Hulk

Concept and creation

The Hulk was created by Stan Lee and Jack Kirby. Lee cited influence from Frankenstein and Dr. Jekyll and Mr. Hyde in the Hulk's creation:

It was patently apparent that [the monstrous character the] Thing was the most popular character in [Marvel's recently created superhero team the] Fantastic Four. ... For a long time, I'd been aware of the fact that people were more likely to favor someone who was less than perfect. ... It's a safe bet that you remember Quasimodo, but how easily can you name any of the heroic, handsomer, more glamorous characters in The Hunchback of Notre Dame? And then there's Frankenstein ... I've always had a soft spot in my heart for the Frankenstein monster. No one could ever convince me that he was the bad guy. ... He never wanted to hurt anyone; he merely groped his torturous way through a second life trying to defend himself, trying to come to terms with those who sought to destroy him. ... I decided I might as well borrow from Dr. Jekyll and Mr. Hyde as well—our protagonist would constantly change from his normal identity to his superhuman alter ego and back again.

Kirby also stated the Frankenstein inspiration stating, "I did a story called "The Hulk"– a small feature, and it was quite different from the Hulk that we know. But I felt that the Hulk had possibilities, and I took this little character from the small feature and I transformed it into the Hulk that we know today.

Of course, I was experimenting with it. I thought the Hulk might be a good-looking Frankenstein. I felt there's a Frankenstein in all of us; I've seen it demonstrated. And I felt that the Hulk had the element of truth in it, and anything to me with the element of truth is valid and the reader relates to that. And if you dramatize it, the reader will enjoy it." Kirby also commented upon his influences in drawing the character, and recalled the inspiration of witnessing the hysterical strength of a mother lifting a car off her trapped child.

Lee has also compared Hulk to the golem of Jewish mythology. In The Science of Superheroes, Gresh and Weinberg see the Hulk as a reaction to the Cold War and the threat of nuclear attack, an interpretation shared by Weinstein in Up, Up and Oy Vey. This interpretation corresponds with other popularized fictional media created during this time period, which took advantage of the prevailing sense among Americans that nuclear power could produce monsters and mutants.

Publication history

1960s

The character first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby, and inked by Paul Reinman. The series lasted six issues until March 1963. Lee had written each story, with Kirby penciling the first five issues and Steve Ditko penciling and inking the sixth. The character immediately guest-starred in The Fantastic Four #12 (March 1963). Months later, Hulk became a founding member of the superhero team the Avengers, appearing in the first two issues of the team's eponymous series (Sept. and Nov. 1963). José Alaniz argues that the most striking feature of these issues is "the Hulk's utter alienation." The character returned to Avengers as an antagonist in issue #3 and as an ally in #5 (Jan.–May 1964). He then guest-starred in Fantastic Four #25–26 (April–May 1964), which revealed Banner's full name as Robert Bruce Banner, and The Amazing Spider-Man #14 (July 1964).

Around this time, co-creator Kirby received a letter from a college dormitory stating the Hulk had been chosen as its official mascot. Kirby and Lee realized their character had found an audience in college-age readers.

A year and a half after The Incredible Hulk was canceled, the Hulk became one of two features in Tales to Astonish, beginning in issue #60 (Oct. 1964).

This new Hulk feature was initially scripted by Lee, with pencils by Steve Ditko and inks by George Roussos. Other artists later in this run included Jack Kirby (#68–87, June 1965 – Oct. 1966); Gil Kane (credited as "Scott Edwards", #76, (Feb. 1966)); Bill Everett (#78–84, April–Oct. 1966); John Buscema (#85–87); and Marie Severin. The Tales to Astonish run introduced the super-villains the Leader, who would become the Hulk's nemesis, and the Abomination, another gamma-irradiated being. Marie Severin finished out the Hulk's run in Tales to Astonish. Beginning with issue #102 (April 1968) the book was retitled The Incredible Hulk vol. 2, and ran until 1999, when Marvel canceled the series and launched Hulk #1. Marvel filed for a trademark for "The Incredible Hulk" in 1967, and the United States Patent and Trademark Office issued the registration in 1970.

1970s

Len Wein wrote the series from 1974 through 1978, working first with Herb Trimpe, then, as of issue #194 (December 1975), with Sal Buscema, who was the regular artist for ten years. Issues #180–181 (Oct.–Nov. 1974) introduced Wolverine as an antagonist, who would go on to become one of Marvel Comics' most popular characters. In 1977, Marvel launched a second title, The Rampaging Hulk, a black-and-white comics magazine. This was originally conceived as a flashback series, set between the end of his original, short-lived solo title and the beginning of his feature in Tales to Astonish. After nine issues, the magazine was retitled The Hulk! and printed in color.

In 1977, two Hulk television films were aired to strong ratings, leading to an Incredible Hulk TV series that aired from 1978 to 1982. A huge ratings success, the series introduced the popular Hulk catchphrase "Don't make me angry. You wouldn't like me when I'm angry", and broadened the character's popularity from a niche comic book readership into the mainstream consciousness.

1980s

Bill Mantlo became the series' writer for five years beginning with issue #245 (March 1980). Mantlo's "Crossroads of Eternity" stories (#300–313 (Oct. 1984 – Nov. 1985)) explored the idea that Banner had suffered child abuse. Later Hulk writers Peter David and Greg Pak have called these stories an influence on their approaches to the character. Mantlo left the series for Alpha Flight and that series' writer John Byrne took over The Incredible Hulk. The final issue of Byrne's six issue run featured the wedding of Bruce Banner and Betty Ross. David began a 12-year run with issue #331 (May 1987). He returned to the Roger Stern and Mantlo abuse storylines, expanding the damage caused, and depicting Banner as suffering dissociative identity disorder (DID).

1990s and after

In 1998, David killed off Banner's long-time love Betty Ross. Marvel executives used Ross' death as an opportunity to pursue the return of the Savage Hulk. David disagreed, leading to his parting ways with Marvel. Also in 1998, Marvel relaunched The Rampaging Hulk as a standard comic book rather than as a comics magazine. The Incredible Hulk was again cancelled with issue #474 of its second volume in March 1999 and was replaced with a new series, Hulk the following month, with returning writer Byrne and art by Ron Garney. New series writer Paul Jenkins developed the Hulk's multiple dissociative identities, and his run was followed by Bruce Jones with his run featuring Banner being pursued by a secret conspiracy and aided by the mysterious Mr. Blue. Jones appended his 43-issue Incredible Hulk run with the limited series Hulk/Thing: Hard Knocks #1–4 (Nov. 2004 – Feb. 2005), which Marvel published after putting the ongoing series on hiatus. Peter David, who had initially signed a contract for the six-issue Tempest Fugit limited series, returned as writer when it was decided to make that story the first five parts of the revived (vol. 3). After a four-part tie-in to the "House of M" storyline and a one-issue epilogue, David left the series once more, citing the need to do non-Hulk work for the sake of his career.

Writer Greg Pak took over the series in 2006, leading the Hulk through several crossover storylines including "Planet Hulk" and "World War Hulk", which left the Hulk temporarily incapacitated and replaced as the series' title character by the demigod Hercules in the retitled The Incredible Hercules (Feb. 2008). The Hulk returned periodically in Hulk, which then starred the new Red Hulk. In September 2009, The Incredible Hulk was relaunched as The Incredible Hulk (vol. 2) #600. The series was retitled The Incredible Hulks with issue #612 (Nov. 2010) to encompass the Hulk's expanded family, and ran until issue #635 (Oct. 2011) when it was replaced with The Incredible Hulk (vol. 3) (15 issues, Dec. 2011 – Dec. 2012) written by Jason Aaron with art by Marc Silvestri. As part of Marvel's 2012 Marvel NOW! relaunch, a series called Indestructible Hulk (Nov. 2012) debuted under the creative team of Mark Waid and Leinil Yu. This series was replaced in 2014 with The Hulk by Waid and artist Mark Bagley.

A new series titled The Immortal Hulk, written by Al Ewing and drawn by Joe Bennett, was launched in 2018 and ran for 50 issues. The series had a spin-off one-shot Immortal She-Hulk and a spin-off series about Gamma Flight in June 2021.

In November 2021, Donny Cates became the new writer of Hulk, with Ryan Ottley joining as artist. In May 2022, the series did a crossover with the Thor series, also written by Cates, entitled Hulk vs Thor: Banner of War. The series ran for 14 issues, with Ottley taking over as writer for the last 4 issues afters Cates left the book.

Characterization

Fictional character biography

Robert Bruce Banner's psyche was profoundly affected by his troubled childhood, in which his father, Brian Banner, regarded him as a monster due to his seemingly unnatural intellect from a young age. These experiences caused Bruce to develop a dissociative identity disorder and repress his negative emotions as a coping mechanism. After Brian killed Bruce's mother in a fit of rage, Bruce lived with several relatives up until his high school years, when his intelligence caught the attention of the United States Army. Banner was recruited to develop nuclear weapons under the authority of General Thaddeus "Thunderbolt" Ross, and soon developed a relationship with the General's daughter Betty Ross.

During the experimental detonation of a gamma bomb, Banner saves teenager Rick Jones, who was dared onto the testing field; Banner pushes Jones into a trench to save him, but is hit with the blast, absorbing massive amounts of gamma radiation. He awakens later seemingly unscathed, but he begins transforming into a powerful and destructive creature upon nightfall, which a pursuing soldier describes as a "hulk". Banner's attempts to cure himself of these transformations alter their conditions, causing Banner to transform as a response to rage or fear. The Hulk is a founding member of the Avengers, but quickly leaves the group due to their distrust of him. Banner maintains the secret of his dual identity with Rick's aid, but Rick reveals his secret following his assumed death to Major Glenn Talbot who subsequently informed his superiors, forcing Banner to become a fugitive upon returning from the future where he was actually thrown to.

Psychiatrist Doc Samson captures the Hulk and manages to physically separate Banner and the Hulk, allowing Banner to marry Betty. However, Banner and the Hulk's molecular structure destabilized and threatened to kill them, requiring Samson to reunite them with the aid of Vision. Samson is later able to merge elements of Banner's fractured psyche to create Professor Hulk, an intelligent but egocentric variation of the Hulk. Professor Hulk soon becomes a key member of the Pantheon, a secretive organization of superpowered individuals. His tenure with the organization brings him into conflict with a tyrannical alternate future version of himself called the Maestro, who rules over a world where many heroes are dead. The Professor Hulk construct ultimately proves unstable, and Banner's psyche eventually splinters once more.

In "Planet Hulk", the Illuminati decide the Hulk is too dangerous to remain on Earth and send him away by rocket ship which crashes on the planet Sakaar. The Hulk finds allies in the Warbound and marries alien queen Caiera, a relationship that bears him two sons: Skaar and Hiro-Kala. After the Illuminati's ship explodes and kills Caiera, the Hulk returns to Earth with the Warbound and declares war on the planet in "World War Hulk". However, after learning that Miek, one of the Warbound, had actually been responsible for the destruction, the Hulk allows himself to be defeated, with Banner subsequently redeeming himself as a hero as he works with and against the new Red Hulk to defeat the new supervillain team the Intelligencia.

Personality

Like other long-lived characters, the Hulk's character and cultural interpretations have changed with time, adding or modifying character traits. The Hulk is typically seen as an immense, green skin hulking brute with larger jaws, exaggerated brows, black hair like Bruce's (but wilder and messy), a lower voice, and intense eyes, wearing only a pair of torn pants that survive his physical transformation as the character progressed. As Bruce Banner, the character is about 5 ft 10 in (1.78 m) tall and weighs 167 lbs (75.75 kg), but when transformed into the Hulk, the character stands between 7 and 8 ft (2.13 - 2.43 m) tall and weighs between 1,040 and 1,400 lbs (471.73 - 635.02 kg). The Gray Hulk stands 6 ft 6 in (1.98 m) tall and weighs 900 lbs (408.23 kg); the Merged Hulk stands 7 ft 6 in (2.28 m) tall and weighs 1,150 lbs (521.63 kg); the Green Scar stands 8 ft 8 in (2.64 m) tall and weighs 2,400 lbs (1.08 ton). The Devil Hulk is roughly the same size as Sasquatch, standing around 9 or 10 ft (2.74 / 3.04 m) tall and weighing roughly 2,000 lbs (907.18 kg). Following his debut, Banner's transformations were triggered at nightfall, turning him into a gray-skinned Hulk. In Incredible Hulk #2, the Hulk started to appear with green skin, and in Avengers #3 (1963) Banner realized that his transformations were now triggered by surges of adrenaline in response to feelings of fear, pain or anger. Incredible Hulk #227 (1978) established that the Hulk's separate identity was not due to the mutation affecting his brain, but because Banner was suffering from dissociative identity disorder, with the savage Green Hulk representing Banner's repressed childhood rage and aggression, and the Gray Hulk representing Banner's repressed selfish desires and urges.

During his decades of publication, Banner has been portrayed differently, but common themes persist. Banner, a physicist who earned his Ph.D. in nuclear physics from the California Institute of Technology (Caltech), is sarcastic and seemingly very self-assured when he first appears in Incredible Hulk #1, but is also emotionally withdrawn. Banner designed the gamma bomb that caused his affliction, and the ironic twist of his self-inflicted fate has been one of the most persistent common themes. Arie Kaplan describes the character thus: "Robert Bruce Banner lives in a constant state of panic, always wary that the monster inside him will erupt, and therefore he cannot form meaningful bonds with anyone." As a child, Banner's father Brian often got mad and physically abused both Banner and his mother, creating the psychological complex of fear, anger, and the fear of anger and the destruction it can cause that underlies the character. Banner has been shown to be emotionally repressed, but capable of deep love for Betty Ross and solving problems posed to him. Under the writing of Paul Jenkins, Banner was shown to be a capable fugitive, applying deductive reasoning and observation to figure out the events transpiring around him. On the occasions that Banner controlled the Hulk's body, he applied principles of physics to problems and challenges and used deductive reasoning. It was shown after his ability to turn into the Hulk was taken away by the red Hulk that Banner has been extremely versatile as well as cunning when dealing with the many situations that followed. When he was briefly separated from the Hulk by Doom, Banner became criminally insane, driven by his desire to regain the power of the Hulk, but once the two recombined he came to accept that he was a better person with the Hulk to provide something for him to focus on controlling rather than allowing his intellect to run without restraint against the world.

Powers and abilities

Considered to be one of the greatest scientific minds on Earth, Banner possesses "a mind so brilliant it cannot be measured on any known intelligence test." Norman Osborn estimates that he is the fourth most-intelligent person on Earth. Banner holds expertise in biology, chemistry, engineering, medicine, physiology, and nuclear physics. Using this knowledge, he creates advanced technology dubbed "Bannertech", which is on par with technological development from Tony Stark or Doctor Doom. These technologies include a teleporter and a force field that can protect him from the attacks of Hulk-level entities.

After becoming a fugitive from the law, Banner is forced to go on the run and over the years learns various skills in order to both survive and remain under radar of those who are hunting him. Banner's most frequent method of travel includes hitchhiking, train hopping or simply just walking as he is unable to travel legally via planes, passenger ships or buses due to being in several travel watchlists. Banner is generally on the move and rarely ever stays in one place for very long and only does so if there's a possibility of curing himself. He will only ever stay in one place for an extended period of time if it provides him with complete solitude and privacy where the Hulk can do little to no harm.

To avoid being tracked, Banner does not use cell phones, debit or credit cards and will only use payphones or cash. He will often use fake identities when staying at motels or working jobs that require identification. Having been on the run for years, Banner can normally tell when he is being followed and will generally make a run for it when he is discovered. Having traveled across the globe, Banner is able to sneak over borders without being detected and can get by, by either knowing or learning the local language. Often traveling light, Banner has little to no possessions that he carries in either a satchel or backpack. Often losing everything he owns after transforming into the Hulk, Banner avoids keeping anything of personal value to him so that he can easily replace the items and clothes that were lost or destroyed.

To support himself financially, Banner will work quick part-time jobs and will only accept payments in cash. These jobs have varied from simply working in low pay diners to working as a local doctor. Banner's work ethic as well as his vast knowledge and skillset in science, medicine and engineering often help him get hired rather quickly. Unless desperate, Banner will generally avoid jobs that are high stress due to the potential danger of transforming into the Hulk.

Supporting characters

Over the long publication history of the Hulk's adventures, many recurring characters have featured prominently, including his best friend and sidekick Rick Jones, love interest and wife Betty Ross and her father, the often adversarial General "Thunderbolt" Ross. Both Banner and Hulk have families created in their respective personas. Banner is son to Brian, an abusive father who killed Banner's mother while she tried to protect her son from his father's delusional attacks, and cousin to Jennifer Walters, the She-Hulk, who serves as his frequent ally. Banner had a stillborn child with Betty, while the Hulk has two sons with his deceased second wife Caiera, Skaar and Hiro-Kala, and his DNA was used to create a daughter named Lyra with Thundra.

The Fantastic Four #12 (March 1963), featured the Hulk's first battle with the Thing. Although many early Hulk stories involve Ross trying to capture or destroy the Hulk, the main villain is often a radiation-based character, like the Gargoyle or the Leader, along with other foes such as the Toad Men, or Asian warlord General Fang. Ross' daughter Betty loves Banner and criticizes her father for pursuing the Hulk. General Ross' right-hand man, Major Glenn Talbot, also loves Betty and is torn between pursuing Hulk and trying to gain Betty's love more honorably. Rick Jones serves as the Hulk's friend and sidekick in these early tales. The Hulk's archenemies are the Abomination and the Leader. The Abomination is more monstrous-looking, twice as strong as the Hulk at normal levels (however, the Abomination's strength levels do not increase when he gets angry) and wreaks havoc for fun and pleasure. The Leader is a gamma-irradiated super-genius who has tried plan after plan to take over the world.

Cultural impact

The Hulk character and the concepts behind it have been raised to the level of iconic status by many within and outside the comic book industry. In 2003, Official U.S. PlayStation Magazine claimed the character had "stood the test of time as a genuine icon of American pop culture." In 2008, the Hulk was listed as the 19th greatest comic book character by Wizard magazine. Empire magazine named him as the 14th-greatest comic-book character and the fifth-greatest Marvel character. In 2011, the Hulk placed No. 9 on IGN's list of "Top 100 Comic Book Heroes", and fourth on their list of "The Top 50 Avengers" in 2012.

Analysis

The Hulk is often viewed as a reaction to war. As well as being a reaction to the Cold War, the character has been a cipher for the frustrations the Vietnam War raised, and Ang Lee said that the Iraq War influenced his direction. In the Michael Nyman edited edition of The Guardian, Stefanie Diekmann explored Marvel Comics' reaction to the September 11 attacks. Diekmann discussed The Hulk's appearance in the 9/11 tribute comic Heroes, claiming that his greater prominence, alongside Captain America, aided in "stressing the connection between anger and justified violence without having to depict anything more than a well-known and well-respected protagonist." In Marvel: Five Fabulous Decades of the World's Greatest Comics, Les Daniels addresses the Hulk as an embodiment of cultural fears of radiation and nuclear science. He quotes Jack Kirby thus: "As long as we're experimenting with radioactivity, there's no telling what may happen, or how much our advancements in science may cost us." Daniels continues, "The Hulk became Marvel's most disturbing embodiment of the perils inherent in the atomic age."

In Comic Book Nation, Bradford Wright alludes to Hulk's counterculture status, referring to a 1965 Esquire magazine poll amongst college students which "revealed that student radicals ranked Spider-Man and the Hulk alongside the likes of Bob Dylan and Che Guevara as their favorite revolutionary icons." Wright goes on to cite examples of his anti-authority symbol status. Two of these are "The Ballad of the Hulk" by Jerry Jeff Walker, and the Rolling Stone cover for September 30, 1971, a full color Herb Trimpe piece commissioned for the magazine. The Hulk has been caricatured in such animated television series as The Simpsons, Robot Chicken, and Family Guy, and such comedy TV series as The Young Ones. The character is also used as a cultural reference point for someone displaying anger or agitation. For example, in a 2008 Daily Mirror review of an EastEnders episode, a character is described as going "into Incredible Hulk mode, smashing up his flat." In September 2019, British Prime Minister Boris Johnson likened himself to The Hulk in an interview with the Mail On Sunday, as political pressure built on him to request an extension to the date of the UK's withdrawal from the European Union.

The Hulk, especially his alter ego Bruce Banner, is also a common reference in hip-hop. The term was represented as an analogue to marijuana in Dr. Dre's 2001, while more conventional references are made in Ludacris and Jermaine Dupri's popular single "Welcome to Atlanta".

The 2003 Ang Lee-directed Hulk film saw discussion of the character's appeal to Asian Americans. The Taiwanese-born Ang Lee commented on the "subcurrent of repression" that underscored the character of The Hulk, and how that mirrored his own experience: "Growing up, my artistic leanings were always repressed—there was always pressure to do something 'useful,' like being a doctor." Jeff Yang, writing for the San Francisco Chronicle, extended this self-identification to Asian American culture, arguing that "the passive-aggressive streak runs deep among Asian Americans—especially those who have entered creative careers, often against their parents' wishes."

Other Marvel Comics characters called the Hulk

Prior to the debut of the Hulk in May 1962, Marvel had earlier monster characters that used the name the "Hulk", but had no direct relation.

In Strange Tales #75 (June 1960), Albert Poole built an armor he called the Hulk. In modern-day reprints, the character's name was changed to Grutan.

In Journey into Mystery #62 (Nov. 1960) was Xemnu the Living Hulk, a huge, furry alien monster who went by the name of the Hulk. Coincidentally, the character's debut story was also illustrated by Jack Kirby. The character reappeared in issue #66 (March 1961). Since then the character has been a mainstay in the Marvel Universe, and was renamed Xemnu the Living Titan.

A huge, orange, slimy monster called the Hulk was featured in a movie titled The Hulk in Tales to Astonish #21 (July 1961). In modern-day reprints, the character's name was changed to the Glop.

In other media

The character has been played in live-action and animation by a variety of actors. The character was first played in live-action by Bill Bixby and Lou Ferrigno in the 1978 television series The Incredible Hulk and its subsequent television films The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989), and The Death of the Incredible Hulk (1990), and Eric Bana in the film Hulk (2003). In the Marvel Cinematic Universe (MCU), the character was first portrayed by Edward Norton in the film The Incredible Hulk (2008) and by Mark Ruffalo in later appearances, including the films The Avengers (2012), Iron Man 3 (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers: Infinity War (2018), Captain Marvel (2019), Avengers: Endgame (2019), Shang-Chi and the Legend of the Ten Rings (2021), and Spider-Man: Brand New Day (2026), and the television series She-Hulk: Attorney at Law (2022) and What If...? (2021). Fred Tatasciore has voiced Hulk in various television series and video games, including The Avengers: Earth's Mightiest Heroes and Avengers Assemble.

Reception

The Hulk was ranked #1 on a listing of Marvel Comics' monster characters in 2015.

In 2018, CBR.com ranked The Thing (Bruce Banner) 2nd in their "Age of Apocalypse: The 30 Strongest Characters in Marvel's Coolest Alternate World" list.

In 2022, Screen Rant included Hulk in their "10 Most Powerful Hercules Villains in Marvel Comics" list.