The Frida Kahlo Museum (Spanish: Museo Frida Kahlo), also known as The Blue House (La Casa Azul) for the structure's cobalt-blue walls, is a historic house museum and art museum dedicated to the life and work of Mexican artist Frida Kahlo. It is in the Colonia del Carmen neighborhood of Coyoacán in Mexico City. The building was Kahlo's birthplace, the home where she grew up, lived with her husband Diego Rivera for a number of years, and where she later died in a room on the upper floor. In 1957, Rivera donated the home and its contents to turn it into a museum in Kahlo's honor.
The museum contains a collection of artwork by Kahlo, Rivera, and other artists, along with the couple's Mexican folk art, pre-Hispanic artifacts, photographs, memorabilia, and personal items. The collection is displayed in the rooms of the house that remains much as it was in the 1950s.
Contents
The Blue House
The house/museum is located in Colonia del Carmen area of the Coyoacán borough of Mexico City. Coyoacán, especially the Colonia del Carmen area, has had an intellectual and vanguard reputation since the 1920s, when it was the home of Salvador Novo, Octavio Paz, Mario Moreno and Dolores del Río. Today, the area is home of a number of the borough's museums. The house itself is located on the corner of Londres and Allende Streets, and it stands out for its cobalt-blue walls, giving it the name La Casa Azul (The Blue House). Like most of the other structures in the area, the house is built around a central courtyard with garden space, a tradition since colonial times. Originally, the house enclosed only three sides of this courtyard, but later the fourth side was added to enclose it entirely. The house covers 800m2 and the central courtyard is another 400m2. As it was built in 1904, it originally had French-style decorative features but later it was changed to the plainer façade seen today. The building has two floors with various bedrooms, studio space, a large kitchen and dining room. The entrance hall was decorated by a mosaic in natural stone by Mardonio Magaña of the Escuela de Pintura al Aire Libre in Coyoacán, inspired by the murals done by Juan O’Gorman at the Ciudad Universitaria.
Museum
Originally the house was the family home of Frida Kahlo, but since 1958, it has served as museum dedicated to her life and work. With about 25,000 visitors monthly, it is one of Mexico City's most-visited museums, and the most-visited site in Coyoacán. The museum is supported solely by ticket sales and donations.
The museum demonstrates the lifestyle of wealthy Mexican bohemian artists and intellectuals during the first half of the 20th century. The entrance ticket to the Casa Azul allows for free entrance into the nearby Anahuacalli Museum, which was also established by Diego Rivera. According to records and testimony, the house today looks much as it did in 1951, decorated with Mexican folk art, Kahlo's personal art collection, a large collection of pre-Hispanic artifacts, traditional Mexican cookware, linens, personal mementos such as photographs, postcards and letters, and works by José María Velasco, Paul Klee, and Diego Rivera. Much of the collection is in display cases designed for their preservation. The museum also contains a café and a small gift shop.
The museum consists of ten rooms. On the ground floor is a room that contains some of Kahlo's mostly minor works such as Frida y la cesárea, 1907–1954, Retrato de familia, 1934, Ruina, 1947, Retrato de Guillermo Kahlo, 1952, El marxismo dará salud, 1954 (showing Frida throwing away her crutches), with a watercolor Diario de Frida in the center. This room originally was the formal living room, where Frida and Diego entertained notable Mexican and international visitors and friends such as Sergei Eisenstein, Nelson Rockefeller, George Gershwin, caricaturist Miguel Covarrubias, and actresses Dolores del Río and María Félix.
The second and third rooms are dedicated to personal effects and mementos and to some of Rivera's works. The second room is filled with everyday items Frida used, letters, photographs, and notes. On the walls are pre-Hispanic necklaces and folk dresses, especially the Tehuana-style ones that were Frida's trademark. Paintings in the third room include Retrato de Carmen Portes Gil, 1921, Ofrenda del día de muertos, 1943, and Mujer con cuerpo de guitarra, 1916.
The fourth room contains contemporary paintings by artists such as Paul Klee, José María Velasco, Joaquín Clausel, Celia Calderón Orozco, and a sculpture by Mardonio Magaña. The fifth room contains two large Judas figures, "mujeres bonitos" figures from Tlatilco, State of Mexico and figures from the Teotihuacan culture. The large papier-mâché Judas figures and other papier-mâché monsters were traditionally filled with firecrackers and exploded on the Saturday before Easter.
History
The house was constructed in 1904 in Colonia Del Carmen in Coyoacán, which was established on lands that belonged to the former Hacienda del Carmen, a property of the Carmelites in the colonial period. At that time and during the first half of the 20th century, Coyoacán was officially part of the Federal District of Mexico City, but was still relatively rural and separate from Mexico City's urban sprawl. Since the late 19th century, a number of Mexico City's wealthy had built country homes in the area, often imitating the colonial designs of the past. Colonia del Carmen became popular with artists and intellectuals starting around the 1920s, due to the promotion of it by Francisco Sosa and the establishment of the Escuela de Pintura al Aire Libre (Open Air School of Painting) at the former San Pedro Mártir Hacienda in 1923. Originally, the exterior of the house was decorated in a French-inspired motif, which was popular in Mexico in the late 19th and early 20th centuries.
Frida Kahlo was born in this house in 1907, and it remained her family home throughout her life. She spent her last thirteen years of it here as well. Frida was the daughter of Wilhelm (Guillermo) Kahlo, who immigrated from Europe to Mexico and native Mexican Matilde Calderón y González. Frida spent her childhood in this house. She stated that during the Mexican Revolution, her mother would open the windows of this house to donate supplies to the Zapata army when it was in the area in 1913. She also spent large amount of time in the house convalescing, first in 1918 when she was struck with polio which would leave one leg shorter than the other. When she was 18, a trolley accident left her badly mangled. She spent about two years confined to her bed in casts and orthopedic devices. It was then she began to paint as a way to pass the time. One of the works from this time has Frida on what appears to be a stretcher, her body bandaged and located to the side of this house.
Frida met Diego Rivera while he was painting murals at the Secretaria de Educacion Publica building and invited him to the Casa Azul to see her work. Rivera soon began to be a regular visitor to the house. Other notable artists followed, making the house one of the area's meeting places. After marrying Rivera, Frida moved from her childhood home to an apartment on Paseo de la Reforma, but Rivera paid off the family's mortgage on the Casa Azul. For most of the 1930s, Frida lived in other places in Mexico City or abroad, but visited her family in the home frequently and it appears in a painting done in 1936 called Mis abuelos, mis padres y yo also called Arbol genealógico.