawson and released in 2001. The film is a fictionalized biography of artist Marcel Dzama, as played by Dzama's real-life father Maurice, shot on Super 8 film in a surrealist manner influenced by the films of Salvador Dalí, Luis Buñuel, Man Ray and Guy Maddin. The film was the fifth and last in Dawson's FILM series of experimental short films, following FILM(luster), FILM(emend), FILM(knout) and FILM(lode). The film premiered at the 2001 Toronto International Film Festival, where it won the award for Best Canadian Short Film. References

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“Photography and cinema contributed in large part to the secularization of history, to fixing it in its visible, "objective" form at the expense of the myths that once traversed it. Today cinema can place all its talent, all its technology in the service of reanimating what it itself contributed to liquidating. It only resurrects ghosts, and it itself is lost therein.”
— Jean Baudrillard, Simulacra and Simulation (1981), p. 48
“… a pastime for helots, a diversion for uneducated, wretched, worn-out creatures who are consumed by their worries, … a spectacle which requires no concentration and presupposes no intelligence,… which kindles no light in the heart and awakens no hope other than the ridiculous one of someday becoming a ‘star’ in Los Angeles.”
— Georges Duhamel, describing cinema, Scènes de la vie future (1930), p. 58.
“As you see [filmmaking] makes me into a clown. And that happens to everyone – just look at Orson Welles or look at even people like Truffaut. They have become clowns.”
— Werner Herzog Werner Herzog Eats His Shoe (1980).
“Not even the church is so powerfully equipped to serve the public psychologically as is the motion picture company.”
— William Moulton Marston as quoted in Henry W. Levy's, "Professor to Cure Scenarios with Wrong Emotional Content: Dabbled in Movies While at Harvard; Now Sought By Hollywood with Offer of Favorable Contract", New York University News January 1929; The Secret History of Wonder Woman (2014) by Jill Lepore, p. 137.
“I make films that I would like to have seen when I was a young man.”
— Francois Truffaut, op. cit.
“Within Latin America, there is an important and hidden level of semi-professional, almost artisanal, production of feature films,especially in Bolivia, Ecuador, Peru and Venezuela. Like “Nollywood”, these films which are not released in theatres but rather circulated via street vendors or streaming on-line (mainly YouTube) are viewed by large audiences,with some titles becoming popular “hits”.”
— p.29

Quotes via Wikiquote (CC BY-SA), each with its original source.

Notable quotes

“Photography and cinema contributed in large part to the secularization of history, to fixing it in its visible, "objective" form at the expense of the myths that once traversed it. Today cinema can place all its talent, all its technology in the service of reanimating what it itself contributed to liquidating. It only resurrects ghosts, and it itself is lost therein.”
— Jean Baudrillard, Simulacra and Simulation (1981), p. 48
“… a pastime for helots, a diversion for uneducated, wretched, worn-out creatures who are consumed by their worries, … a spectacle which requires no concentration and presupposes no intelligence,… which kindles no light in the heart and awakens no hope other than the ridiculous one of someday becoming a ‘star’ in Los Angeles.”
— Georges Duhamel, describing cinema, Scènes de la vie future (1930), p. 58.
“As you see [filmmaking] makes me into a clown. And that happens to everyone – just look at Orson Welles or look at even people like Truffaut. They have become clowns.”
— Werner Herzog Werner Herzog Eats His Shoe (1980).
“Not even the church is so powerfully equipped to serve the public psychologically as is the motion picture company.”
— William Moulton Marston as quoted in Henry W. Levy's, "Professor to Cure Scenarios with Wrong Emotional Content: Dabbled in Movies While at Harvard; Now Sought By Hollywood with Offer of Favorable Contract", New York University News January 1929; The Secret History of Wonder Woman (2014) by Jill Lepore, p. 137.
“I make films that I would like to have seen when I was a young man.”
— Francois Truffaut, op. cit.
“Within Latin America, there is an important and hidden level of semi-professional, almost artisanal, production of feature films,especially in Bolivia, Ecuador, Peru and Venezuela. Like “Nollywood”, these films which are not released in theatres but rather circulated via street vendors or streaming on-line (mainly YouTube) are viewed by large audiences,with some titles becoming popular “hits”.”
— p.29

Quotes via Wikiquote (CC BY-SA), each with its original source.

Overview

From Wikipedia (CC BY-SA 4.0).

FILM

Comments

FILM

Comments

Overview

Notable quotes

FILM across IJR

Notable quotes

Overview

FILM across IJR