Jerry Jemmott

Gerald Stenhouse Jemmott (born March 22, 1946, in the Morrisania section of the Bronx, New York City) is an American bass guitarist. Jemmott was one of the chief session bass guitarists of the late 1960s and early 1970s, working with many of the period's well-known soul, blues and jazz artists. Biography Jemmott, who has won two Grammy Awards as a bassist, began playing acoustic bass at the age of eleven after he discovered Paul Chambers. Jemmott began his career at age twelve. After switching to bass guitar, he was discovered by saxophonist King Curtis in 1967. With his connection through Curtis to Atlantic Records, he soon began recording with other Atlantic recording artists, including Aretha Franklin, Ray Charles, Wilson Pickett, the Rascals, Roberta Flack, and Margie Joseph. He also recorded with B.B. King, Freddie King, Chuck Berry, Otis Rush, Champion Jack Dupree, Mike Bloomfield and accompanied Herbie Hancock, Freddie Hubbard, Erroll Garner, Les McCann, Eddie Harris, Houston Person, George Benson, Archie Shepp, Lionel Hampton, Herbie Mann, Eddie Palmieri and Charles Earland. He played the bass line on the song "Mr. Bojangles" and contributed to B.B. King's "The Thrill Is Gone". Jemmott and Duane Allman would fly down to Muscle Shoals, to record for Atlantic. In 1971 King Curtis recorded his Rhythm & Blues hit, "Live at Filmore West" with Jerry Jemmott, Bernard Purdie, Billy Preston, and other members of the Kingpins. After a near fatal auto accident in 1972, that involved singer Roberta Flack and guitarist, Cornell Dupree Jemmott put up the bass due to the injuries sustained, but would return in 1975 in the midst of the closure of many of the recording studios, due to emergence of compact home recording studios that utilized the syncing of the drum machine with the synthesizer, the precursor to the decline of recording industry and the emerging acceptance of the sound of digital recordings. He continued to work in film and theater as an arranger and conductor with John Williams and The Boston Pops. He was cited as a major influence by bassist Jaco Pastorius who incorporated Jemmott's funk bass lines into his own style.