Gian Carlo Michelini

Gian Carlo Michelini, M.I. (born 7 July 1935) is an Italian-Taiwanese Roman Catholic priest. He moved to Taiwan in 1964, where he founded the Lanyang Dance Troupe. In 1996, Michelini helped establish the Yilan International Children's Folklore and Folkgame Festival. Early life and arrival in Taiwan A native of Bologna, Italy, Michelini was born on 7 July 1935. He first learned about the Chinese language and culture through his uncle, who had served as a missionary in China. Inspired by his uncle's experiences, Michelini became a priest. He settled in Taiwan in 1964, aged 29, and adopted the Chinese name Mi Ke-ling. Sponsored by the Camillian Order, Michelini spent the first two years of his life in Taiwan studying Mandarin in Hsinchu. While in Hsinchu, Michelini watched Chinese films to learn the language, and also viewed performances of Chinese opera and glove puppetry. Lanyang Dance Troupe Soon after he moved to Luodong, Yilan, Michelini founded the Lanyang Dance Troupe in 1966, which expanded into the Lanyang Youth Catholic Center. Both organizations were named for the Lanyang Plain. Choreographer Lin Mei-hong was a member of the Lanyang Dance Troupe's inaugural class and formally joined the troupe around the age of ten. The Lanyang Dance Troupe made its international debut in 1974, with a three-month long tour throughout Michelini's home country of Italy. Only 32 people saw the troupe's first Italian performance, because the show had not been adequately advertised. Despite the tour's inauspicious start, the troupe's reputation grew, and a performance for Pope Paul VI was booked. The Lanyang Dance Troupe then became the first performing arts company to perform for a pope in the Vatican. The troupe returned to Europe for another tour in 1975, followed by a South American tour from 1977 to 1978. As the troupe prepared for their return to Taiwan from South America, they were invited to stage the first Chinese cultural performance at the Disneyland Resort. The troupe subsequently toured in Central America. In the early 1980s, the Lanyang Dance Troupe worked with Henry Yu, a student of Tsai Jui-yueh's, on the Graham technique. In 1986, the Lanyang Dance Troupe began working with choreographers from Hong Kong. Lin Mei-hong returned to the troupe as choreographer in 1990, and has also served as director. Though the troupe began with an emphasis on Chinese court dances and folk dances, it later incorporated modern dance styles.