"Halloween" is the fifth single by the American punk rock band Misfits. It was released on October 31, 1981 on singer Glenn Danzig's label Plan 9 Records. 5,000 copies of the single were pressed on black 7-inch vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply "Misfits". The "Halloween" single was the last Misfits release to include guitarist Bobby Steele. Both songs on the single had been recorded in August 1980 for a planned album. During the sessions bassist Jerry Only was grooming his younger brother Doyle Wolfgang von Frankenstein to join the band, and Doyle recorded his own guitar tracks and overdubs separately in addition to Steele's. The tracks were mixed in September, but in October Steele was ejected from the band in favor of Doyle and the planned album was scrapped. Three of the songs were released as the 3 Hits from Hell EP, while "Halloween" and "Halloween II" were released as a single. In 2001 Caroline Records attempted to release the complete sessions as 12 Hits from Hell, but production was called off after Danzig and Only expressed concerns with the album's layout, packaging, liner notes, mixing, and mastering. The lyrics to "Halloween II" are in nonstandard Latin, translating to: Re-releases and other versions Following the band's breakup in 1983, the 12 Hits from Hell version of "Halloween" was reissued on the 1985 compilation album Legacy of Brutality, one of the few tracks on the album not to have overdubbed guitar and bass tracks recorded by Danzig. The single versions of both songs were re-released on Collection II in 1995, and all of the versions were included in The Misfits box set in 1996, along with the 12 Hits from Hell studio recording of "Halloween II".

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“Halloween was close, our favorite holiday because it carried none of the pain-in-the-ass holiness of Christmas and still there was free candy.”
— Jeffrey Ford, Botch Town (2006), reprinted in The Empire of Ice Cream , p. 160
“In receiving something in their hands, they establish, on a symbolic level that they do not understand, a brotherly exchange between the visible and the invisible worlds. That is why the Halloween masquerades . . . are in fact sacred ceremonies.”
— Jean Markale comments in his book Halloween, histoire et traditions (Halloween—History and Traditions).
“It is as if French society were looking for a kind of civil religion capable of replacing Christian symbolism … At Halloween the dead are imitated and their ‘ghosts’ come back to frighten us and threaten us with death. On All Saints’ Day, in contrast, we affirm that the departed are alive and that we are promised to rejoin them in the City of God.”
— Hippolyte Simon, bishop of Clermont-Ferrand, Vers une France païenne? (Toward a Pagan France?)
“Halloween at the end of the millennium has become a major party night for adults, arguably the most important after New Year’s Eve. An estimated 65 percent of American adults take part in Halloween, beyond, that is, simply handing out candy.”
— p.6
“Halloween in the manner it is today. In the days of homemade costumes, revelers did not draw upon the stock characters from the early horror genre, whether Dracula, Frankenstein's monster, the Mummy, or King Kong. They were more likely to emulate Charlie Chaplin or Mae West than Universal pictures monsters.”
— p. 106

Quotes via Wikiquote (CC BY-SA), each with its original source.

"Halloween" is the fifth single by the American punk rock band Misfits. It was released on October 31, 1981 on singer Glenn Danzig's label Plan 9 Records. 5,000 copies of the single were pressed on black 7-inch vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply "Misfits".

Overview

"Halloween" is the fifth single by the American punk rock band Misfits. It was released on October 31, 1981 on singer Glenn Danzig's label Plan 9 Records. 5,000 copies of the single were pressed on black 7-inch vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply "Misfits". The "Halloween" single was the last Misfits release to include guitarist Bobby Steele. Both songs on the single had been recorded in August 1980 for a planned album. During the sessions bassist Jerry Only was grooming his younger brother Doyle Wolfgang von Frankenstein to join the band, and Doyle recorded his own guitar tracks and overdubs separately in addition to Steele's. The tracks were mixed in September, but in October Steele was ejected from the band in favor of Doyle and the planned album was scrapped. Three of the songs were released as the 3 Hits from Hell EP, while "Halloween" and "Halloween II" were released as a single. In 2001 Caroline Records attempted to release the complete sessions as 12 Hits from Hell, but production was called off after Danzig and Only expressed concerns with the album's layout, packaging, liner notes, mixing, and mastering. The lyrics to "Halloween II" are in nonstandard Latin, translating to: Re-releases and other versions Following the band's breakup in 1983, the 12 Hits from Hell version of "Halloween" was reissued on the 1985 compilation album Legacy of Brutality, one of the few tracks on the album not to have overdubbed guitar and bass tracks recorded by Danzig. The single versions of both songs were re-released on Collection II in 1995, and all of the versions were included in The Misfits box set in 1996, along with the 12 Hits from Hell studio recording of "Halloween II".

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“Halloween was close, our favorite holiday because it carried none of the pain-in-the-ass holiness of Christmas and still there was free candy.”
— Jeffrey Ford, Botch Town (2006), reprinted in The Empire of Ice Cream , p. 160
“In receiving something in their hands, they establish, on a symbolic level that they do not understand, a brotherly exchange between the visible and the invisible worlds. That is why the Halloween masquerades . . . are in fact sacred ceremonies.”
— Jean Markale comments in his book Halloween, histoire et traditions (Halloween—History and Traditions).
“It is as if French society were looking for a kind of civil religion capable of replacing Christian symbolism … At Halloween the dead are imitated and their ‘ghosts’ come back to frighten us and threaten us with death. On All Saints’ Day, in contrast, we affirm that the departed are alive and that we are promised to rejoin them in the City of God.”
— Hippolyte Simon, bishop of Clermont-Ferrand, Vers une France païenne? (Toward a Pagan France?)
“Halloween at the end of the millennium has become a major party night for adults, arguably the most important after New Year’s Eve. An estimated 65 percent of American adults take part in Halloween, beyond, that is, simply handing out candy.”
— p.6
“Halloween in the manner it is today. In the days of homemade costumes, revelers did not draw upon the stock characters from the early horror genre, whether Dracula, Frankenstein's monster, the Mummy, or King Kong. They were more likely to emulate Charlie Chaplin or Mae West than Universal pictures monsters.”
— p. 106

Quotes via Wikiquote (CC BY-SA), each with its original source.

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