Nadine Gordimer

Early life

Gordimer was born to Jewish parents near Springs, an East Rand mining town outside Johannesburg. She was the second daughter of Isidore Gordimer (1887–1962), a Lithuanian Jewish immigrant watchmaker from Žagarė (then part of the Russian Empire), and Hannah "Nan" (née Myers) Gordimer (1897–1973), a British Jewish immigrant from London. Her father was raised with an Orthodox Jewish education before immigrating with his family to South Africa at the age of 13. Her mother was from an established family and came to South Africa at the age of 6 with her parents. Gordimer was raised in a secular household. Her mother was not religiously observant, and mostly assimilated, whereas her father maintained a membership of the local Orthodox synagogue and attended once a year for the Yom Kippur services.

Family background

Gordimer's early interest in racial and economic inequality in South Africa was shaped in part by her parents. Her father's experience as a refugee from Tsarist Russia helped form Gordimer's political identity, but he was neither an activist nor particularly sympathetic toward the experiences of black people under apartheid. Conversely, Gordimer saw activism by her mother, whose concern about the poverty and discrimination faced by black people in South Africa led her to found a crèche for black children. Gordimer also witnessed government repression first-hand as a teenager; the police raided her family home, confiscating letters and diaries from a servant's room.

Gordimer was educated at a Catholic convent school, but was largely home-bound as a child because her mother, for "strange reasons of her own", did not put her into school (apparently, she feared that Gordimer had a weak heart). Home-bound and often isolated, she began writing at an early age, and published her first stories in 1937 at the age of 13. Her first published work was a short story for children, "The Quest for Seen Gold", which appeared in the Children's Sunday Express in 1937; "Come Again Tomorrow", another children's story, appeared in Forum around the same time. At the age of 16, she had her first adult fiction published.

Career

Gordimer studied for a year at the University of the Witwatersrand, where she mixed for the first time with fellow professionals across the colour bar. She also became involved in the Sophiatown renaissance. She did not complete her degree, but moved to Johannesburg in 1948, where she lived thereafter. While taking classes in Johannesburg, she continued to write, publishing mostly in local South African magazines. She collected many of these early stories in Face to Face, published in 1949.

In 1951, The New Yorker accepted Gordimer's story "A Watcher of the Dead", beginning a long relationship, and bringing Gordimer's work to a much larger public. Gordimer, who said she believed the short story was the literary form for our age, continued to publish short stories in The New Yorker and other prominent literary journals. Her first publisher, Lulu Friedman, was the wife of the Parliamentarian Bernard Friedman, and it was at their house, "Tall Trees" in First Avenue, Lower Houghton, Johannesburg, that Gordimer met other anti-apartheid writers. Gordimer's first novel, The Lying Days, was published in 1953.

Activism and professional life

The arrest of her best friend, Bettie du Toit, in 1960 and the Sharpeville massacre spurred Gordimer's entry into the anti-apartheid movement. Thereafter, she quickly became active in South African politics, and was close friends with Nelson Mandela's defence attorneys (Bram Fischer and George Bizos) during his 1962 trial. She also helped Mandela edit his famous speech "I Am Prepared to Die", given from the defendant's dock at the trial. When Mandela was released from prison in 1990, she was one of the first people he wanted to see.

During the 1960s and 1970s, she continued to live in Johannesburg, although she occasionally left for short periods of time to teach at several universities in the United States. She had begun to achieve international literary recognition, receiving her first major literary award, the W. H. Smith Commonwealth Literary Award, in 1961. Throughout this time, Gordimer continued to demand through both her writing and her activism that South Africa re-examine and replace its long-held policy of apartheid. In 1973, she was nominated for the Nobel Prize in Literature by Artur Lundkvist of the Swedish Academy's Nobel committee.

During this time, the South African government banned several of her works, two for lengthy periods of time. The Late Bourgeois World was Gordimer's first personal experience with censorship; it was banned in 1976 for a decade by the South African government. A World of Strangers was banned for twelve years. Other works were censored for lesser amounts of time. Burger's Daughter, published in June 1979, was banned one month later. The Publications Committee's Appeal Board reversed the censorship of Burger's Daughter three months later, determining that the book was too one-sided to be subversive. Gordimer responded to this decision in Essential Gesture (1988), pointing out that the board banned two books by black authors at the same time it unbanned her own work. Gordimer's subsequent novels escaped censorship under apartheid. In 2001, a provincial education department temporarily removed July's People from the school reading list, along with works by other anti-apartheid writers, describing July's People as "deeply racist, superior and patronising"—a characterisation that Gordimer took as a grave insult, and that many literary and political figures protested.

In South Africa, she joined the African National Congress when it was still listed as an illegal organisation by the South African government. While never blindly loyal to any organisation, Gordimer saw the ANC as the best hope for reversing South Africa's treatment of black citizens. Rather than simply criticising the organisation for its perceived flaws, she advocated joining it to address them. She hid ANC leaders in her own home to aid their escape from arrest by the government, and she said that the proudest day of her life was when she testified at the 1986 Delmas Treason Trial on behalf of 22 South African anti-apartheid activists. (See Simon Nkoli, Mosiuoa Lekota, etc.) Throughout these years she also regularly took part in anti-apartheid demonstrations in South Africa, and traveled internationally speaking out against South African apartheid and discrimination and political repression.

Personal life

Gordimer had a daughter, Oriane (born 1950), by her first marriage in 1949 to Gerald Gavron (Gavronsky), a local dentist, from whom she was divorced within three years. In 1954, she married Reinhold Cassirer, a highly respected art dealer from the well-known German-Jewish Cassirer family. Cassirer established the South African Sotheby's and later ran his own gallery; their "wonderful marriage" lasted until his death from emphysema in 2001. Their son, Hugo, was born in 1955, and is a filmmaker in New York, with whom Gordimer collaborated on at least two documentaries. Gordimer's daughter, Oriane Gavronsky, has two children and lives in the South of France. Gordimer also spent time with her family in France, as she and Cassirer had bought a small hilltop home near Nice.

In a 1979-80 interview Gordimer, who was Jewish, identified as an atheist, but added: "I think I have a basically religious temperament, perhaps even a profoundly religious one." She was not involved in Jewish communal life, though both her husbands were Jewish. In a 1996 interview she said: "The only time I seriously enquired into religion was in my mid-thirties, when I experienced a strange kind of loss or lack in myself and thought this may be because I had no religion." She read Teilhard de Chardin, Simone Weil and books about world religions, continuing: "For the first time in my life I learned something about Judaism, the religion of my parents. But it didn't happen. I could not take the leap of faith." She did, however, feel that her moral values emerged from the Judeo-Christian tradition.

Gordimer did not believe that being from an oppressed people was the reason that she was engaged in the anti-apartheid struggle: "I get rather annoyed when people suggest that my engagement in the anti-apartheid struggle can somehow be traced back to my Jewishness... I refuse to accept that one must oneself have been exposed to prejudice and exploitation to be opposed to it. I like to think that all decent people, whatever their religious or ethnic background, have an equal responsibility to fight what is evil. To say otherwise is to concede too much."

In 2008, Gordimer defended her decision to attend a Jerusalem Writers Conference in Israel. Gordimer could be critical of Israel, but rejected comparison of its policies to apartheid in South Africa.

Until the end of her life, she lived in the same Herbert Baker-designed home in Parktown in Johannesburg for over five decades. In 2006, Gordimer was attacked in her home by robbers, sparking outrage in the country. Gordimer apparently refused to move into a gated complex, against the advice of some friends. Although her children and grandchildren lived overseas and friends had emigrated, she had no plans to leave South Africa permanently: "It's always been a nightmare in my mind, to be cut off."

Unauthorised biography

In 2006, Ronald Suresh Roberts published a biography of Gordimer titled No Cold Kitchen. She had granted Roberts interviews and access to her personal papers, with an understanding that she would authorise the biography in return for a right to review the manuscript before publication. However, Gordimer and Roberts failed to reach an agreement over his account of the illness and death of Gordimer's husband Reinhold Cassirer and an affair Gordimer had in the 1950s, as well as criticism of her views on the Israel–Palestine conflict. Gordimer disowned the book, accusing Roberts of breach of trust. Publishers Bloomsbury Publishing in London and Farrar, Straus and Giroux in New York subsequently withdrew from the project. Suresh subsequently criticised Gordimer for her decision and her stances on other issues.

Death

Gordimer died in her sleep at her Johannesburg home on 13 July 2014 at the age of 90.

Works, themes, and reception

Gordimer achieved lasting international recognition for her works, most of which deal with political issues, as well as the "moral and psychological tensions of her racially divided home country." Virtually all of Gordimer's works deal with themes of love and politics, particularly concerning race in South Africa. Always questioning power relations and truth, Gordimer tells stories of ordinary people, revealing moral ambiguities and choices. Her characterisation is nuanced, revealed more through the choices her characters make than through their claimed identities and beliefs. She also weaves in subtle details within the characters' names.

In 1985, writing in The New York Times, Joseph Lelyveld observed that whilst she achieved great acclaim overseas, reactions to her work in her native South Africa were "mixed":

People argued over whether her stories and novels are true to the situations that inspired them, which they easily assume they knew, or whether her style is too difficult. An outsider senses that she is undervalued by readers who have to live through the ambiguities and communicate across the social voids she describes. The problem of having to decide whether she is really writing about their own lives seems to get between them and her fiction as it does not for readers in the United States or Britain who, having their own ambiguities and voids, can recognize that her themes reach far beyond the suburbs of Johannesburg.

Gordimer herself reflected on this:

I have a sense from the way my books get reviewed there that they make people feel uncomfortable inside, and they resent it when you touch on that.

Overview of critical works

Her first published novel, The Lying Days (1953), takes place in Gordimer's hometown of Springs, Transvaal, an East Rand mining town near Johannesburg. Arguably a semi-autobiographical work, The Lying Days is a Bildungsroman, charting the growing political awareness of a young white woman, Helen, toward small-town life and South African racial division.

In her 1963 work, Occasion for Loving, Gordimer puts apartheid and love squarely together. Her protagonist, Ann Davis, is married to Boaz Davis, an ethnomusicologist, but in love with Gideon Shibalo, an artist with several failed relationships. Davis is white, however, and Shibalo is black, and South Africa's government criminalised such relationships.

Gordimer collected the James Tait Black Memorial Prize for A Guest of Honour in 1971 and, in common with a number of winners of this award, she was to go on to win the Booker Prize. The Booker was awarded to Gordimer for her 1974 novel, The Conservationist, and was a co-winner with Stanley Middleton's novel Holiday. The Conservationist explores Zulu culture and the world of a wealthy white industrialist through the eyes of Mehring, the antihero. Per Wästberg described The Conservationist as Gordimer's "densest and most poetical novel". Thematically covering the same ground as Olive Schreiner's The Story of an African Farm (1883) and J. M. Coetzee's In the Heart of the Country (1977), the "conservationist" seeks to conserve nature to preserve the apartheid system, keeping change at bay. When an unidentified corpse is found on his farm, Mehring does the "right thing" by providing it a proper burial; but the dead person haunts the work, a reminder of the bodies on which Mehring's vision would be built.

Gordimer's 1979 novel Burger's Daughter is the story of a woman analysing her relationship with her father, a martyr to the anti-apartheid movement. The child of two Communist and anti-apartheid revolutionaries, Rosa Burger finds herself drawn into political activism as well. Written in the aftermath of the 1976 Soweto uprising, the novel was shortly thereafter banned by the South African government. Gordimer described the novel as a "coded homage" to Bram Fischer, the lawyer who defended Nelson Mandela and other anti-apartheid activists.

In July's People (1981), she imagines a bloody South African revolution, in which white people are hunted and murdered after blacks revolt against the apartheid government. The work follows Maureen and Bamford Smales, an educated white couple, hiding for their lives with July, their long-time former servant. The novel plays off the various groups of "July's people": his family and his village, as well as the Smales. The story examines how people cope with the terrible choices forced on them by violence, race hatred, and the state.

Jewish themes and characters

Gordimer has occasionally given voice to Jewish characters, rituals and themes in her short stories and novels.

Kenneth Bonert, writing in The Forward, expressed the view that Jewish identity was rarely explored in her work: "For all of her Jewish heritage and personal connections (not only were her parents and family Jews, so were both of her husbands), overt signs of Jewishness are largely absent from her body of work. It's impossible to guess from the books alone that Gordimer was Jewish; and it would be easy to assume the contrary, since whenever Jews do appear in her fiction, they tend to be seen through the eyes of a non-Jew, looking in with almost anthropological fascination onto an alien culture."

In The Later Fiction by Nadine Gordimer (Palgrave Macmillan, 1993), edited by Bryce King, Michael Wade fostered a discussion on Jewish identity as a repressed theme in Gordimer's novel, A Sport of Nature (1987): "Any exploration of the Jewish theme in Nadine Gordimer's writing, especially her novels, in an exploration of the absent, the unwritten, the repressed." Wade noted parallels between Gordimer's white, Jewish social milieu with those of Jewish writers living in urban areas on America's east coast: "Jewishness functioning as a mysterious but ineluctable cultural component of individual identity and expressed as an aspect of the nominally Jewish writer's particular, unique quest for identity in a heterogeneous society".

Benjamin Ivry, writing in The Forward, highlighted several examples where Gordimer employed Jewish characters and themes: "Gordimer proved that indeed anything was possible when examining the personal significance of Yiddishkeit."

In 1951, she wrote "A Watcher of the Dead" for The New Yorker. It centres on the death of a Jewish grandmother and her family observing the ritual of Shemira, as they arrange for a shomer to watch over the body from the time of death until burial. The story later appeared in The Soft Voice of the Serpent the following year.

In the same collection, Gordimer's story, "The Defeated" appeared. It follows the narrator's friendship with a young Jewish immigrant, Miriam Saiyetowitz. Miriam's parents operate a Concession store among the mine compound stores. They later study together at university to become teachers, and Miriam marries a doctor. The narrator visits Miriam's parents on an impulse at their store, they feel abandoned by Miriam, who rarely visits from Johannesburg with their grandson. The narrator explained "I stood there in Miriam's guilt before the Saiyetovitzes, and they were silent, in the accusation of the humble." For Wade: "Miriam's punishment of her parents for their otherness is severe and complete, and conceals Gordimer's own desire to avenge her sense of displacement on her parents for their otherness."

Honours and awards

Nobel Prize in Literature

Nadine Gordimer was awarded the Nobel Prize in Literature in 1991 as the first South African and the first African female author. She had been nominated for the prize several years earlier from 1972 to 1974 by Swedish Academy member Artur Lundkvist. In 1974 she was shortlisted by the Nobel committee for a shared prize with Doris Lessing, and shortlisted again as one of the final five candidates for the 1975 prize.

Other awards and honours

W. H. Smith Commonwealth Literary Award for Friday's Footprint (1961)

James Tait Black Memorial Prize for A Guest of Honour (1972)

Booker Prize for The Conservationist (1974)

Central News Agency Literary Award for The Conservationist (1974)

Grand Aigle d'Or (France) (1975)

Orange Prize shortlist; she declined

Central News Agency Literary Award for Burger's Daughter (1979)

Central News Agency Literary Award for July's People (1981)

Scottish Arts Council Neil M. Gunn Fellowship (1981)

Modern Language Association Honorary Fellow (1984)

Rome Prize (1984)

Premio Malaparte (Italy) (1985)

Nelly Sachs Prize (Germany) (1985)

Bennett Award (United States) (1987)

Anisfield-Wolf Book Award for A Sport of Nature (1988)

Inducted as an honorary member into Phi Beta Kappa (1988)

Central News Agency Literary Award for My Son's Story (1990)

Nobel Prize for Literature (1991)

Films

In 1962, a Danish film adaptation of Gordimer's novel A World of Strangers, was released under the title Dilemma by Danish film director, Henning Carlsen, and starring Ivan Jackson, Evelyn Frank, and Marijke Mann. Gordimer co-wrote the screenplay with Carlsen. The film won the Grand prize at the 1962 Mannheim-Heidelberg International Filmfestival.

In the U.K. this film was released under the title A World of Strangers due to an unrelated U.K. crime thriller being released in the same year under the same name.

In 1982, seven of her short stories were adapted as short films for television by West German television makers. The stories included: "City Lovers"; "Six Feet of the Country"; "Country Lovers"; "Oral History"; "Praise"; "Good Climate, Friendly Inhabitants" and "A Chip of Glass Ruby". Gordimer set conditions for the German producers, allowing her to hire the directors and screenwriters and that they be South African. The seven stories also had to be sold together to TV broadcasters with no cuts permitted. Barney Simon adapted Gordimer's "Six Feet of the Country" and directed "City Lovers". Gordimer wrote five screenplays herself.

"City Lovers" was presented at the New York Film Festival in 1982. All seven films were released as "The Gordimer Stories" at the Film Forum in New York City in 1983. Vincent Canby praised the films as "first rate" in The New York Times. In the same newspaper, Joseph Lelyveld described the films as "honest and generally compelling reflection of Nadine Gordimer's South Africa, thanks to the artistic control she kept on the project."

The films were broadcast on American television by WNET in July 1985 as "The Nadine Gordimer Stories: Dramas of South Africa". Six of the seven films were filmed in South Africa, with "Oral History" filmed in Kenya. The films were not scheduled to be broadcast in South Africa.

Tribute

The Nadine Gordimer Short Story Award, one of the South African Literary Awards is named after her.

Following her death in 2014, the South African Jewish Board of Deputies paid tribute to her, with National Chairman Mary Kluk sharing that Gordimer was “a brave, principled woman who used her remarkable literary gifts to speak out on behalf of the oppressed in South Africa and expose the injustices to which they were subjected."

On 20 November 2015, Google celebrated her 92nd birthday with a Google Doodle.