garden

Etymology

The etymology of the word gardening refers to enclosure: it is from Middle English gardin, from Anglo-French gardin, jardin, of Germanic origin; akin to Old High German gard, gart, an enclosure or compound, as in Stuttgart. See Grad (Slavic settlement) for more complete etymology. The words yard, court, and Latin hortus (meaning "garden", hence horticulture and orchard), are cognates—all referring to a defined enclosed space.

The term "garden" in British English refers to a small enclosed area of land, usually adjoining a building. This would be referred to as a yard in American English.

Uses

A garden can have aesthetic, functional, and recreational uses:

Cooperation with nature

Plant cultivation

Garden-based learning

Observation of nature

Bird- and insect-watching

Reflection on the changing seasons

Relaxation

Placing down different types of garden gnomes

Family dinners on the terrace

Children playing in the garden

Reading and relaxing in a hammock

Maintaining the flowerbeds

Pottering in the shed

Basking in warm sunshine

Escaping oppressive heat

Growing useful produce

Flowers to cut and bring inside for indoor beauty

Fresh herbs and vegetables for cooking

History

Asia

The earliest recorded Chinese gardens were created in the valley of the Yellow River, during the Shang dynasty (1600–1046 BC). These gardens were large, enclosed parks where the kings and nobles hunted game, or where fruit and vegetables were grown. Early inscriptions from this period, carved on tortoise shells, have three Chinese characters for garden, yòu (囿), pǔ (圃) and yuán (園). Yòu was a royal garden where birds and animals were kept, while pǔ was a garden for plants. During the Qin dynasty (221–206 BC), yuán became the character for all gardens. The old character for yuán is a small picture of a garden; it is enclosed in a square which can represent a wall, and has symbols which can represent the plan of a structure, a small square which can represent a pond, and a symbol for a plantation or a pomegranate tree.

A famous royal garden of the late Shang dynasty was the Terrace, Pond and Park of the Spirit (Lingtai, Lingzhao Lingyou) built by King Wenwang west of his capital city, Yin. The park was described in the Classic of Poetry this way:

Another early royal garden was Shaqui, or the Dunes of Sand, built by the last Shang ruler, King Zhou (1675–1029 BC). It was composed of an earth terrace, or tai, which served as an observation platform in the center of a large square park. It was described in one of the early classics of Chinese literature, the Records of the Grand Historian (Shiji). According to the Shiji, one of the most famous features of this garden was the Wine Pool and Meat Forest (酒池肉林). A large pool, big enough for several small boats, was constructed on the palace grounds, with inner linings of polished oval shaped stones from the seashore. The pool was then subsequently filled with wine. A small island was constructed in the middle of the pool, where trees were planted, which had skewers of roasted meat hanging from their branches. King Zhou and his friends and concubines drifted in their boats, drinking the wine with their hands and eating the roasted meat from the trees. Later Chinese philosophers and historians cited this garden as an example of decadence and bad taste.

During the Spring and Autumn period (722–481 BC), in 535 BC, the Terrace of Shanghua, with lavishly decorated palaces, was built by King Jing of the Zhou dynasty. In 505 BC, an even more elaborate garden, the Terrace of Gusu, was begun. It was located on the side of a mountain, and included a series of terraces connected by galleries, along with a lake where boats in the form of blue dragons navigated. From the highest terrace, a view extended as far as Lake Tai, the Great Lake.

Europe

Gardening was not recognized as an art form in Europe until the mid 16th century when it entered the political discourse, as a symbol of the concept of the "ideal republic". Evoking utopian imagery of the Garden of Eden, a time of abundance and plenty where humans didn't know hunger or the conflicts that arose from property disputes. John Evelyn wrote in the early 17th century, "there is not a more laborious life then is that of a good Gard'ners; but a labour full of tranquility and satisfaction; Natural and Instructive, and such as (if any) contributes to Piety and Contemplation." During the era of Enclosures, the agrarian collectivism of the feudal age was idealized in literary "fantasies of liberating regression to garden and wilderness".

Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII brought Italian craftsmen and garden designers, such as Pacello da Mercogliano, from Naples and ordered the construction of Italian-style gardens at his residence at the Château d'Amboise and at Château Gaillard, another private résidence in Amboise. His successor Henry II, who had also travelled to Italy and had met Leonardo da Vinci, created an Italian garden nearby at the Château de Blois. Beginning in 1528, King Francis I created new gardens at the Château de Fontainebleau, which featured fountains, parterres, a forest of pine trees brought from Provence, and the first artificial grotto in France. The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, and a second for Catherine de' Medici in 1560. In 1536, the architect Philibert de l'Orme, upon his return from Rome, created the gardens of the Château d'Anet following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.

The French formal garden (French: jardin à la française) contrasted with the design principles of the English landscape garden (French: jardin à l'anglaise) namely, to "force nature" instead of leaving it undisturbed. Typical French formal gardens had "parterres, geometrical shapes and neatly clipped topiary", in contrast to the English style of garden in which "plants and shrubs seem to grow naturally without artifice." By the mid-17th century axial symmetry had ascended to prominence in the French gardening traditions of Andre Mollet and Jacques Boyceau, from which the latter wrote: "All things, however beautiful they may be chosen, will be defective if they are not ordered and placed in proper symmetry." A good example of the French formal style are the Tuileries gardens in Paris which were originally designed during the reign of King Henry II in the mid-sixteenth century. The gardens were redesigned into the formal French style for the Sun King Louis XIV. The gardens were ordered into symmetrical lines: long rows of elm or chestnut trees, clipped hedgerows, along with parterres, "reflect[ing] the orderly triumph of man's will over nature."

Design

Garden design is the process of creating plans for the layout and planting of gardens and landscapes. Gardens may be designed by garden owners themselves, or by professionals. Professional garden designers tend to be trained in principles of design and horticulture, and have a knowledge and experience of using plants. Some professional garden designers are also landscape architects, a more formal level of training that usually requires an advanced degree and often an occupational license.

Elements of garden design include the layout of hard landscape, such as paths, rockeries, walls, water features, sitting areas and decking, as well as the plants themselves, with consideration for their horticultural requirements, their season-to-season appearance, lifespan, growth habit, size, speed of growth, and combinations with other plants and landscape features. Most gardens consist of a mixture of natural and constructed elements, although even very 'natural' gardens are always an inherently artificial creation. Natural elements present in a garden principally comprise flora (such as trees and weeds), fauna (such as arthropods and birds), soil, water, air and light. Constructed elements include not only paths, patios, decking, sculptures, drainage systems, lights and buildings (such as sheds, gazebos, pergolas and follies), but also living constructions such as flower beds, ponds and lawns.

Garden needs of maintenance are also taken into consideration. Including the time or funds available for regular maintenance, (this can affect the choices of plants regarding speed of growth) spreading or self-seeding of the plants (annual or perennial), bloom-time, and many other characteristics. Garden design can be roughly divided into two groups, formal and naturalistic gardens. The most important consideration in any garden design is how the garden will be utilized, followed closely by the desired stylistic genres, and the way the garden space will connect to the home or other structures in the surrounding areas. All of these considerations are subject to the budget limitations. Budget limitations can be addressed by a simpler garden style with fewer plants and less costly hard landscape materials, seeds rather than sod for lawns, and plants that grow quickly; alternatively, garden owners may choose to create their garden over time, area by area.

Environmental impact

Gardeners may cause environmental damage by the way they garden, or they may enhance their local environment.

Damage by gardeners can include direct destruction of natural habitats when houses and gardens are created; indirect habitat destruction and damage to provide garden materials such as peat, rock for rock gardens, and by the use of tap water to irrigate gardens; the death of living beings in the garden itself, such as the killing not only of slugs and snails but also their predators such as hedgehogs and song thrushes by metaldehyde slug killer; the death of living beings outside the garden, such as local species extinction by indiscriminate plant collectors; and climate change caused by greenhouse gases produced by gardening.

Climate change

Gardeners can help to prevent climate change in many ways, including the use of trees, shrubs, ground cover plants and other perennial plants in their gardens, turning garden waste into soil organic matter instead of burning it, keeping soil and compost heaps aerated, avoiding peat, switching from power tools to hand tools or changing their garden design so that power tools are not needed, and using nitrogen-fixing plants instead of nitrogen fertilizer.

Climate change will have many impacts on gardens; some studies suggest most of them will be negative. Gardens also contribute to climate change. Greenhouse gases can be produced by gardeners in many ways. The three main greenhouse gases are carbon dioxide, methane, and nitrous oxide. Gardeners produce carbon dioxide directly by over-cultivating soil and destroying soil carbon, by burning garden waste on bonfires, by using power tools which burn fossil fuel or use electricity generated by fossil fuels, and by using peat. Gardeners produce methane by compacting the soil and making it anaerobic, and by allowing their compost heaps to become compacted and anaerobic. Gardeners produce nitrous oxide by applying excess nitrogen fertilizer when plants are not actively growing so that the nitrogen in the fertilizer is converted by soil bacteria to nitrous oxide.

Irrigation

Some gardeners manage their gardens without using any water from outside the garden. Examples in Britain include Ventnor Botanic Garden on the Isle of Wight, and parts of Beth Chatto's garden in Essex, Sticky Wicket garden in Dorset, and the Royal Horticultural Society's gardens at Harlow Carr and Hyde Hall.

Rain gardens absorb rainfall falling onto nearby hard surfaces, rather than sending it into stormwater drains.