1990s–2000s
Howard scored the romantic comedy Pretty Woman (1990) and received his first Academy Award nomination for his score for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including four more best original score Oscar nominations, for the Harrison Ford action feature The Fugitive (1993), the Julia Roberts romantic comedy My Best Friend's Wedding (1997), M. Night Shyamalan's The Village (2004), and Michael Clayton (2007). In addition, Howard scored the Western epic Wyatt Earp (1994), Kevin Costner's Waterworld (1995), and Primal Fear (1996). His collaborations on songs for One Fine Day (1996) and Junior (1994) garnered Oscar nominations for Best Song. Along with scoring small-scaled, independent films such as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997) (theme only – score was composed by John Frizzell), Vertical Limit (2000), and Collateral (2004). He has also scored four Disney animated feature films: Dinosaur (2000), Atlantis: The Lost Empire (2001), Treasure Planet (2002), and Raya and the Last Dragon (2021). Although he concentrates primarily on films, Howard has also contributed music for TV, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER (Howard also scored the two-hour pilot); he also provided the themes for The Sentinel and Gideon's Crossing, winning an Emmy for the latter.
He has scored many of Shyamalan's suspense thrillers, The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), and The Last Airbender (2010), notably dropping the intense, yet subtle, opening credit music for The Sixth Sense from the corresponding soundtrack album.
On October 14, 2005, Howard replaced Howard Shore as composer for King Kong, due to "differing creative aspirations for the score" between Shore and director Peter Jackson. The resultant score earned Howard his first Golden Globe nomination for Best Original Score. His work on Michael Clayton earned him an Oscar nomination. He followed in 2008 with his eighth Oscar nomination for Edward Zwick's Defiance. He also collaborated with Hans Zimmer on the scores for Batman Begins and its record-breaking sequel The Dark Knight.
Further works were The Happening, his sixth film with M. Night Shyamalan, Blood Diamond, Michael Clayton, The Water Horse: Legend of the Deep, I Am Legend, Charlie Wilson's War, and Shyamalan's 2010 film adaptation of the Nickelodeon series Avatar: the Last Airbender.
Howard debuted his work for symphony orchestra, I Would Plant A Tree, in February 2009 as part of the Pacific Symphony's annual American Composers Festival. The debut took place at the Renee and Henry Segerstrom Concert Hall in Costa Mesa, California, with the Symphony under the direction of Carl St.Clair.
After being replaced in later seasons, his original theme song for the hit TV show ER returned for the final episode of the series.