Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance. He wrote lyrics to the jazz tunes "Stolen Moments" and "Red Clay".
Contents
Early life
Born in Syracuse, New York, in 1932, Murphy was raised in a musical family, his parents having met when his father was appointed director of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York, where his grandmother and then his aunt were the church organists. Opera was also a presence in the Murphy home. He started piano lessons at the age of seven.
In his teens, Murphy joined his brother Dwight's jazz dance band as the singer (and occasional pianist), influenced by Peggy Lee, Nat "King" Cole, June Christy, Anita O'Day, and Ella Fitzgerald. The Jazz pianist Art Tatum was another early influence.
Murphy graduated from Syracuse University in 1953, having majored in Music and Drama. While there he was spotted singing at the Embassy Club by Sammy Davis Jr, who invited him to perform a guest spot at his own gig shortly afterwards, and put him in touch with TV host Steve Allen.
The following year Murphy moved to New York City, taking part-time jobs as he looked for work as an actor and singer. He appeared in productions for the Gilbert and Sullivan Light Opera Company and a musical version for television of Casey at the Bat. He also twice took second place at Apollo Theatre amateur singing contests.
The first albums
Murphy was eventually introduced to record producer Milt Gabler, who was an artist and repertoire director (A&R) for Decca. His resulting debut recording was Meet Mark Murphy (1956), followed closely by Let Yourself Go (1957).
After disappointing album sales, Murphy moved to Los Angeles in 1958. While in the city, he recorded three albums for Capitol Records, and had a minor hit single with "This Could Be the Start of Something". This was not enough for him to be retained by Capitol, however, so he returned to New York in the early '60s. Here he recorded two albums for Riverside Records: the album Rah (1961) included "Angel Eyes", a version of Horace Silver's "Doodlin'", and "Green Dolphin Street", featuring Bill Evans, Clark Terry, Urbie Green, Blue Mitchell and Wynton Kelly as accompanists. His favorite recording to date, That's How I Love the Blues, soon followed. In 1963, Murphy hit the charts across the country with his single of "Fly Me to the Moon" and was voted New Star of the Year in Down Beat Magazine's Reader's Poll. Around this time he fell under the spell of Miles Davis; for the rest of his career, Murphy maintained that he tried as far as possible to sing like Miles played.
London
In 1963, Murphy moved to London, England, where he quickly found acceptance and played frequently at Ronnie Scott's Club, as well as making regular appearances on BBC Radio. He recorded three more albums in London, and one in Germany that is among his best - Midnight Mood (1968). From London he made frequent trips to Holland, where he worked on Dutch radio, mainly with producer Joop de Roo. Between 1964 and 1972, he acted in a number of drama productions for TV and radio, and appeared as a singer in the 1967 British comedy film Just Like a Woman. Meanwhile, he continued to cultivate his jazz audiences in Europe, singing in clubs and on radio. It was in London that Murphy, who was gay, met his long-time partner Eddie O'Sullivan.
The Muse years
He returned to the States in 1972 and began recording an average of an album per year for more than 14 years on the Muse label. These included the Grammy-nominated albums Satisfaction Guaranteed, Bop for Kerouac and Nat's Choice: Nat King Cole Songbook Vol. II. Murphy's other highly regarded Muse recordings include Bridging a Gap (featuring Ron Carter, Jimmy Madison, Randy Brecker and Michael Brecker), Mark Murphy Sings (again featuring the Brecker Brothers along with David Sanborn), Living Room, Beauty And the Beast and Stolen Moments. Bop for Kerouac (1981), with Richie Cole and Bill Mays, was a result of Murphy's enthusiasm for the writing of Jack Kerouac, whom Murphy regarded as a soul-mate. It included readings from the author's books On the Road and The Subterraneans. Murphy followed it up with Kerouac Then And Now, released in 1989. Having been a fan of Brazilian music since the late 1950s, in 1984 together with the band Viva Brasil he recorded the album Brazil Song (Cancões do Brasil), which featured work by Antonio Carlos Jobim and Milton Nascimento. He wrote lyrics for the title track, by Oliver Nelson, of his Stolen Moments album, and it quickly became a radio favourite, remaining one of his most popular recordings.
New directions
In 1987, Murphy continued his explorations of Brazilian music by recording Night Mood, an album of songs by composer Ivan Lins, followed by the Grammy-nominated September Ballads - both on Milestone Records.
In the UK, Murphy's recorded output gained a new lease of life in the mid-Eighties during the acid jazz dance craze. DJ's, principally Gilles Peterson, played his bop and Latin recordings at club nights, creating a new generation of Mark Murphy fans. He continued to work extensively in Europe, recording in Germany, Holland, Austria, England, Italy, France, Sweden, Denmark and Slovenia, often as a guest artist. Murphy also appeared on UFO's last two releases (for Polydor Records), in which he wrote and rapped lyrics on songs composed with the group. This collaboration opened up further new audiences in the acid-jazz and hip-hop genres, demonstrating jazz's timelessness while transcending generations and styles.
In August 1997, BMG/RCA Victor released Song for the Geese, for which he received his fifth and final Grammy nomination. In that same month, the 32 Records label released a double CD anthology Stolen and Other Moments, which features some of his recordings for the now defunct Muse label. The CD features material from the two "Kerouac" albums and a selection of "the best of Mark Murphy". It was followed by three further anthologies.
After Muse boss Joe Fields sold the label and set up HighNote Records in its place, Murphy recorded five more albums for the new label, including Some Time Ago (2000), Links (2001) and Memories of You (2003).
Murphy's release Once to Every Heart (2005) on Verve, features sensuous ballads, where the listener can hear him singing at the top of his form, with an orchestra arranged by Nan Schwartz. It was one of the best-selling albums of Murphy's career. In 2007 Verve released Love is What Stays. Both albums were produced by German trumpeter Till Brönner.
Murphy also collaborated with Tenth & Parker, a modern UK electronica/acid jazz group on their Twenty:Twelve (2001) album; plus the Five Corners Quintet, a modern Finnish jazz band, appearing on their albums Chasin' the Jazz Gone By (2005) and Hot Corner (2008).
Discography
As leader
1956 Meet Mark Murphy (Decca)
1957 Let Yourself Go (Decca)
1959 This Could Be the Start of Something (Capitol)
1960 Mark Murphy's Hip Parade (Capitol)
1960 Playing the Field (Capitol)
1961 Rah (Riverside)
1962 That's How I Love the Blues! (Riverside)
1965 Swingin' Singin' Affair (Fontana)
1966 Who Can I Turn To & 11 Other Great Standards (Immediate)
1968 Midnight Mood (Saba)
1970 This Must Be Earth (Phoenix)
1972 Bridging a Gap (Muse)
1973 Mark II (Muse)
1975 Mark Murphy Sings...On the Red Clay, Naima and Other Great Songs (Muse)
1977 Mark Murphy Sings Mostly Dorothy Fields & Cy Coleman (Audiophile)
1978 Stolen Moments (Muse)
1979 Satisfaction Guaranteed (Muse)
1981 Bop for Kerouac (Muse)
1982 The Artistry of Mark Murphy (Muse)
1983 Brazil Song (Cancões Do Brasil) (Muse)
1983 Mark Murphy Sings the Nat "King" Cole Songbook, Volume One (Muse)
Guest appearances
With Candoli Brothers
1958 "That Old Black Magic"/"Body and Soul" – from Sessions Live (Calliope)
With Al Cohn
1962 "Like Love"/"Fly Away My Sadness" – from Everybody's Doin' the Bossa Nova (Riverside) and The Very Best of Latin Jazz (Not Now Music)
With Herb Geller
1975 "Sudden Senility"/"The Power of a Smile"/"Space A La Mode" – from "An American in Hamburg/ The View From Here" (Tramp Records)
With Metropole Orchestra
1975 "Out of This World"/"Get Happy (with Greetje Kauffeld)"/"Come Rain or Come Shine"/"Let's Fall in Love (with Greetje Kauffeld)"/"My Shining Hour (with Greetje Kauffeld)"/"Blues in the Night"/"Between the Devil and the Deep Blue Sea (with Greetie Kauffeld)"/"Medley: This Time the Dream's on Me/Ill Wind"(with Greetie Kauffeld)"/"Last Night When We Were Young"/"I've Got the World on a String"/"That Old Black Magic (with Greetje Kauffeld)" – from Plays the Music of Harold Arlen (Sonorama) and also on Metro`s Midnight Music (Dutch Radio Jazz 1970-75) (Sonorama) tracks recorded from the Dutch NOS Radio Show 1970–75.
With College of the Siskiyous Choir
1980 "A Tribute to Duke (Solitude)"/"Stolen Moments" – from College of the Siskiyous Choir with Guest Artist Mark Murphy (KM)
With Jeff Hamilton Quintet
1982 "Split Season Blues" – from Indiana (Concord)
With Blossom Dearie
1985 "Love Dance" – from Chez Walberg Part One, Vol. 9 (Daffodil)
Radio
1990 Mark Murphy 1990 KJAZ See's Sunday Night
Live performance by singer Mark Murphy with the Larry Dunlap Trio at Yoshi's Nitespot in Oakland CA on 7/20/1990. Broadcast on KJAZ 92.7 FM in Alameda CA. This set was on the See's Sunday Night program, hosted by Bud Spangler. Musicians: Mark Murphy (vocals), Larry Dunlap (piano), David Belove (bass), Eddie Marshall (drums).
1998 "Mark Murphy On Piano Jazz" on NPR's Piano Jazz with Marian McPartland (piano) and Sean Smith (bass)
"Sometimes I'm Happy" / "What's New" / "Song For The Geese" / "Detour Ahead" / "I'll Remember April" / "Blues" (McPartland)
Videos
1958 Stars of Jazz TV series hosted by Bobby Troup.
Two episodes with Mark Murphy: UCLA Film Library.
One episode with Shelly Manne features Mark Murphy on JazzLegends DVD Papa Jo Jones and the Drum Stars.
1976 Mark Murphy, Greetje Kauffeld & Metropole Orchestra - Cole Porter Tribute
March 7, 1976 - Dutch Television VARA - Metro's Music – with Greetje Kauffeld (vocals), Piet Noordijk (alto saxophone), Ferdinand Povel (tenor saxophone), Ack van Rooyen (trumpet), Peter Ypma (drums), Jacques Schols (bass), Dick Schallies (piano), Metropole Orchestra, Dolf van der Linden (conductor)
"Every Time We Say Goodbye" / "You're the Top" / "I Am in Love"
1976 Mark Murphy, Greetje Kauffeld & Metropole Orchestra - Jule Styne Tribute
March 1976 - Dutch Television VARA - Metro's Music – with Greetje Kauffeld (vocals), Piet Noordijk (alto saxophone), Ferdinand Povel (tenor saxophone), Ack van Rooyen (trumpet), Peter Ypma (drums), Jacques Schols (bass), Dick Schallies (piano), Metropole Orchestra, Dolf van der Linden (conductor)
"Time After Time" / "The Charm of You" / "Let It Snow! "Let It Snow! Let It Snow!" / "Just in Time" / "I Guess I'll Hang My Tears Out to Dry"
1976 Mark Murphy, Greetje Kauffeld & Metropole Orchestra - Jimmy McHugh Tribute
April 4, 1976 - Dutch Television VARA - Metro's Music – with Greetje Kauffeld (vocals), Piet Noordijk (alto saxophone), Ferdinand Povel (tenor saxophone), Ack van Rooyen (trumpet), Peter Ypma (drums), Jacques Schols (bass), Dick Schallies (piano), Metropole Orchestra, Dolf van der Linden (conductor)