New York Herald Tribune

Origins: 1835–1924

New York Herald

The New York Herald was founded on May 6, 1835, by James Gordon Bennett, a Scottish immigrant who came to the United States aged 24. Bennett, a firm Democrat, had established a name in the newspaper business in the 1820s with dispatches sent from Washington, D.C., to the New York Enquirer, most sharply critical of President John Quincy Adams and Secretary of State Henry Clay; one historian called Bennett "the first real Washington reporter". Bennett was also a pioneer in crime reporting; while writing about a murder trial in 1830, the attorney general of Massachusetts attempted to restrict the coverage of the newspapers: Bennett criticized the move as an "old, worm-eaten, Gothic dogma of the Court...to consider the publicity given to every event by the Press, as destructive to the interests of law and justice". The fight over access eventually overshadowed the trial itself.

Bennett founded the New York Globe in 1832 to promote the re-election of Andrew Jackson to the White House, but the paper quickly folded after the election. After a few years of journalistic piecework, he founded the Herald in 1835 as a penny newspaper, similar in some respects to Benjamin Day's Sun but with a strong emphasis on crime and financial coverage; the Herald "carried the most authentic and thorough list of market prices published anywhere; for these alone it commanded attention in financial circles". Bennett, who wrote much of the newspaper himself, "perfected the fresh, pointed prose practiced in the French press at its best". The publisher's coverage of the 1836 murder of Helen Jewett—which, for the first time in the American press, included excerpts from the murder victim's correspondence—made Bennett "the best known, if most notorious…journalist in the country".

Bennett put his profits back into his newspaper, establishing a Washington bureau and recruiting correspondents in Europe to provide the "first systematic foreign coverage" in an American newspaper. By 1839, the Herald's circulation exceeded that of The London Times. When the Mexican–American War broke out in 1846, the Herald assigned a reporter to the conflict—the only newspaper in New York to do so—and used the telegraph, then a new technology, to not only beat competitors with news but provide Washington policymakers with the first reports from the conflict. During the American Civil War, Bennett kept at least 24 correspondents in the field, opened a Southern desk and had reporters comb the hospitals to develop lists of casualties and deliver messages from the wounded to their families.

New-York Tribune

The New-York Tribune was founded by Horace Greeley in 1841. Greeley, a native of New Hampshire, had begun publishing a weekly paper called The New-Yorker (unrelated to the magazine of the same name) in 1834, which won attention for its political reporting and editorials. Joining the Whig Party, Greeley published The Jeffersonian, which helped elect William H. Seward Governor of New York State in 1838, and then the Log Cabin, which advocated for the election of William Henry Harrison in the 1840 presidential election, attained a circulation of 80,000 and turned a small profit.

With Whigs in power, Greeley saw the opportunity to launch a daily penny newspaper for their constituency. The New-York Tribune launched on April 10, 1841. Unlike the Herald or the Sun, it generally shied about from graphic crime coverage; Greeley saw his newspaper as having a moral mission to uplift society, and frequently focused his energies on the newspaper's editorials—"weapons…in a ceaseless war to improve society"—and political coverage. While a lifelong opponent of slavery and, for time, a proponent of socialism, Greeley's attitudes were never exactly fixed: "The result was a potpourri of philosophical inconsistencies and contradictions that undermined Greeley's effectiveness as both logician and polemicist." However, his moralism appealed to rural America; with six months of beginning the Tribune, Greeley combined The New-Yorker and The Log Cabin into a new publication, the Weekly Tribune. The weekly version circulated nationwide, serving as a digest of news melded with agriculture tips. Offering prizes like strawberry plants and gold pens to salesmen, the Weekly Tribune reached a circulation of 50,000 within 10 years, outpacing the Herald's weekly edition.

The Tribune's ranks included Henry Raymond, who later founded The New York Times, and Charles Dana, who would later edit and partly own The Sun for nearly three decades. Dana served as second-in-command to Greeley, but Greeley abruptly fired him in 1862, after years of personality conflicts between the two men. Raymond, who felt he was "overused and underpaid" as a reporter on the Tribune staff, later served in the New York State Assembly and, with the backing of bankers in Albany, founded the Times in 1851, which quickly became a rival for the Whig readership that Greeley cultivated.

After the Civil War, Bennett turned over daily operations of the Herald to his son James Gordon Bennett Jr., and lived in seclusion until his death in 1872. That year, Greeley, who had been an early supporter of the Republican Party, had called for reconciliation of North and South following the war and criticized Radical Reconstruction. Gradually becoming disenchanted with Ulysses S. Grant, Greeley became the surprise nominee of the Liberal Republican faction of the party (and the Democrats) in the 1872 presidential election. The editor had left daily operations of the Tribune to his protege, Whitelaw Reid; he attempted to resume his job after the election, but was badly hurt by a piece (intended humorously) that said Greeley's defeat would chase political office seekers from the Tribune and allow the staff to "manage our own newspaper without being called aside every hour to help lazy people whom we don't know and…benefit people who don't deserve assistance". The piece was widely (and incorrectly) attributed to Greeley as a sign of bitterness at the outcome; Reid refused to print Greeley's furious disclaimer of the story, and by the end of the month, Greeley had died.

Decline under second generation

Both newspapers went into gradual decline under their new proprietors. James Gordon Bennett Jr.—"a swaggering, precociously dissolute lout who rarely stifled an impulse"—had a mercurial reign. He launched the New York Telegram, an evening paper, in the late 1860s and kept the Herald the most comprehensive source of news among the city's newspapers. Bennett also bankrolled Henry Morton Stanley's trek through Africa to find David Livingstone, and scooped the competition on the Battle of Little Big Horn. However, Bennett ruled his paper with a heavy hand, telling his executives at one point that he was the "only reader of this paper": "I am the only one to be pleased. If I want it turned upside down, it must be turned upside down. I want one feature article a day. If I say the feature is black beetles, black beetles it's going to be." In 1874, the Herald ran the infamous New York Zoo hoax, where the front page of the newspaper was devoted entirely to a fabricated story of animals getting loose at the Central Park Zoo.

Whitelaw Reid, who won control of the Tribune in part due to the likely assistance of financier Jay Gould, turned the newspaper into an orthodox Republican organ, wearing "its stubborn editorial and typographical conservatism…as a badge of honor". Reid's hostility to labor led him to bankroll Ottmar Mergenthaler's development of the linotype machine in 1886, which quickly spread throughout the industry. However, his day-to-day involvement in the operations of the Tribune declined after 1888, when he was appointed Minister to France and largely focused on his political career; Reid even missed a large-scale 50th anniversary party for the Tribune in 1891. Despite this, the paper remained profitable due to an educated and wealthy readership that attracted advertisers.

The Herald was the largest circulation newspaper in New York City until 1884. Joseph Pulitzer, who came from St. Louis and purchased the New York World in 1882, aggressively marketed a mix of crime stories and social reform editorials to a predominantly immigrant audience, and saw his circulation quickly surpass those of more established publishers. Bennett, who had moved permanently to Paris in 1877 after publicly urinating in the fireplace or piano of his fiancée's parents (the exact location differed in witnesses' memories) spent the Herald's still sizable profits on his own lifestyle, and the Herald's circulation stagnated. Bennett respected Pulitzer, and even ran an editorial praising the publisher of The World after health problems forced him to relinquish the editorship of the paper in 1890. However, he despised William Randolph Hearst, who purchased the New York Journal in 1895 and attempted to ape Pulitzer's methods in a more sensationalistic manner. The challenge of The World and the Journal spurred Bennett to revitalize the paper; the Herald competed keenly with both papers during coverage of the Spanish–American War, providing "the soundest, fairest coverage…(of) any American newspaper", sending circulation over 500,000.

Revival of the Tribune, fall of the Herald

The Herald suffered a fatal blow in 1907. Bennett, his hatred for the Journal owner unabated, attacked Hearst's campaigns for Congress in 1902, and his run for governor of New York in 1906. The Herald's coverage of Hearst's gubernatorial campaign was particularly vicious, as Bennett ordered his reporters to publish every negative item about Hearst's past that they could. Hearst, seeking revenge, sent a reporter to investigate the Herald's personal columns, which ran in the front of the paper and, in veiled language, advertised the service of prostitutes; reporters referred to it as "The Whores' Daily Guide and Handy Compendium." The resulting investigation, published in the Journal, led to Bennett's conviction on charges of sending obscene matter through the mails. The publisher was ordered to pay a $25,000 fine—Bennett paid it in $1,000 bills—and the Herald "suffered a blow in prestige and circulation from which it never really recovered".

Whitelaw Reid died in 1912 and was succeeded as publisher by his son, Ogden Mills Reid. The younger Reid, an "affable but lackluster person," began working at the Tribune in 1908 as a reporter and won the loyalty of the staff with his good nature and eagerness to learn. Quickly moved through the ranks—he became managing editor in 1912—Reid oversaw the Tribune's thorough coverage of the sinking of the Titanic, ushering a revival of the newspaper's fortunes. While the paper continued to lose money, and was saved from bankruptcy only by the generosity of Elisabeth Mills Reid, Ogden's mother., the younger Reid encouraged light touches at the previously somber Tribune, creating an environment where "the windows were opened and the suffocating solemnity of the place was aired out". Under Reid's tenure the Tribune lobbied for legal protection for journalists culminating in the U.S. Supreme Court case Burdick v. United States. In 1917, the Tribune redesigned its layout and became the first American newspaper to use the Bodoni font for headlines. The font gave a "decided elegance" to the Tribune and was soon adopted by magazines and other newspapers, including The Washington Post, The Boston Globe and the Miami Herald. The Tribune developed a reputation for typographical excellence it would maintain for more than four decades. Reid, who inherited a newspaper whose circulation may have fallen to 25,000 daily—no higher than the circulation in 1872—saw the Tribune's readership jump to about 130,000 by 1924.

Reid's wife, Helen Rogers Reid, took charge of the newspaper's advertising department in 1919. Helen Reid, "who believed in the newspaper the way a religious person believes in God", reorganized the faltering department, aggressively pursuing advertisers and selling them on the "wealth, position and power" of the Tribune's readership. In her first two years on the job, the Tribune's annual advertising revenues jumped from $1.7 million to $4.3 million, "with circulation responsible for no more than 10 percent of the increase". Reid's efforts helped cut the newspaper's dependence on subsidies from the family fortune and pushed it toward a paying track. Reid also encouraged the development of women's features at the newspaper, the hiring of female writers, and helped establish a "home institute" that tested recipes and household products.

New York Herald Tribune: 1924–1946

1924–1940: Social journalism and mainstream Republicanism

The newly merged paper was not immediately profitable, but Helen Reid's reorganization of the business side of the paper, combined with an increasing reputation as a "newspaperman's newspaper", led the Herald Tribune to post a profit of nearly $1.5 million in 1929, as circulation climbed over the 300,000 mark. The onset of the Great Depression, however, wiped out the profits. In 1931, the Herald Tribune lost $650,000 (equivalent to approximately $15,338,415 in 2025 dollars), and the Reid family was once again forced to subsidize the newspaper. By 1933, the Herald Tribune turned a profit of $300,000, and would stay in the black for the next 20 years, without ever making enough money for significant growth or reinvestment.

Through the 1930s Ogden Reid often stayed late at Bleeck's, a popular hangout for Herald Tribune reporters.; by 1945, Tribune historian Richard Kluger wrote, Reid was struggling with alcoholism. The staff considered the Herald Tribune's owner "kindly and likable, if deficient in intelligence and enterprise". Helen Reid increasingly took on the major leadership responsibilities at the newspaper—a fact Time noted in a 1934 cover story. Reid, angered, called her husband "the most independent-minded man I have ever met", to which Time replied that "it is Mrs. Reid who often helps that independent mind make itself up".

Editorially, the newspaper thrived, winning its first Pulitzer Prize for reporting in 1930 for Leland Stowe's coverage of the Second Reparations Conference on German reparations for World War I, where the Young Plan was developed. Stanley Walker, who became the newspaper's city editor in 1928, pushed his staff (which briefly included Joseph Mitchell) to write in a clear, lively style, and pushed the Herald Tribune's local coverage "to a new kind of social journalism that aimed at capturing the temper and feel of the city, its moods and fancies, changes or premonitions of change in its manners, customs, taste, and thought—daily helpings of what amounted to urban anthropology". The Herald Tribune's editorials remained conservative—"a spokesman for and guardian of mainstream Republicanism"—but the newspaper also hired columnist Walter Lippmann, seen at the time as a liberal, after The World closed its doors in 1931. Unlike other pro-Republican papers, such as Hearst's New York Journal-American or the Chicago Tribune-owned New York Daily News, which held an isolationist and pro-German stance, the Herald Tribune was more supportive of the British and the French as the specter of World War II developed, a similar stance was approached by the Sun and the World-Telegram, the latter of them also having an ardently liberal past as a Pulitzer newspaper.

World War II

Historians of The New York Times—including Gay Talese, Susan Tifft and Alex S. Jones—have argued that the Times, faced with newsprint rationing during World War II, decided to increase its news coverage at the expense of its advertising, while the Herald Tribune chose to run more ads, trading short-term profit for long-term difficulties. In The Kingdom and the Power, Talese's 1969 book about the Times, Talese wrote "the additional space that The Times was able to devote to war coverage instead of advertising was, in the long run, a very profitable decision: The Times lured many readers away from the Tribune, and these readers stayed with The Times after the war into the Nineteen-fifties and Sixties". Although The New York Times had the most comprehensive coverage of any American newspaper—the newspaper put 55 correspondents in the field, including drama critic Brooks Atkinson—its news budget fell from $3.8 million in 1940 to $3.7 million in 1944; the paper did not significantly expand its number of newsroom employees between 1937 and 1945 and its ad space, far from declining, actually increased during the conflict and was consistently ahead of the Herald Tribune's. Between 1941 and 1945, advertising space in the Times increased from 42.58 percent of the paper to 49.68 percent, while the Tribune saw its ad space increase from 37.58 percent to 49.32 percent. In 1943 and 1944, more than half the Times' went to advertising, a percentage the Herald Tribune did not meet until after the war. However, because the Tribune was generally a smaller paper than the Times and saw its ad space jump more, "the proportionate increase in the Tribune seemed greater than it was in absolute terms. The evidence that this disproportionate increase in the Tribune's advertising content left its readers feeling deprived of war news coverage and sent them in droves to the Times is, at best, highly ambiguous."

The Herald Tribune always had at least a dozen correspondents in the field, the most famous of whom was Homer Bigart. Allowing wire services to write "big picture" stories, Bigart—who covered the Anzio Campaign, the Battle of Iwo Jima and the Battle of Okinawa—focused instead on writing about tactical operations conducted by small units and individual soldiers, in order to "bring a dimension of reality and understanding to readers back home". Frequently risking his life to get the stories, Bigart was highly valued by his peers and the military, and won the 1945 Pulitzer Prize.

By the end of the conflict, the Herald Tribune had enjoyed some of its best financial years in its history. While the newspaper had just 63 percent of its rival's daily circulation (and 70 percent of the Sunday circulation of The Times), its high-income readership gave the paper nearly 85 percent of The New York Times' overall ad revenue, and had made $2 million a year between 1942 and 1945. In 1946, the Herald Tribune's Sunday circulation hit an all-time peak of 708,754.

Decline: 1947–1958

Pressure from the Times

The Herald Tribune began a decline shortly after World War II that had several causes. The Reid family was long accustomed to resolve shortfalls at the newspaper with subsidies from their fortune, rather than improved business practices, seeing the paper "as a hereditary possession to be sustained as a public duty rather than developed as a profit-making opportunity". With its generally marginal profitability, the Herald Tribune had few opportunities to reinvest in its operations as the Times did, and the Reids' mortgage on the newspaper made it difficult to raise outside cash for needed capital improvements.

After another profitable year in 1946, Bill Robinson, the Herald Tribune's business manager, decided to reinvest the profits to make needed upgrades to the newspaper's pressroom. The investment squeezed the paper's resources, and Robinson decided to make up the difference at the end of the year by raising the Tribune's price from three cents to a nickel, expecting the Times, which also needed to upgrade its facilities, to do the same. However, the Times, concerned by the Tribune's performance during the war, refused to go along. "We didn't want to give them any quarter," Times circulation manager Nathan Goldstein said. "Our numbers were on the rise, and we didn't want to do anything to jeopardize them. 'No free rides for the competition' was the way we looked at it." The move proved disastrous: In 1947, the Tribune's daily circulation fell nine percent, from 348,626 to 319,867. Its Sunday circulation fell four percent, from 708,754 to 680,691. Although the overall percentage of advertising for the paper was higher than it was in 1947, the Times was still higher: 58 percent of the average space in The New York Times in 1947 was devoted to advertising, versus a little over 50 percent of the Tribune. The Times would not raise its price until 1950.

Ogden Reid died early in 1947, making Helen Reid leader of the Tribune in name as well as in fact. Reid chose her son, Whitelaw Reid, known as "Whitie", as editor. The younger Reid had written for the newspaper and done creditable work covering the London Blitz, but had not been trained for the duties of his position and was unable to provide forceful leadership for the newspaper. The Tribune also failed to keep pace with the Times in its facilities: While both papers had about the same level of profits between 1947 and 1950, the Times was heavily reinvesting money in its plant and hiring new employees. The Tribune, meanwhile, with Helen Reid's approval, cut $1 million from its budgets and fired 25 employees on the news side, reducing its foreign and crime coverage. Robinson was dismissive of the circulation lead of the Times, saying in a 1948 memo that 75,000 of its rival's readers were "transients" who only read the wanted ads.

Leadership changes

The paper distinguished itself in its coverage of the Korean War; Bigart and Marguerite Higgins, who engaged in a fierce rivalry, shared a Pulitzer Prize with Chicago Daily News correspondent Keyes Beech and three other reporters in 1951. The Tribune's cultural criticism was also prominent: John Crosby's radio and television column was syndicated in 29 newspapers by 1949, and Walter Kerr began a successful three-decade career as a Broadway reviewer at the Tribune in 1951. However, the paper's losses were continuing to mount. Whitelaw Reid was gradually replaced by his brother, Ogden R. Reid, nicknamed "Brown", to take charge of the paper. As president and publisher of the paper, Brown Reid tried to interject an energy his brother lacked and reach out to new audiences. In that spirit, the Tribune ran a promotion called "Tangle Towns", where readers were invited to unscramble the names of jumbled up town and city names in exchange for prizes. Reid also gave more prominent play to crime and entertainment stories. Much of the staff, including Whitelaw Reid, felt there was too much focus on circulation at the expense of the paper's editorial standards, but the promotions initially worked, boosting its weekday circulation to over 400,000.

Reid's ideas, however, "were prosaic in the extreme". His promotions included printing the sports section on green newsprint and a pocket-sized magazine for television listings that initially stopped the Sunday paper's circulation skid, but proved an empty product. The Tribune turned a profit in 1956, but the Times was rapidly outpacing it in news content, circulation, and ad revenue. The promotions largely failed to hold on to the Tribune's new audiences; the Sunday edition began to slide again and the paper fell into the red in 1957. Through the decade, the Tribune was the only newspaper in the city to see its share of ad lineage drop, and longtime veterans of the paper, including Bigart, began departing. The Reids, who had by now turned their mortgage into stock, began seeking buyers to infuse the Tribune with cash, turning to John Hay "Jock" Whitney, whose family had a long association with the Reids. Whitney, recently named ambassador to Great Britain, had chaired Dwight Eisenhower's fundraising campaigns in 1952 and 1956 and was looking for something else to engage him beyond his largely ceremonial role in Great Britain. Whitney, who "did not want the Tribune to die", gave the newspaper $1.2 million over the objections of his investment advisors, who had doubts about the newspaper's viability. The loan came with the option to take controlling interest of the newspaper if he made a second loan of $1.3 million. Brown Reid expected the $1.2 million to cover a deficit that would last through the end of 1958, but by that year the newspaper's loss was projected at $3 million, and Whitney and his advisors decided to exercise their option. The Reids, claiming to have put $20 million into the newspaper since the 1924 merger initially attempted to keep editorial control of the paper, but Whitney made it clear he would not invest additional money in the Tribune if the Reids remained at the helm. The family yielded, and Helen, Whitie and Brown Reid announced Whitney's takeover of the newspaper on August 28, 1958. The Reids retained a substantial stake in the Tribune until its demise, but Whitney and his advisors controlled the paper.

The Whitney Era: 1958–1966

"Who says a good newspaper has to be dull?"

Whitney initially left management of the newspaper to Walter Thayer, a longtime advisor. Thayer did not believe the Tribune was a financial investment—"it was a matter of 'let's set it up so that (Whitney) can do it if this is what he wants"—but moved to build a "hen house" of media properties to protect Whitney's investment and provide money for the Tribune. Over the next two years, Whitney's firm acquired Parade, five television stations and four radio stations. The properties, merged into a new company called Whitney Communications Corporation, proved profitable, but executives chafed at subsidizing the Tribune.

Thayer also looked for new leadership for the newspaper. In 1961—the same year Whitney returned to New York—the Tribune hired John Denson, a Newsweek editor and native of Louisiana who was "a critical mass of intensity and irascibility relieved by interludes of amiability." Denson had helped raise Newsweek's circulation by 50 percent during his tenure, in part through innovative layouts and graphics, and he brought the same approach to the Tribune. Denson "swept away the old front-page architecture, essentially vertical in structure" and laid out stories horizontally, with unorthodox and sometimes cryptic headlines; large photos and information boxes. The "Densonized" front page sparked a mixed reaction from media professionals and within the newspaper—Tribune copy editor John Price called it "silly but expert silliness" and Time called the new front page "all overblown pictures (and) klaxon headlines"—but the newspaper's circulation jumped in 1961 and those within the Tribune said "the alternative seemed to be the death of the newspaper." The Tribune also launched an ad campaign targeting the Times with the slogan "Who says a good newspaper has to be dull?"

The Tribune's revival came as the Times was bringing on new leadership and facing financial trouble of its own. While the Times picked up 220,000 readers during the 1950s, its profits declined to $348,000 by 1960 due to the costs of an international edition and investments into the newspaper. A western edition of the newspaper, launched in 1961 by new publisher Orvil Dryfoos in an attempt to build the paper's national audience, also proved to be a drain and the Times profits fell to $59,802 by the end of 1961. While the Times outdistanced its rival in circulation and ad lineage, the Tribune continued to draw a sizeable amount of advertising, due to its wealthy readership. The Times management watched the Tribune's changes with "uneasy contempt for their debasement of classic Tribune craftmanship but also with grudging admiration for their catchiness and shrewdness." Times managing editor Turner Catledge began visiting the city room of his newspaper to read the early edition of the Tribune and sometimes responded with changes, though he ultimately decided Denson's approach would be unsuccessful. But the financial challenges both papers faced led Dryfoos, Thayer, and previous Times publisher Arthur Hays Sulzberger to discuss a possible merger of the Times and the Tribune, a project codenamed "Canada" at the Times.

Labor unrest, New Journalism

The New York newspaper industry came to an abrupt halt on December 8, 1962, when the local of the International Typographical Union, led by Bert Powers, walked off the job, leading to the 114-day 1962–63 New York City newspaper strike. The ITU, known as "Big Six", represented 3,800 printers, as well as workers at 600 printshops and 28 publications in the city but, like other newspaper unions, had taken a backseat to the Newspaper Guild (which had the largest membership among the unions) in contract negotiations. This arrangement began to fray in the 1950s, as the craft unions felt the Guild was too inclined to accept publishers' offers without concern for those who did the manual work of printing. Powers wanted to call a strike to challenge the Guild's leadership and thrust ITU to the fore.

New technology was also a concern for management and labor. Teletypesetting (TTS), introduced in the 1950s, was used by The Wall Street Journal and promised to be far more efficient than the linotype machines still used by the Tribune and most other New York newspapers. TTS required less skill than the complex linotype machines, and publishers wanted to automate to save money. ITU was not necessarily opposed to TTS—it trained its members on the new equipment—but wanted to control the rate at which automation occurred; assurances that TTS operators would be paid at the same rates as linotype workers; that at least a portion of the savings from publishers would go toward union pension plans (to allow funding to continue as the workforce and union membership declined) and guarantees that no printer would lose their job as a result of the new technology. Publishers were willing to protect jobs and reduce the workforce through attrition, but balked at what they viewed as "tribute payments" to the unions. After nearly a five-month strike, the unions and the publishers reached an agreement in March, 1963—in which the unions won a weekly worker wage and benefit increase of $12.63 and largely forestalled automation—and the city's newspapers resumed publication on April 1, 1963.

The strike added new costs to all newspapers, and increased the Tribune's losses to $4.2 million while slashing its circulation to 282,000. Dryfoos died of a heart ailment shortly after the strike and was replaced as Times publisher by Arthur Ochs Sulzberger, who ended merger talks with the Tribune because "it just didn't make any long-term sense to me." The paper also lost long-established talent, including Marguerite Higgins, Earl Mazo and Washington bureau chief Robert Donovan. Whitney, however, remained committed to the Tribune, and promoted James Bellows to editor of the newspaper. Bellows kept Denson's format but "eliminated features that lacked substance or sparkle" while promoting new talent, including movie critic Judith Crist and Washington columnists Robert Novak and Rowland Evans.

Attempted JOA and the death of the Tribune

Whitney supported the changes at the Tribune but they did not help the newspaper's bottom line. A survey of readers of the newspaper in late 1963 found that readers "appreciated the Tribune's innovations, (but) the Times still plainly ranked as the prestige paper in the New York field, based mostly on its completeness." Whitney himself was popular with the staff—Breslin called him "the only millionaire I ever rooted for"—and once burst out of his office wondering why the Tribune failed to sell more copies when "there's compelling reading on every page." But a second strike in 1965—which led the Tribune to leave the publishers' association in a desperate attempt to survive—pushed the Tribune's losses to $5 million and led Thayer to conclude the newspaper could no longer survive on its own.

In 1966, Whitney and Thayer attempted to organize what would have been New York's first joint operating agreement (JOA) with the Hearst-owned New York Journal American and the Scripps-owned New York World-Telegram and Sun. Under the proposed agreement, the Herald Tribune would have continued publication as the morning partner and the Journal-American and World-Telegram would merge as the World Journal, an afternoon paper. All three would publish a Sunday edition called the World Journal Tribune. The newspapers would have maintained their own editorial voices (all three of which tended to be conservative). On paper, the JOA, which would have taken effect April 25, 1966, would have led to profits of $4 million to $5 million annually, but would have also led to the loss of 1,764 out of 4,598 employees at the papers. The Newspaper Guild, concerned about the possible job losses, said the new newspaper would have to negotiate a new contract with the union; the publishers refused. The day the JOA was supposed to go into effect, the Guild struck the newly merged newspaper (the Times continued to publish).

The strike, which dragged into August, sealed the Tribune's fate. Half the editorial staff left the newspaper for new jobs during the strike. That summer, Bellows wrote to Matt Meyer, the head of the new company, that it would be "almost impossible—with the present staff—to publish a Herald Tribune I would be proud to be the editor of, or be able to compete with successfully in the morning field." On August 13, with the strike still going on, the management decided to end publication of the Tribune, which Whitney announced in the ninth-floor auditorium of the Tribune building on August 15. "I know we gave something good to our city while we published and I know it will be a loss to journalism in this country as we cease publication," Whitney said. "I am glad that we never tried to cheapen it in any way, that we have served as a conscience and a valuable opposition. I am sorry that it had to end."

Book and Author Luncheon

From 1938 to 1966, the Herald Tribune participated in the American Booksellers Association's popular Book and Author Luncheons. The luncheons were held eight times per year at the Waldorf Astoria and were hosted by the Herald Tribune's literary editor, Irita Bradford Van Doren. Van Doren also selected its guests, typically three per event, who included Jane Jacobs, Vladimir Nabokov, Robert Moses, Rachel Carson, and John Kenneth Galbraith, among others. Radio broadcasts of the luncheon aired on WNYC from 1948 to 1968 (two years after the Herald Tribune's demise).

New York Herald Tribune Syndicate

The New York Herald Tribune Syndicate distributed comic strips and newspaper columns. The syndicate dates back to at least 1914, when it was part of the New York Tribune. The Syndicate's most notable strips were Clare Briggs' Mr. and Mrs., Harry Haenigsen's Our Bill, and Penny, Mell Lazarus' Miss Peach, and Johnny Hart's B.C. Syndicated columns included Weare Holbrook's "Soundings" and John Crosby's radio and television column.

In 1963, Herald Tribune publisher John Hay Whitney (who also owned the Chicago-based Field Enterprises) acquired the Chicago-based Publishers Syndicate, merging Publishers' existing syndication operations with the New York Herald Tribune Syndicate, Field's Chicago Sun-Times Syndicate, and the syndicate of the Chicago Daily News (a newspaper that had been acquired by Field Enterprises in 1959).

In 1966, when the New York Herald Tribune folded, Publishers Syndicate inherited the New York Herald Tribune Syndicate strips, including B.C., Miss Peach, and Penny.

European edition

The merger that created the Herald Tribune in 1924 also included bringing along the European edition of the New York Herald, commonly known as the Paris Herald, an edition that was produced in Paris and had an established reputation.

For a while after 1924, the front-page masthead retained the title The New York Herald, with the subtitle European Edition Of The New York Herald Tribune. This was in part to avoid confusion with the European edition of the Chicago Tribune, which was a competitor publication; this was resolved in 1934 when the owners of the Herald Tribune bought the European edition of the Chicago paper. The merger became effective December 1, 1934. Subsequently, the masthead carried the full New York Herald Tribune title, with the subtitle European Edition. In any case, throughout its lifetime, the European edition was often referred to as the Paris Herald Tribune, or just the Paris Herald.

In the pre-World War II years the European edition was known for its feature stories. The edition looked positively on the emergence of European fascism, cheering on the Italian invasion of Ethiopia as well as the German remilitarization of the Rhineland and annexation of Austria and calling for a fascist party to exist in the United States.

This carried on until April 1939, when the New York paper required the Paris one to hew to its editorial line. The European edition was the last newspaper to publish in Paris before the city fell in June 1940.

Following the liberation of Paris four years later, it resumed publication on December 22, 1944. In the years after the war, it was initially profitable, then not, then did better again when it began publishing the first columns by humorist Art Buchwald, who subsequently became a popular syndicated columnist. Later, the European edition took on more serious reporting while also employing what has been described as "breezy promotion tactics". Herald Tribune owner John Hay Whitney began taking an active interest in the European edition in 1961. The International Edition of The New York Times was a competitor of sorts, and by 1964 had a circulation of some 32,000 although it attracted little advertising. As a commercial proposition it was inferior to the European edition of the Herald Tribune, which had a circulation of around 50,000 and more advertising in it. In general, the European edition of the Herald Tribune was considered the stronger publication.

Awards and cultural references

In the 1920s, the New York Herald Tribune established one of the first book review sections that reviewed children's books, and in 1937, the newspaper established the Children's Spring Book Festival Award for the best children's book of the previous year, awarded for three target age groups: 4–8, 8–12, and 12–16. This was the second nationwide children's book award, after the Newbery Medal.

At an event in Washington, on November 23, 1946, Secretary of War Robert P. Patterson honored 82 war correspondents. 18 of them had been employees of the New York Herald Tribune. They were Howard Barnes, Homer Bigart, Herbert Clark, Joseph F. Driscoll, Joseph Evans, Lewis Gannett, Marguerite Higgins, Russell Hill, John D. O'Reilly, Geoffrey Parsons, John C. Smith, John Steinbeck, Dorothy Thompson, Sonia Tomora, Thomas Twitty, William W. White, and Gill Robb Wilson.

In Jean-Luc Godard's 1960 film Breathless, the lead female character Patricia (Jean Seberg) is an American student journalist who sells the European edition on the streets of Paris. She periodically calls out "New York Herald Tribune!" while engaged in conversation with her love interest, the wandering criminal Michel (Jean-Paul Belmondo).

The "Dingbat"

For more than a century, the logo of the New York Herald-Tribune, and its later successor, the International Herald Tribune, featured a hand-drawn "dingbat" between the words Herald and Tribune, which first originated as part of the front page logotype of the Tribune on April 10, 1866. The "dingbat" was replaced with an all-text header beginning with the issue of May 21, 2008, to give a "more contemporary and concise presentation that is consistent with our digital platforms." The drawing included a clock in the center, set to 6:12 p.m., and two figures on either side of it, a toga-clad thinker facing leftward and a young child holding an American flag marching rightward. An eagle spreading its wings was perched atop the clock. The dingbat served as an allegorical device to depict antiquity on the left and the progressive American spirit on the right. The significance of the clock's time remains a mystery.