Frank Wakefield

Franklin Delano Roosevelt Wakefield (born June 26, 1934) is an American mandolin player in the bluegrass music style. Wakefield is known for his collaborations with a number of well-known bands, including Red Allen, Jimmy Martin, Don Reno, Jerry Garcia, David Grisman, The Stanley Brothers, and the Greenbriar Boys. Biography Born into a musical family in Emory Gap, Tennessee, Wakefield by age eight already knew how to play harmonica, guitar and bass. In 1950, his family moved to Dayton, Ohio. At the age of 16 he had switched to the mandolin and began playing music with his brother Ralph on guitar. The duo called themselves The Wakefield Brothers and in 1951, made their first radio appearance playing gospel and old-time music on WHIO in Dayton. In 1952 Wakefield began a long and productive collaboration with the bluegrass singer and guitar player, Red Allen. For the next 3 years Wakefield toured with Red Allen and the Blue Ridge Mountain Boys. Through the rest of the decade Wakefield also toured with Jimmy Martin and the Sunny Mountain Boys as well as Marvin Cobb and the Chain Mountain Boys, with whom he recorded his first 45 RPM—which included his now most famous bluegrass composition, "New Camptown Races". In 1958 Wakefield reunited with Red Allen and his band the Kentuckians. The popular Kentuckians cut many 45s in following years, had a weekly radio show, and even played at Carnegie Hall in 1963. Important CD recordings surviving from this period of Wakefield's career include Red Allen and Frank Wakefield: the Kitchen Tapes and Red Allen: the Folkway Years 1964-1983. In 1960, Wakefield moved to Washington, D.C., with Red Allen and there began giving private lessons. One of his students at this time was a young David Grisman. In the mid-1960s Wakefield began playing mandolin with the Greenbriar Boys as well as appearing with Ralph Stanley. Also in this period he began turning to new influences, composing classical mandolin sonatas and arranging classical pieces for traditional bluegrass instruments. This innovative style offered him the opportunity to play with the New York Philharmonic, led by Leonard Bernstein in 1967 and an invitation to appear as a guest with the Boston Pops in 1968.