Girl

"Girl" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by John Lennon and credited to Lennon–McCartney. "Girl" was the last complete song recorded for that album. "Girl" is considered to be one of the most melancholic and complex of the Beatles' earlier love songs. Composition The song's instrumentation has specific similarities to Greek music, as with "And I Love Her" and "Michelle". As for the inspiration of the song's lyrics, Lennon stated that the "girl" was an archetype he had been searching for and would finally find in Yoko Ono. He said: "'Girl' is real. There is no such thing as the girl, she was a dream, but the words are all right. It wasn't just a song, and it was about that girl – that turned out to be Yoko, in the end – the one that a lot of us were looking for." In an interview for Rolling Stone magazine in 1980, Lennon said of his song "Woman": "Reminds me of a Beatles track, but I wasn't trying to make it sound like that. I did it as I did 'Girl' many years ago. So this is the grown-up version of 'Girl'." McCartney claimed that he contributed the lines "Was she told when she was young that pain would lead to pleasure" and "That a man must break his back to earn his day of leisure." However, in a 1970 interview with Rolling Stone, Lennon explained that he wrote these lines as a comment on Christianity, which he was "opposed to at the time". Lennon said: "I was just talking about Christianity, in that – a thing like you have to be tortured to attain heaven ... – be tortured and then it'll be alright, which seems to be a bit true but not in their concept of it. But I didn't believe in that, that you have to be tortured to attain anything, it just so happens that you were". Recording Author Ian MacDonald describes "Girl" as "Lennon's answer to McCartney's 'Michelle': another Euro-song, replacing his partner's suave mock-French with a decadent German two-step crossed with Mikis Theodorakis's music for Zorba the Greek". Performed by Lennon and George Harrison, the acoustic guitars on the track were played with capos, lending an extra brightness to their sound. Musicologist Walter Everett comments that one of Harrison's guitar parts has the capo positioned so high up the neck and is played by him in a manner that creates a "nasal, sitar-like 'bouzouki' sound".