Gloria Rolando

Gloria Victoria Rolando Casamayor, known as Gloria Rolando (born 4 April 1953), is a Cuban filmmaker and screenwriter. Her career as a director spans more than 35 years at the Cuban national film institute ICAIC, and she also heads Imágenes del Caribe, an independent film-making group. Her films, such as Reshipment (2014), characteristically document the history of people of the African diaspora. Biography Born in Havana, Cuba, in 1953, Gloria Rolando attended Amadeo Roldan Conservatory, from where she graduated in music theory, piano, harmony, music history and musical notation, and in 1976 earned a B.A. in Art History from the University of Havana. She then began working as an assistant director at the Cuban Institute of Cinematographic Arts and Industry (ICAIC). She did postgraduate studies in Caribbean Literature, presenting her final paper, "Emigration, a Recurring Theme in Caribbean Literature", at Havana University in 1987. Her documentaries take as their subject matter the history of the African diaspora in the Caribbean, using filmmaking as a way to preserve culture and spiritual values. Her first documentary, Oggun: An Eternal Presence (1991), which paid homage to those who have preserved the African Yoruba religion in Cuba, won the Premio de la Popularidad at the Festival de Video Mujer e Imagen in Ecuador in 1994, and Rolando went on to make more than a dozen other documentaries, winning several other awards. Interviewed in 2014 when her film Reshipment was touring the US, Rolando said: "When we talk about the African diaspora, sometimes people don't know very much about what happened in the history of the Caribbean—and Cuba is a Caribbean island that shared many destinies with other Caribbean countries. Even if we speak Spanish and others speak French or English, we have many things in common. So I think that the expectation, the interest and the reaction that I see [in U.S. audiences] are because people want to know what happened with the rest of the blacks in the continent. ...Through my films, they get a little bit. I cannot cover in a documentary of one hour the whole complexity of the history of the Caribbean countries, of our history as black people. But at least people [can] get some elements that allow them to continue studying or [doing more] research, especially the young generation."