Jacques Brel

Early life

Jacques Romain Georges Brel was born on 8 April 1929 in Schaerbeek, Brussels, to Élisabeth Lambertine "Lisette" (née Van Adorp) and Romain Brel. He came from a family of Flemish descent (who had adopted the French language); part of his family originated in Zandvoorde, near Ypres. His father worked for Conimex, an import–export firm, and later became co-director of a company that manufactured cardboard. Jacques and his elder brother Pierre grew up in an austere household, and attended a Catholic primary school, École Saint-Viateur, run by the order of Saint Viator. Remembered as a courteous and manageable pupil, Brel did well in reading and writing, but struggled through arithmetic and Dutch. The boys were also members of the local Boy Scout troop, and enjoyed their time at summer camp and on family outings to the North Sea coast. In Brussels, the family lived at 138, avenue du Diamant/Diamantlaan in Schaerbeek, then moved to 26, boulevard Belgica/Belgicalaan in Molenbeek-Saint-Jean, and finally settled at 7, rue Jacques Manne/Jacques Mannestraat in Anderlecht. Brel was close to his mother, fascinated by her generosity and sense of humour, which he inherited.

In September 1941, his parents enrolled Brel at the Institut Saint-Louis on the Rue du Marais/Broekstraat near the Botanical Garden of Brussels. Although he did poorly in many subjects, he did well in History and French, and showed a talent for writing. He helped set up the school's drama club, taking on his first stage roles with great enthusiasm. He wrote short stories, poems, and essays. In 1944, at the age of 15, Brel began playing the guitar. The following year he formed his own theatre group with friends and began writing plays. In the spring of 1947, during his final year at Saint-Louis, Brel wrote a short story titled "Frédéric" for a school magazine Le Grand Feu ("The Great Fire"). Published pseudonymously, the story is about a man on his deathbed who encourages his grandson to run away while the rest of the family makes arrangements for his funeral. Despite his growing talent for writing, Brel was not a good student, and failed many of his exams.

With an academic career not in his future, the 18-year-old Brel went to work at his father's cardboard factory in August 1947. His job at Vanneste and Brel was predictable and uninspiring—a routine that involved fixing prices and meeting customers. Apart from joining the company football team, he showed little interest in the company's social activities and events. Perhaps to offset the boredom of his daily office routine, he joined a local Catholic youth organisation, La Franche Cordée (FC), which had as its motto, "More is within you." Dedicated to philanthropic work, the group organised religious retreats, fundraising events, and food and clothing deliveries to orphanages and old people's homes. Brel supported these activities with great enthusiasm and believed strongly in FC's mission. His parents were pleased with their son's dedication, and provided him with the company van and family car to support his FC activities.

Music career

1953–1959

In January 1953, Brel performed at the cabaret La Rose Noire in Brussels. In February he signed a contract with Philips Records and recorded his first 78 rpm record, "Il Y A", which was released in March. The talent scout and artistic director at the record company, Jacques Canetti, invited him to move to Paris. Despite his family's objections and the added pressure of raising a second daughter, France, born on 12 July, he left Brussels for Paris in the autumn of 1953. In Paris Brel worked hard to get his career off the ground. He stayed at the Hotel Stevens and gave guitar lessons to artist-dancer Francesco Frediani to pay his rent. He found work on the cabaret circuit at venues such as L'Écluse, L'Échelle de Jacob, and in Jacques Canetti's cabaret Les Trois Baudets.

In 1954 Brel participated in the music contest Grand Prix de la Chanson in Knokke-le-Zoute, finishing a disappointing 27th out of 28 participants. One positive result of the experience was that the French star Juliette Gréco requested to sing one of Brel's songs, "Le diable (Ça va)" (The devil (It's OK)), at her up-and-coming concert at the prestigious Olympia music-hall. She went on to record the song that spring. In July 1954, Brel made his first appearance at the prestigious Olympia Theatre in Paris. Later that summer, he embarked on his first French tour, appearing on the bill with French singers Dario Moreno, Philippe Clay, and Catherine Sauvage. By the end of the year, Philips released his debut album, a nine-song, 10-inch LP called Jacques Brel et ses chansons ("Jacques Brel and His Songs").

In February 1955, Brel met Georges "Jojo" Pasquier, who would become the singer's closest friend, manager, and personal chauffeur. He began singing with a number of Christian associations, which later led to his nickname of Abbé ("Abbot") Brel. In March Brel's wife and children joined him in France and the family settled in the Paris suburb of Montreuil-sous-Bois on the Rue du Moulin à vent. In June he toured France again with Canetti's show Les Filles de Papa, which included Françoise Dorin, Perrette Souplex, and Suzanne Gabriello.

In March 1956, Brel performed in North Africa, Amsterdam, Lausanne, and throughout Belgium. In July, while visiting Grenoble, he met François Rauber, a classical pianist who would become his accompanist on future recordings. Rauber played a major role in providing Brel with the formal musical training he was lacking and was responsible for Brel's musical arrangements. In September Brel recorded "Quand on n'a que l'amour" ("When You Only Have Love"), which would prove to be his commercial breakthrough. The song was released in November on a Philips 7-inch EP Quand on n'a que l'amour. The song reached number three on the French music charts.

1960–1967

In January 1960, Brel's new impresario, Charles Marouani, organised a series of international concert tours for the singer that would take him from the French provinces to the then Soviet Union, the Middle East, Canada, and the United States. From 19 to 24 March, he appeared at the Ancienne Belgique in Brussels. On 19 October, he performed at Shepheard's Hotel in Cairo. The year's concert tours brought him international recognition and popularity. His appearances initiated the first United States release of a Jacques Brel recording, American Début, released on Columbia Records. It was a compilation of previously released Philips tracks.

In January 1961, Brel made a triumphant return to the Bobino. By now, the accordionist Jean Corti had joined his touring group. Between 22 February and 12 April, he recorded his fifth album for Philips simply titled No. 5, which introduced the future Brel classics "Marieke" and "Le Moribond" (The dying man). In March he toured Canada again. In Montreal he met French actress and singer Clairette Oddera at her club on the Rue Saint-Jacques. They would become good friends. While in Montreal, he appeared with Raymond Devos at La Comédie Canadienne. In May Brel performed at the Kurhaus of Scheveningen in The Hague in the Netherlands. From 12 to 29 October, he returned to the Olympia music hall in Paris with star billing, after Marlene Dietrich cancelled at the last minute. Many critics point to these inspired performances as the turning point in his career. The audiences responded with rapturous applause and the critics proclaimed him as the new star of French chanson.

In March 1962, Brel left Philips Records and signed a five-year contract with Barclay Records. The contract was to be renewed in 1967 for another six years. His first album release for his new label was a live album, Olympia 1961, recorded the previous year. On 6 March, he recorded his first song for Barclay, "Le plat Pays" (The flat country). During the second week of March, he recorded the remaining tracks for his sixth studio album, Les Bourgeois (The bourgeois). In addition to the title song and "Le plat Pays", the new album contained the future Brel classics "Madeleine", "Les Biches" (The does), and "La Statue" (The statue). In October, Brel set up his own music publishing company, Arlequin, which was soon renamed Éditions Musicales Pouchenel. Brel's wife Miche was appointed company director. In November he recorded "Les Bigotes", "Quand Maman reviendra" (When mother returns), "Les Filles et les chiens" (Girls and dogs), and "La Parlote" (The gossip) as singles.

1968–1972

Following his retirement from the concert stage, Brel's professional life focused on film. He would record only four more studio albums in the last decade of his life. In September 1968, he recorded the songs for the album, J'arrive (I'm coming), which was released later in the year. In addition to the title song, the album included "Vesoul", "Je suis un soir d'été" (I am a summer's evening), and "Un Enfant" (A child). In October 1968, his musical L'Homme de La Mancha (Man of La Mancha) premièred in Brussels, with Brel playing Don Quixote and Dario Moreno playing Sancho Panza. Moreno would die tragically only ten days before the musical's Paris première. From 23 to 27 November, Brel and his fellow cast-members recorded the studio album L'Homme de la Mancha. He adapted the book, translated the lyrics, directed the production, and played the lead role. This was the only time he ever adapted songs by other writers or appeared in a stage musical. The album contains his classic performance of "La Quête" (The quest). Moreno was replaced by Robert Manuel, and the first performance at the Théâtre des Champs-Élysées in Paris went ahead as planned on 11 December 1968. Brel's performance received unanimous praise. After 150 performances of L'Homme de La Mancha, he gave his final performance in the role of Don Quixote on 17 May 1969. He was never replaced.

In March 1970 Brel gave a one-off performance at the Salle Pleyel in Paris. Unusually this did not involve singing but instead recitation. In the first half of the performance he recited Sergei Prokofiev's famous story, Peter and the Wolf. In the second half he told the tale of Jean de Brunhoff's Babar the Elephant.

In 1972 Brel signed a special 30-year contract with Barclay Records. Although there were no new songs to record, Barclay persuaded him to return to the studio to re-record 11 of the better-known songs he cut for Philips Records during the early years of his music career. The result was the album Ne me quitte pas (Don't leave me), which contained the title track, "Marieke", "Les Flamandes" (Flemish women), "Quand on n'a que l'amour" (When you only have love), "Les Biches" (The does), "Le Moribond" (The dying man), "La Valse à mille temps" (The waltz in thousand time), and "Je ne sais pas" (I don't know). His earlier youthful energy was now lovingly harnessed by his longtime colleagues, arranger François Rauber and pianist Gerard Jouannest.

Film career

In 1967 Brel began his film career, appearing in André Cayatte's Les risques du métier (Risky business), co-starring Emmanuelle Riva, Jacques Harden, and Nadine Alari. Brel also produced the soundtrack with François Rauber. The film tells the story of a teenage girl who accuses her primary schoolteacher, Jean Doucet (Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct—one confessing to be his mistress. Doucet faces trial and hard labour if convicted. The film was released on 21 December 1967. Film critics praised Brel's performance.

In 1968 Brel appeared in his second film, La Bande à Bonnot (The Bonnot Gang), directed by Philippe Fourastié and co-starring Annie Girardot and Bruno Cremer. Once again, Brel produced the soundtrack with François Rauber. The story is set in 1911 Paris. Raymond-la-science (Brel), an anarchist, is released from prison after serving a sentence for spreading agitation among his co-workers. He meets up with his friends who live together with their families in the villa of their political leader. They get involved with the notorious Bonnot Gang—gangsters who revolt against society by robbing, stealing, and killing. The film was released on 30 October 1968.

In 1969 Brel appeared in his third film, Mon oncle Benjamin (My uncle Benjamin), directed by Édouard Molinaro and co-starring Claude Jade and Bernard Blier. He also produced the soundtrack. The film is a period piece, set in 1750 during the reign of Louis XV. Benjamin (Brel) is a country doctor in love with the beautiful innkeeper's daughter, Manette, but she refuses his advances until he produces a marriage contract. After suffering a humiliating practical joke and being condemned to prison, Benjamin escapes with Manette, who realises she prefers happiness to a marriage contract after all. The film was released on 28 November 1969.

In 1970 Brel appeared in his fourth feature film, Mont-Dragon , directed by Jean Valère and co-starring François Prévost, Paul le Person, and Catherine Rouvel, with a screen play by Robert Margerit. The story involves a soldier, Georges Dormond (Brel), who seduces Germaine de Boismesnil and is subsequently driven out of the army by one of Germaine's friends who is a colonel. After Germaine's husband dies, Dormond returns to the widow's castle seeking revenge. After seducing Pierrette the maid, he reminds Germaine of their past love affair and arranges a meeting with the widow, during which he undresses her, humiliates her, and then leaves. The orphan Marthe, who witnesses the scene, throws herself at Gaston, the colonel's orderly, to avenge her mother. Georges ridicules their feelings and forces Germaine to reveal her attachment to Pierrette, thereby causing a scandal. The film was released on 16 December 1970.

Final years and death

By early 1973, Brel knew that he was ill. He prepared his will, leaving everything to his wife Miche. In the spring he recorded a new single, "L'Enfance" (Childhood), the proceeds of which he donated to La Fondation Perce Neige, an association set up to help disabled children. After completing his last film L'emmerdeur, he took his daughters on a cruise. In November, he embarked on a two-month cruise across the Atlantic with five of his closest friends on the training ship Le Korrig.

Brel devoted the final years of his life to his passion for sailing. On 28 February 1974, he purchased the Askoy II, a 19-meter (62 ft), 42-tonne steel-hulled yawl built in Belgium in 1960. He began planning a three-year voyage to circumnavigate the world. In July, he set off on his world trip with Maddly Bamy and his daughter, France, aboard his new yacht. In August, while sailing around the Azores, he learned of the death of his old friend Jojo. He returned to France for his friend's funeral and stayed on to attend the September wedding of his daughter, Chantal. In October, following medical tests in the Canary Islands, Brel learned that he had a small tumour on his left lung. In November, he was rushed to a hospital in Brussels, where he underwent an operation. He was suffering from an advanced stage of lung cancer. Knowing his days were numbered, Brel issued a statement indicating that he wished to die alone in peace.

In January 1975, after 27 days at sea, the Askoy II anchored in the Fort-de-France Bay. From February to July, Brel cruised around the West Indies before going through the Panama Canal. In November, the Askoy II reached Atuona Bay at Hiva-Oa in the Marquesas Islands archipelago after spending 59 days crossing the Pacific Ocean. Jacques and Maddly decided to live in the Marquesas Islands, living on the Askoy II off the island of Hiva-Oa.

In 1976, Brel returned to Brussels twice for medical examinations. Against the advice of his doctors, he returned to the Marquesas, where the tropical climate was particularly unsuitable for his lungs. In June, after selling the Askoy II, he rented a small house in Atuona on the island of Hiva-Oa. In July, he renewed his pilot's licence and took advanced flying lessons with his friend Michel Gauthier. He purchased a twin-engine plane, which he named Jojo in memory of his lost friend. This enabled him to travel more easily from Hiva-Oa to Tahiti. He also used the private plane to transport food and other supplies to the inhabitants of the neighbouring islands.

Legacy

In the Francophone world, Brel left an enduring influence on music and culture. Further afield his influence has been somewhat tempered by differences in language, though he has influenced many artists globally. International artists (listed alphabetically below by last name) who have covered his songs include:

Translations

The songs of Jacques Brel have been translated into at least 95 languages.

Dutch

Brel occasionally included parts of his songs in Dutch, one of the three official languages of Belgium, as in "Marieke". He also recorded eight other Dutch versions of songs, such as "Mijn vlakke land" ("Le plat pays"), "Laat me niet alleen" ("Ne me quitte pas"), "Rosa", "De Burgerij" ("Les Bourgeois"), and "De Nuttelozen van de Nacht" ("Les paumés du petit matin"). Brel also recorded two obscure singles in Dutch, "De apen" ("Les Singes") and "Men vergeet niets" ("On n'oublie rien"), which were included in the 16-CD box set Boîte à bonbons by Barclay. So far unreleased is the song "Als men niets dan liefde heeft" ("Quand on n'a que l'amour"). "Marieke" was translated by Brel himself. Since his own command of Dutch was poor, most of Brel's later Dutch interpretations were translated by Ernst van Altena, with Brel's cooperation, and are generally considered to be relatively true to the original French and poetic. "De Apen" was translated by Eric Franssen. "Men vergeet niets" was translated by well known Flemish artist Will Ferdy. Popular singers from the Netherlands singing Brel's songs in Dutch have been Liesbeth List, Jan Mesdag and Jeroen Willems.

English

English versions of Jacques Brel songs have been recorded by a wide variety of artists. Rod McKuen was one of the first American artists to discover and translate Brel's songs. Canadian Terry Jacks' version of "Seasons in the Sun" (based on Brel's "Le Moribond") became a global pop hit in 1974, topping the charts internationally. "Seasons in the Sun" has seen its own renditions recorded by artists ranging from the Beach Boys to Nirvana. McKuen and Brel formed a close friendship. McKuen later wrote, "When news of Jacques' death came, I stayed locked in my bedroom and drank for a week."

During the 1960s, other English translations emerged on the folk music scene, including "The Dove" ("La colombe"), an anti-war lament recorded both by Joan Baez and Judy Collins. This was the only translation of a Brel song written by Alasdair Clayre, an Oxford-educated Englishman who had a brief career as a singer-songwriter before becoming an author, academic, and sometime producer of BBC documentaries.

In 1968 an American experimental musical Jacques Brel Is Alive and Well and Living in Paris made its debut. Consisting of 25 songs, the revue was performed by four vocalists, two males and two females. Jacques Brel contributed most of the music and French lyrics. English translations were provided by Eric Blau and Mort Shuman, a Brill Building songwriter responsible for such hits as "This Magic Moment", "Viva Las Vegas", "A Teenager in Love", and others. The production enjoyed considerable international success, and has since played throughout the world in various productions.

Scott Walker's first three solo albums, titled Scott, Scott 2, and Scott 3, released between 1967 and 1969, each contains three of the Blau–Shuman translations. Scott includes covers of "Amsterdam", "My Death" and "Mathilde"; Scott 2 includes "Jackie", "The Girls and the Dogs" and "Next"; and Scott 3 includes "Funeral Tango", "Sons Of" and "If You Go Away". The songs on the first of these, and Walker's single release of "Jackie" in 1968, were the earliest releases of the Blau-Shuman translations. Several of the original songs on these albums, and on the later Scott 4, can be seen as heavily influenced by Brel. The compilation Scott Walker Sings Jacques Brel contains all the Brel material that Walker covered on record. Walker also performed six Brel songs on his BBC television series between 1968 and 1969, including "Alone", a translation of "Seul".

In the 1970s, David Bowie began singing Brel's "Amsterdam" at a BBC session with John Peel and Evilan Tom. This version was released as the B-side to "Sorrow" in 1973, and was released as a bonus track on the 1990 reissue of Pin Ups. Dave Van Ronk also recorded this song, earlier, on Van Ronk. Bowie also sang "My Death" during his Ziggy Stardust period. This popular concert piece was never recorded in the studio. It appears on two of David Bowie's live albums: Live Santa Monica '72 and Ziggy Stardust - The Motion Picture. A similar version of this song was also recorded by Show of Hands.

German

Belgian-German singer Dieter Kaiser has translated 30 of Brel's songs and has gathered them in a booklet with over 100 other French chansons in German. Kaiser also issued a CD in German and a CD in French with various chansons of Brel. Klaus Hoffmann is another important German interpreter of Brel's songs, as is the Austrian actor Michael Heltau, who was asked by Brel himself to record his songs, using the translation of Werner Schneyder.

Other languages

Other language versions of Jacques Brel songs have been recorded by a wide variety of artists throughout the world. The most frequently recorded song in other languages is "Ne me quitte pas" (Don't leave me), with at least 1400 different recorded versions in 52 different languages. Most English versions use the freely translated "If You Go Away" by Rod McKuen, sung by Frank Sinatra and Barbra Streisand. Marlene Dietrich recorded the German version "Bitte geh' nicht fort" in 1963. At least 26 songs by Brel were translated to Hebrew (according to the Shironet website), and many of these translated versions were recorded by prominent singers, among them the famous Yossi Banai. Paris-based Colombian salsa singer Yuri Buenaventura performed the Spanish version, "No me dejes mas". Slovak chanteuse Hana Hegerová made the Czech version "Lásko prokletá" one of the pillars of her repertoire. Russian rock group Mumiy Troll recorded the Russian version, "Когда ты уйдёшь". Slovenian actor and songwriter Jure Ivanušič released the CD Srce v kovčku with his 16 authorial translations of Brel's songs into Slovenian in 2011. Armenian poet Slavik Chiloyan, who met Brel in Yerevan in 1968, translated a number of Brel's songs into Armenian. In 1968 singer Salome recorded the Catalan version "No em deixis mai". In 1970 Patty Pravo published the Italian version, "Non andare via", as a single, Gino Paoli had published the same version in 1962 as the B-side of his "Devi sapere" single. In 1968, English star Matt Monro and Mexican singer Angelica Maria recorded Spanish versions titled "No me dejes." In 2012, Mashrou' Leila, an indie band from Lebanon sang "ما تتركني هيك – ne me quitte pas". They performed the cover-version at Paleo Festival Nyon – (Chapiteau / Switzerland) in 2012.

Discography

Brel's recordings have been released in many different permutations, in different countries and in different formats, and are sometimes known by different titles. This discography is restricted to Brel's original albums, as collected and reissued on 23 September 2003 in the sixteen-CD box set of his work Boîte à bonbons, plus the additional album Chansons ou versions inédites de jeunesse, which was released for the first time as part of this box set. To mark the 25th anniversary of Brel's death, Barclay Records issued Comme quand on était beau (2003), a 3-volume DVD collection of Brel interviews and live performances as well as the compilation album Infiniment (2004). Both releases include five previously unpublished songs that Brel wrote in 1977: "La Cathédrale", "L'Amour est mort", "Mai 40", "Avec élégance", and "Sans exigences".

Awards and honours

In music

Patricia Lavila sings "Je n'ai jamais vu Jacques Brel chanter" in 1975, a song which refers to some of the author's songs and regrets that he left the stage so early.

In 1976, Pierre Perret recorded "Ma nouvelle adresse", a song about Brel's departure for Polynesia.

"Les vocalises de Brel", a tribute song by Nicolas Peyrac in 1977 that evokes the song "Amsterdam".

French singer Mannick sang "Brel" in 1979 on her album Je suis Ève, paying tribute to the singer who had died a few months earlier.

"Il pleut sur Bruxelles" (It rains in Brussels), a song recorded by Dalida in 1981 is a tribute to Brel, also referring to his song "Il neige sur Liège" (It snows in Liège)

"Gauguin (Lettre à Jacques Brel)", a song written and recorded by Barbara in 1990. This song evokes her memories of Brel and the famous painter Paul Gauguin, Jacques Brel's grave neighbour in Atuona in the Marquesas Islands.

Aux suivant(s) is a tribute album to Jacques Brel, released in 1998. It includes interpretations of Brel songs by Arno, Noir Désir, Alain Bashung, Matthieu Chedid, Stephan Eicher and others.

The band Starflam recorded a song Ce Plat Pays II in 1998.

Lucio Bukowski sings "Ode au grand Jacques" in 2011, a track from his EP Lucio Milkowski, using the titles of several Brel songs to create his own text.

Since 2000, the Jacques Brel Festival – created to allow young artists to make a name for themselves – has been held at the Edwige-Feuillère theatre in Vesoul, the town's tribute to the song of the same name.

In October 2008, the tribute musical De Bruxelles aux Marquises, retracing Brel's life through more than thirty songs, was presented in Brussels by the troupe Baltema.

Places and statues

Grateful for the famous song "Vesoul", the city of Vesoul paid tribute to Brel by giving his name to a college located in the Montmarin district in 1968.

In 1979, the town of Le Touquet-Paris-Plage in France honoured the poet by naming a municipal square after him.

Fondation Brel, a foundation in Brussels dedicated to the work and life of Jacque Brel, founded in 1981.

In 1982, the Jacques Brel station on line 5 of the Brussels metro was inaugurated.

The Jacques Brel Parc (fr) is located in Forest, Brussels. You can see a bust of him there.

In 1988, a statue Marieke was revealed in Bruges, Belgium to honor the song of the same name in which the city is mentioned.

A EuroCity train for the Paris – Dortmund connection, Jacques Brel, was opened in 1993.

A bronze statue of Brel by Chantal de La Chauvinière-Riant, from 1995, is installed in the city centre of Saint-Amand-Montrond, subprefecture of Cher.

The city of Verviers (Belgium) honours the poet by naming a quay of the Vesdre river after him.

In 2008, on the occasion of the commemoration of the thirtieth anniversary of his death, the Hiva Oa airfield in the Marquesas was officially renamed Hiva Oa – Jacques-Brel airfield. A monument to Brel has been erected on a lookout point on the airport road.

A bronze bust created by French sculptor Jean-Paul Lesbre was inaugurated at the Marquesas in 2008.

Other

Brel won the Dutch Edison award in 1962 for the album Jacques Brel.

The film Le Far-West was nominated for the Palme d'Or at the 1973 Cannes Film Festival.

In 1977, Brel won the Premio Tenco for his entire career.

The asteroid (3918) Brel is named in his honour, when discovered in 1988.

Anonymous Society – Brel posthumously won the Total Theatre Award for Best Overall Production in 1999.

In 2004, the album L'Integrale won an Edison award (Historical edition).

The class of 2015 of Sciences Po Lille is named after Brel.

A limited Belgian 10 Euro silver coin was issued in memory of Brel's 40th anniversary of his death in 2018.

On 15 November 2020, Google celebrated Brel with a Google Doodle.

Documentaries

"The World of Jacques Brel" by Annett Wolf released in 1971

"Brel parle" by Marc Lobet in 1971.

"Jacques Brel" by Frédéric Rossif in 1982.

"The unknown Jacques Brel" by Robbe De Hert and Klaartje Puttemans released in 2003.

"Jacques Brel op de Marquisen" by Herwig Deweerdt and Walter Ertvelt in 2005.

"Jacques Brel" as a part of the Flemish Belpop series in 2012.

"Jacques Brel, une vie à mille temps" as a part of the series Un jour, un destin in 2016.

"Jacques Brel, fou de vivre" by Philippe Kohly released in 2017.