Mazu

Names and titles

In addition to Mazu or Ma-tsu, meaning "Maternal Ancestor" "Mother", "Granny", or "Grandmother", Lin Moniang is worshipped under other names and titles:

Mazupo (妈祖婆; 媽祖婆; 'Granny Mazu') or Ma Cho Po in Hokkien, a popular name in Fujian

A-Ma, also spelled Ah-Ma (阿媽; 'Mother', 'Grandmother'), a popular name in Macau

Linghui Furen ("Lady of Numinous Grace"), an official title conferred in 1156.

Linghui Fei ("Princess of Numinous Grace"), an official title conferred in 1192.

Tianfei ("Princess of Heaven", Wu Chinese: Thi-fi), fully Huguo Mingzhu Tianfei ("Illuminating Princess of Heaven who Protects the Nation"), an official title conferred in 1281.

Huguo Bimin Miaoling Zhaoying Hongren Puji Tianfei ("Heavenly Princess who Protects the Nation and Shelters the People, of Marvelous Numen, Brilliant Resonance, Magnanimous Kindness, and Universal Salvation"), an official title conferred in 1409.

Tianhou or Tianhou Shengmu (title used mostly in mainland China, Hong Kong, and Vietnam), also called Tin Hau in Cantonese, Thean Hou in Min Chinese and Thiên Hậu in Vietnamese (天后; 'Queen/Empress of Heaven'), an official title conferred in 1683.

Tianshang Shengmu ("Holy Heavenly Mother"; title used mostly in Taiwan)

Tongxian Lingnü (通贤灵女; 通賢靈女; 'Worthy & Efficacious Lady')

Shennü (神女; 'Divine Woman')

Zhaoxiao Chunzheng Fuji Ganying Shengfei ("Holy Princess of Clear Piety, Pure Faith, and Helpful Response"), an official title conferred during the reign of the Hongwu Emperor of the Ming.

History

Very little is known of the historical Lin Moniang. She was apparently a shamaness from a small fishing village on Meizhou Island, part of Fujian's Putian County, in the late 10th century. She probably did not live there, but on the nearby mainland. During this era, Fujian was greatly sinicized by influxes of refugees fleeing invasions of northern China and it has been hypothesised that Mazu's cult represented a hybridization of Chinese and native indigenous culture. The earliest record of her cult is from two centuries later, an 1150 inscription that mentions "she could foretell a man's good and ill luck" and, "after her death, the people erected a temple for her on her home island".

Legend

The legends around Lin Moniang's life were broadly established by the 12th century.

She was said to have been born under the reign of the Quanzhounese warlord Liu Congxiao (d. 962), in the Min Kingdom, which eventually developed into the specific date of the 23rd day of the third month of the Chinese lunar calendar in AD 960, the first year of the Song. The late Ming Great Collection of the Three Teachings' Origin and Development and Research into the Divine, placed her birth much earlier, in 742.

The early sources speak of her as "Miss Lin". Her given name Mo ("Silent One") or Moniang ("the Silent Girl") appeared later. It was said to have been chosen when she did not cry during birth or during the first month afterwards. She remained a quiet and pensive child as late as four. She was said to have been the sixth or seventh daughter of Lin Yuan (林願). He is now usually remembered as one of the local fishermen, although the 1593 edition of the Records of Research into the Divine made him Putian's chief military inspector. The family was helpful and popular within their village.

Late legends intended to justify Mazu's presence in Buddhist temples held that her parents had prayed to Guanyin for a son but received yet another daughter. In one version, her mother dreamt of Guanyin giving her a magical pill to induce pregnancy and woke to find the pill still in her hand. Rather than being born in the conventional way, Mazu shot from her mother at birth in the form of a fragrant flash of red light. Mazu was said to have been especially devoted to Guanyin or was even an incarnation of Guanyin. For her part, Mazu was said to have been entranced by a statue of Guanyin at a temple she visited as a child, after which she became an ardent Buddhist.

She is now often said to have studied religious literature, mastering Confucius by 8 and the principal Buddhist sutras by 11. The Account of the Blessings Revealed by the Princess of Heaven (天妃顯聖錄; 天妃显圣录; Tiānfēi Xiǎnshèng Lù) collected by her supposed descendants Lin Yaoyu (林堯俞; 林尧俞; Lín Yáoyú; fl. 1589) and Lin Linchang (林麟焻; Lín Línchàng; fl. 1670) claimed that, while still a girl, she was visited by a Taoist master (elsewhere a Buddhist monk) named Xuantong (玄通; Xuántōng) who recognized her Buddha nature. By 13, she had mastered the book of lore he had left her (玄微袐法; Xuánwēi Bìfǎ) and gained the abilities to see the future and visit places in spirit without travel.

Myths

In addition to the legends surrounding her earthly life, Mazu figures in a number of Chinese myths:

In one, the demons Qianliyan ("Thousand-Mile Eye") and Shunfeng'er ("Wind-Following Ear") both fell in love with her and she conceded that she would marry the one who defeated her in combat. Using her martial arts skills, however, she subdued them both and, after becoming friends, hired them as her guardian generals.

In a book of the Taoist Canon (太上老君說天妃救苦靈驗經; 太上老君说天妃救苦灵验经; Tàishàng Lǎojūn Shuō Tiānfēi Jiùkǔ Língyàn Jīng), the Jade Woman of Marvelous Deeds (妙行玉女) is a star from the Big Dipper brought to earth by Laojun, the divine form of Laozi, to show his compassion for those who might be lost at sea. She is incarnated as Mazu and swears not only to protect sailors but to oversee all facets of life and death, providing help to anyone who might call upon her.

Legacy

Worship

Mazuism is first attested in Huang Gongdu's c. 1140 poem "On the Shrine of the Smooth Crossing" (順濟廟; 顺济庙; Shùnjì Miào), which considered her a menial and misguided shamaness whose continued influence was inexplicable. He notes that her devotees danced and sang together and with their children. Shortly afterwards, Liao Pengfei (廖鵬飛)'s 1150 inscription at the village of Ninghai (now Qiaodou Village) in Putian was more respectful. It states that, "after her death, the people erected a temple for her on her home island" and that the Temple of the Sacred Mound (聖墩廟; 圣墩庙; Shèngdūn Miào) was raised in 1086 after some people in Ninghai saw it glowing, discovered a miraculous old raft or stump, and experienced a vision of "the goddess of Meizhou".

This structure had been renamed the Smooth Crossing Temple by Emperor Huizong of Song in 1123 after his envoy Lu Yundi (路允迪; Lù Yǔndí) was miraculously saved during a storm the year before while on an official mission to pay respects to the court of Goryeo upon the death of its king, Yejong, and to replace the Liao dynasty as the formal suzerains investing his successor, Injong.

Her worship subsequently spread: Li Junfu's early-13th century Putian Bishi records temples on Meizhou and at Qiaodou, Jiangkou, and Baihu. By 1257, Liu Kezhuang was noting Putian's "large market towns and small villages all have... shrines to the Princess" and that they had spread to Fengting to the south. By the end of the Song dynasty, there were at least 31 temples to Mazu, reaching at least as far as Shanghai in the north and Guangzhou in the south.

As Mazuism spread, it began to absorb the cults of other local shamanesses such as the other two of Xianyou's "Three Princesses" and even some lesser maritime and agricultural gods, including Liu Mian and Zhang the Heavenly Instructor. By the 12th century, she had already become a guardian to the people of Qiaodou when they suffered drought, flood, epidemic, piracy, or brigandage. She protected women during childbirth and assisted with conception.

As the patron of the seas, her temples were among the first erected by arriving overseas Chinese, as they gave thanks for their safe passage. Despite his Islamic upbringing, the Ming admiral and explorer Zheng He credited Mazu for protecting one of his journeys, prompting a new title in 1409. He patronized the Mazu temples of Nanjing and prevailed upon the Yongle Emperor to construct the city's Tianfei Palace; because of its imperial patronage and prominent location in the empire's southern capital, this was long the largest and highest-status center of Mazuism in China.

Pilgrimages

The primary temple festival in Mazuism is Lin Moniang's traditional birthday on the 23rd day of the 3rd month of the Chinese lunar calendar. In Taiwan, there are two major pilgrimages made in her honor, the Dajia Mazu Pilgrimage and the Baishatun Mazu Pilgrimage. In both festivals, pilgrims walk more than 300 kilometers to carry a litter containing statues of the goddess between two temples. Another major festival is that around the Tianhou Temple in Lukang. Depending on the year, Mazu's festival day may fall as early as mid-April or as late as mid-May.

The anniversary of her death or supposed ascension into Heaven is also celebrated, usually on the Double Ninth Festival (the ninth day of the ninth month of the lunar calendar).

The United Front Work Department of the Central Committee of the Chinese Communist Party (CCP) has utilized Mazu as a tool to advocate for Chinese unification. According to academic Chang Kuei-min of National Taiwan University, the CCP has "created a narrative that it is a champion of Chinese folk religion" and Mazu has become part of that narrative. In 2011, CCP general secretary Xi Jinping instructed cadres to "make full use" of Mazu for Chinese unification efforts. Temples in Taiwan, especially in rural areas, have been the most prominent targets for influence operations as they are meeting grounds for prominent local figures, and financial donations to temples remain unregulated. United front-linked groups have sponsored paid trips for Taiwanese to visit Mazu-related temples in Fujian.

In art

After her death, Mazu was remembered as a young lady who wore a red dress as she roamed over the seas. In religious statuary, she is usually clothed in the attire of an empress, and decorated with accessories such as a ceremonial hu tablet and a flat-topped imperial cap (冕冠; mian'guan) with rows of beads (liu) hanging from the front and back. Her temples are usually protected by the door gods Qianliyan (千里眼) and Shunfeng'er (順風耳). These vary in appearance but are frequently demons, Qianliyan red with two horns and two yellow sapphire eyes and Shunfeng'er green with one horn and two ruby eyes.

Lin Moniang (2000), a minor Fujianese TV series, was a dramatization of Mazu's life as a mortal. Mazu (海之傳說媽祖, 2007) was a Taiwanese animated feature film from the Chinese Cartoon Production Co. depicting her life as a shamaness and goddess. Its production director Teng Chiao admitted the limited appeal to the domestic market: "If young people were our primary target audience, we wouldn't tell the story of Mazu in the first place since they are not necessarily interested in the ancient legend[;] neither do they have loyalty to made-in-Taiwan productions". Instead, "when you look to global markets, the question that foreign buyers always ask is what can best represent Taiwan". Mazu, with its story about "a magic girl and two cute sidekicks [Mazu's door gods Qianliyan and Shunfeng'er] spiced up with a strong local flavor", was instead designed with an intent to appeal to international markets interested in Taiwan.