Matthew M. Ross

Matthew Ross is an American film director, screenwriter, journalist and fiction writer based in Brooklyn. He is best known for writing and directing Frank & Lola, which debuted at the 2016 Sundance Film Festival and was later released by Universal Studios. Early life Born and raised in New York City, Ross attended Harvard University, where he graduated Cum Laude with Honors with a degree in Visual and Environmental Studies, concentrating in filmmaking. His senior thesis film Here Comes Your Man earned Magna Cum Laude Plus honors and was selected for a number of international film festivals. While in college, he was a four-year member of the Harvard Boxing Club. Journalism career Ross began his career as a film journalist. His first staff position of note was as a film reporter for Variety in 2000. At the age of 25, he was hired as the senior editor of Indiewire, overseeing the site's editorial coverage as well as writing a regular industry column, followed by a four-year stint as the managing editor of Filmmaker magazine. While at Filmmaker, Ross wrote many of the magazine's cover stories and major features, including profiles of directors Robert Altman, Steven Soderbergh, George Clooney, Todd Solondz, Alexander Payne, Richard Linklater, Robert Towne, Michel Gondry, among others. Ross eventually expanded his focus beyond film, writing pieces that ranged from feature profiles of MMA champions for FIGHT! magazine to long-form investigative journalism for Playboy. As a freelancer, his work has appeared in The Village Voice, Nerve, The Criterion Collection, and dozens of other publications. Film and television career Ross began making films in college, including the festival shorts Here Comes Your Man, A Hero's Welcome, Curtis and Clover, Lola, and Red Angel. Another short he made was Inspired By Bret Easton Ellis, commissioned by Ellis and described by critic Roger Ebert as "one terrific video!". He also directed, wrote and produced a nonfiction viral series about professional fighters, FIGHT! Life!, which logged over eight-million YouTube views as of 2019.