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John Martin Feeney (February 1, 1894 – August 31, 1973), known professionally as John Ford, was an American film director. He was one of the most important and influential filmmakers of his generation. Ford made frequent use of location shooting and wide shots, in which his characters were framed against a vast, harsh, and rugged natural terrain.
Not who you're looking for? Others named John Ford: English Caroline dramatist and poet · American football player (born 1966) · Australian rules footballer, born 1931 · Scottish footballer (1893-1917)
“Maureen O'Hara is one of the actresses I most dislike. Everybody thought I was her lover. Actually, I hated her and she hated me, but she was right for the parts.”
“Do you know that Eugene O'Neill loved [(1940), based on a cycle of O'Neill's one-act sea plays]? Every month he had a print screened for him. It's a little thing that made me very proud of this picture.”
“Never. It's awful. When I am asked why I hardly ever move the camera, I answer that the actors are better paid than the stagehands and grips, so it's normal that they should work and move about a little more. You should never use technical gimmicks to create emotion.”
Quotes via Wikiquote (CC BY-SA), each with its original source.
Studio characters

Cheyenne Autumn
1964 · Director

Donovan's Reef
1963 · Director

The Man Who Shot Liberty Valance
1962 · Director

How the West Was Won
1962 · Director

Two Rode Together
1961 · Director

The Searchers
1956 · Director

The Quiet Man
1952 · Director

Rio Grande
1950 · Director

She Wore a Yellow Ribbon
1949 · Director

Fort Apache
1948 · Director

3 Godfathers
1948 · Director

My Darling Clementine
1946 · Director

How Green Was My Valley
1941 · Director

The Long Voyage Home
1940 · Director

The Grapes of Wrath
1940 · Director

Stagecoach
1939 · Director
The Birth of a Nation
1915