In optics, aberration is a property of optical systems, such as lenses and mirrors, that causes the image created by the optical system to not be a faithful reproduction of the object being observed. Aberrations cause the image formed by a lens to be blurred, distorted in shape or have color fringing or other effects not seen in the object, with the nature of the distortion depending on the type of aberration.
Aberration can be defined as a departure of the performance of an optical system from the predictions of paraxial optics. In an imaging system, it occurs when light from one point of an object does not converge into (or does not diverge from) a single point after transmission through the system. Aberrations occur because the simple paraxial theory is not a completely accurate model of the effect of an optical system on light, rather than due to flaws in the optical elements.
An image-forming optical system with aberration will produce an image which is not sharp. Makers of optical instruments need to correct optical systems to compensate for aberration.
Aberration can be analyzed with the techniques of geometrical optics. The articles on reflection, refraction and caustics discuss the general features of reflected and refracted rays.
Contents
Overview
With an ideal lens, light from any given point on an object would pass through the lens and come together at a single point in the image plane (or, more generally, the image surface). Real lenses, even when they are perfectly made, do not however focus light exactly to a single point. These deviations from the idealized lens performance are called aberrations of the lens.
Aberrations fall into two classes: monochromatic and chromatic. Monochromatic aberrations are caused by the geometry of the lens or mirror and occur both when light is reflected and when it is refracted. They appear even when using monochromatic light, hence the name.
Chromatic aberrations are caused by dispersion, the variation of a lens's refractive index with wavelength. Because of dispersion, different wavelengths of light come to focus at different points. Chromatic aberration does not appear when monochromatic light is used.
Monochromatic aberrations
The most common monochromatic aberrations are:
Defocus
Spherical aberration
Coma
Astigmatism
Field curvature
Image distortion
Although defocus is technically the lowest-order of the optical aberrations, it is usually not considered as a lens aberration, since it can be corrected by moving the lens (or the image plane) to bring the image plane to the optical focus of the lens.
In addition to these aberrations, piston and tilt are effects which shift the position of the focal point. Piston and tilt are not true optical aberrations, since when an otherwise perfect wavefront is altered by piston and tilt, it will still form a perfect, aberration-free image, only shifted to a different position.
Chromatic aberrations
Chromatic aberration occurs when different wavelengths are not focussed to the same point. Types of chromatic aberration are:
Axial (or "longitudinal") chromatic aberration
Lateral (or "transverse") chromatic aberration
Theory of monochromatic aberration
In a perfect optical system in the classical theory of optics, rays of light proceeding from any object point unite in an image point; and therefore the object space is reproduced in an image space. The introduction of simple auxiliary terms, due to Gauss, named the focal lengths and focal planes, permits the determination of the image of any object for any system. The Gaussian theory, however, is only true so long as the angles made by all rays with the optical axis (the symmetrical axis of the system) are infinitely small, i.e., with infinitesimal objects, images and lenses; in practice these conditions may not be realized, and the images projected by uncorrected systems are, in general, ill-defined and often blurred if the aperture or field of view exceeds certain limits.
The investigations of James Clerk Maxwell and Ernst Abbe showed that the properties of these reproductions, i.e., the relative position and magnitude of the images, are not special properties of optical systems, but necessary consequences of the supposition (per Abbe) of the reproduction of all points of a space in image points, and are independent of the manner in which the reproduction is effected. These authors showed, however, that no optical system can justify these suppositions, since they are contradictory to the fundamental laws of reflection and refraction. Consequently, the Gaussian theory only supplies a convenient method of approximating reality; realistic optical systems fall short of this unattainable ideal. Currently, all that can be accomplished is the projection of a single plane onto another plane; but even in this, aberrations always occurs and it may be unlikely that these will ever be entirely corrected.
Aberration of axial points (spherical aberration in the restricted sense)
Let S (Figure 1) be any optical system, rays proceeding from an axis point O under an angle u1 will unite in the axis point O′1; and those under an angle u2 in the axis point O′2. If there is refraction at a collective spherical surface, or through a thin positive lens, O′2 will lie in front of O′1 so long as the angle u2 is greater than u1 (under correction); and conversely with a dispersive surface or lenses (over correction). The caustic, in the first case, resembles the sign '>' (greater than); in the second '<' (less than). If the angle u1 is very small, O′1 is the Gaussian image; and O′1 O′2 is termed the longitudinal aberration, and O′1R the lateral aberration of the pencils with aperture u2. If the pencil with the angle u2 is that of the maximum aberration of all the pencils transmitted, then in a plane perpendicular to the axis at O′1 there is a circular disk of confusion of radius O′1R, and in a parallel plane at O′2 another one of radius O′2R2; between these two is situated the disk of least confusion.
The largest opening of the pencils, which take part in the reproduction of O, i.e., the angle u, is generally determined by the margin of one of the lenses or by a hole in a thin plate placed between, before, or behind the lenses of the system. This hole is termed the stop or diaphragm; Abbe used the term aperture stop for both the hole and the limiting margin of the lens. The component S1 of the system, situated between the aperture stop and the object O, projects an image of the diaphragm, termed by Abbe the entrance pupil; the exit pupil is the image formed by the component S2, which is placed behind the aperture stop. All rays which issue from O and pass through the aperture stop also pass through the entrance and exit pupils, since these are images of the aperture stop. Since the maximum aperture of the pencils issuing from O is the angle u subtended by the entrance pupil at this point, the magnitude of the aberration will be determined by the position and diameter of the entrance pupil. If the system be entirely behind the aperture stop, then this is itself the entrance pupil (front stop); if entirely in front, it is the exit pupil (back stop).
If the object point be infinitely distant, all rays received by the first member of the system are parallel, and their intersections, after traversing the system, vary according to their perpendicular height of incidence, i.e. their distance from the axis. This distance replaces the angle u in the preceding considerations; and the aperture, i.e., the radius of the entrance pupil, is its maximum value.
Aberration of lateral object points (points beyond the axis) with narrow pencils — astigmatism
A point O (Figure 2) at a finite distance from the axis (or with an infinitely distant object, a point which subtends a finite angle at the system) is, in general, even then not sharply reproduced if the pencil of rays issuing from it and traversing the system is made infinitely narrow by reducing the aperture stop; such a pencil consists of the rays which can pass from the object point through the now infinitely small entrance pupil. It is seen (ignoring exceptional cases) that the pencil does not meet the refracting or reflecting surface at right angles; therefore it is astigmatic (Greek a-, privative; stigmia, a point). Naming the central ray passing through the entrance pupil the axis of the pencil or principal ray, it can be said: the rays of the pencil intersect, not in one point, but in two focal lines, which can be assumed to be at right angles to the principal ray; of these, one lies in the plane containing the principal ray and the axis of the system, i.e. in the first principal section or meridional section, and the other at right angles to it, i.e. in the second principal section or sagittal section. We receive, therefore, in no single intercepting plane behind the system, as, for example, a focusing screen, an image of the object point; on the other hand, in each of two planes lines O′ and O″ are separately formed (in neighboring planes ellipses are formed), and in a plane between O′ and O″ a circle of least confusion. The interval O′O″, termed the astigmatic difference, increases, in general, with the angle W made by the principal ray OP with the axis of the system, i.e. with the field of view. Two astigmatic image surfaces correspond to one object plane; and these are in contact at the axis point; on the one lie the focal lines of the first kind, on the other those of the second. Systems in which the two astigmatic surfaces coincide are termed anastigmatic or stigmatic.
Sir Isaac Newton was probably the discoverer of astigmation; the position of the astigmatic image lines was determined by Thomas Young; and the theory was developed by Allvar Gullstrand. A bibliography by P. Culmann is given in Moritz von Rohr's Die Bilderzeugung in optischen Instrumenten.
Aberration of lateral object points with broad pencils — coma
By opening the stop wider, similar deviations arise for lateral points as have been already discussed for axial points; but in this case they are much more complicated. The course of the rays in the meridional section is no longer symmetrical to the principal ray of the pencil; and on an intercepting plane there appears, instead of a luminous point, a patch of light, not symmetrical about a point, and often exhibiting a resemblance to a comet having its tail directed towards or away from the axis. From this appearance it takes its name. The unsymmetrical form of the meridional pencil – formerly the only one considered – is coma in the narrower sense only; other errors of coma have been treated by Arthur König and Moritz von Rohr, and later by Allvar Gullstrand.
Curvature of the field of the image
If the above errors be eliminated, the two astigmatic surfaces united, and a sharp image obtained with a wide aperture—there remains the necessity to correct the curvature of the image surface, especially when the image is to be received upon a plane surface, e.g. in photography. In most cases the surface is concave towards the system.
Distortion of the image
Even if the image is sharp, it may be distorted compared to ideal pinhole projection. In pinhole projection, the magnification of an object is inversely proportional to its distance to the camera along the optical axis so that a camera pointing directly at a flat surface reproduces that flat surface. Distortion can be thought of as stretching the image non-uniformly, or, equivalently, as a variation in magnification across the field. While "distortion" can include arbitrary deformation of an image, the most pronounced modes of distortion produced by conventional imaging optics is "barrel distortion", in which the center of the image is magnified more than the perimeter (Figure 3a). The reverse, in which the perimeter is magnified more than the center, is known as "pincushion distortion" (Figure 3b). This effect is called lens distortion or image distortion, and there are algorithms to correct it.
Systems free of distortion are called orthoscopic (orthos, right; skopein, to look) or rectilinear (straight lines).
This aberration is quite distinct from that of the sharpness of reproduction; in unsharp, reproduction, the question of distortion arises if only parts of the object can be recognized in the figure. If, in an unsharp image, a patch of light corresponds to an object point, the center of gravity of the patch may be regarded as the image point, this being the point where the plane receiving the image, e.g., a focusing screen, intersects the ray passing through the middle of the stop. This assumption is justified if a poor image on the focusing screen remains stationary when the aperture is diminished; in practice, this generally occurs. This ray, named by Abbe a principal ray (not to be confused with the principal rays of the Gaussian theory), passes through the center of the entrance pupil before the first refraction, and the center of the exit pupil after the last refraction. From this it follows that correctness of drawing depends solely upon the principal rays; and is independent of the sharpness or curvature of the image field. Referring to Figure 4, we have O′Q′/OQ = (a′ tan w′)/(a tan w) = 1/N, where N is the scale or magnification of the image. For N to be constant for all values of w, (a′ tan w′)/(a tan w) must also be constant. If the ratio a′/a be sufficiently constant, as is often the case, the above relation reduces to the condition of Airy, i.e. tan w′/tan w is a constant. This simple relation is fulfilled in all systems which are symmetrical with respect to their diaphragm (briefly named symmetrical or holosymmetrical objectives), or which consist of two like, but different-sized, components, placed from the diaphragm in the ratio of their size, and presenting the same curvature to it (hemisymmetrical objectives); in these systems tan w′ / tan w = 1.
Zernike model of aberrations
Circular wavefront profiles associated with aberrations may be mathematically modeled using Zernike polynomials. Developed by Frits Zernike in the 1930s, Zernike's polynomials are orthogonal over a circle of unit radius. A complex, aberrated wavefront profile may be curve-fitted with Zernike polynomials to yield a set of fitting coefficients that individually represent different types of aberrations. These Zernike coefficients are linearly independent, thus individual aberration contributions to an overall wavefront may be isolated and quantified separately.
There are even and odd Zernike polynomials. The even Zernike polynomials are defined as
Z
n
m
(
ρ
,
ϕ
)
=
R
n
m
(
ρ
)
cos
(
m
ϕ
)
{\displaystyle Z_{n}^{m}(\rho ,\phi )=R_{n}^{m}(\rho )\,\cos(m\,\phi )}
and the odd Zernike polynomials as
Z
Analytic treatment of aberrations
The preceding review of the several errors of reproduction belongs to the Abbe theory of aberrations, in which definite aberrations are discussed separately; it is well suited to practical needs, for in the construction of an optical instrument certain errors are sought to be eliminated, the selection of which is justified by experience. In the mathematical sense, however, this selection is arbitrary; the reproduction of a finite object with a finite aperture entails, in all probability, an infinite number of aberrations. This number is only finite if the object and aperture are assumed to be infinitely small of a certain order; and with each order of infinite smallness, i.e. with each degree of approximation to reality (to finite objects and apertures), a certain number of aberrations is associated. This connection is only supplied by theories which treat aberrations generally and analytically by means of indefinite series.
A ray proceeding from an object point O (Figure 5) can be defined by the coordinates (ξ, η). Of this point O in an object plane I, at right angles to the axis, and two other coordinates (x, y), the point in which the ray intersects the entrance pupil, i.e. the plane II. Similarly the corresponding image ray may be defined by the points (ξ′, η′), and (x′, y′), in the planes I′ and II′. The origins of these four plane coordinate systems may be collinear with the axis of the optical system; and the corresponding axes may be parallel. Each of the four coordinates ξ′, η′, x′, y′ are functions of ξ, η, x, y; and if it be assumed that the field of view and the aperture be infinitely small, then ξ, η, x, y are of the same order of infinitesimals; consequently by expanding ξ′, η′, x′, y′ in ascending powers of ξ, η, x, y, series are obtained in which it is only necessary to consider the lowest powers. It is readily seen that if the optical system be symmetrical, the origins of the coordinate systems collinear with the optical axis and the corresponding axes parallel, then by changing the signs of ξ, η, x, y, the values ξ′, η′, x′, y′ must likewise change their sign, but retain their arithmetical values; this means that the series are restricted to odd powers of the unmarked variables.
The nature of the reproduction consists in the rays proceeding from a point O being united in another point O′; in general, this will not be the case, for ξ′, η′ vary if ξ, η be constant, but x, y variable. It may be assumed that the planes I′ and II′ are drawn where the images of the planes I and II are formed by rays near the axis by the ordinary Gaussian rules; and by an extension of these rules, not, however, corresponding to reality, the Gauss image point O′0, with coordinates ξ′0, η′0, of the point O at some distance from the axis could be constructed. Writing Δξ′ = ξ′ − ξ′0 and Δη′ = η′ − η′0, then Δξ′ and Δη′ are the aberrations belonging to ξ, η and x, y, and are functions of these magnitudes which, when expanded in series, contain only odd powers, for the same reasons as given above. On account of the aberrations of all rays which pass through O, a patch of light, depending in size on the lowest powers of ξ, η, x, y which the aberrations contain, will be formed in the plane I′. These degrees, named by J. Petzval the numerical orders of the image, are consequently only odd powers; the condition for the formation of an image of the mth order is that in the series for Δξ′ and Δη′ the coefficients of the powers of the 3rd, 5th, ... (m−2)th degrees must vanish. The images of the Gauss theory being of the third order, the next problem is to obtain an image of 5th order, or to make the coefficients of the powers of 3rd degree zero. This necessitates the satisfying of five equations; in other words, there are five alterations of the 3rd order, the vanishing of which produces an image of the 5th order.
Practical elimination of aberrations
The classical imaging problem is to reproduce perfectly a finite plane (the object) onto another plane (the image) through a finite aperture. It is impossible to do so perfectly for more than one such pair of planes; this was proven with increasing generality by Maxwell in 1858, by Bruns in 1895, and by Carathéodory in 1926, see summary by Walther. For a single pair of planes (e.g. for a single focus setting of an objective), however, the problem can in principle be solved perfectly. Examples of such a theoretically perfect system include the Luneburg lens and the Maxwell fish-eye.
Practical methods solve this problem with an accuracy which mostly suffices for the special purpose of each species of instrument. The problem of finding a system which reproduces a given object upon a given plane with given magnification (insofar as aberrations must be taken into account) could be dealt with by means of the approximation theory; in most cases, however, the analytical difficulties were too great for older calculation methods but may be ameliorated by application of modern computer systems. Solutions, however, have been obtained in special cases. At the present time constructors almost always employ the inverse method: they compose a system from certain, often quite personal experiences, and test, by the trigonometrical calculation of the paths of several rays, whether the system gives the desired reproduction (examples are given in A. Gleichen, Lehrbuch der geometrischen Optik, Leipzig and Berlin, 1902). The radii, thicknesses and distances are continually altered until the errors of the image become sufficiently small. By this method only certain errors of reproduction are investigated, especially individual members, or all, of those named above. The analytical approximation theory is often employed provisionally, since its accuracy does not generally suffice.
In order to render spherical aberration and the deviation from the sine condition small throughout the whole aperture, there is given to a ray with a finite angle of aperture u* (width infinitely distant objects: with a finite height of incidence h*) the same distance of intersection, and the same sine ratio as to one neighboring the axis (u* or h* may not be much smaller than the largest aperture U or H to be used in the system). The rays with an angle of aperture smaller than u* would not have the same distance of intersection and the same sine ratio; these deviations are called zones, and the constructor endeavors to reduce these to a minimum. The same holds for the errors depending upon the angle of the field of view, w: astigmatism, curvature of field and distortion are eliminated for a definite value, w*, zones of astigmatism, curvature of field and distortion, attend smaller values of w. The practical optician names such systems: corrected for the angle of aperture u* (the height of incidence h*) or the angle of field of view w*. Spherical aberration and changes of the sine ratios are often represented graphically as functions of the aperture, in the same way as the deviations of two astigmatic image surfaces of the image plane of the axis point are represented as functions of the angles of the field of view.
Chromatic or color aberration
In optical systems composed of lenses, the position, magnitude and errors of the image depend upon the refractive indices of the glass employed (see Lens (optics) and Monochromatic aberration, above). Since the index of refraction varies with the color or wavelength of the light (see dispersion), it follows that a system of lenses (uncorrected) projects images of different colors in somewhat different places and sizes and with different aberrations; i.e. there are chromatic differences of the distances of intersection, of magnifications, and of monochromatic aberrations. If mixed light be employed (e.g. white light) all these images are formed and they cause a confusion, named chromatic aberration; for instance, instead of a white margin on a dark background, there is perceived a colored margin, or narrow spectrum. The absence of this error is termed achromatism, and an optical system so corrected is termed achromatic. A system is said to be chromatically under-corrected when it shows the same kind of chromatic error as a thin positive lens, otherwise it is said to be overcorrected.
If, in the first place, monochromatic aberrations be neglected — in other words, the Gaussian theory be accepted — then every reproduction is determined by the positions of the focal planes, and the magnitude of the focal lengths, or if the focal lengths, as ordinarily happens, be equal, by three constants of reproduction. These constants are determined by the data of the system (radii, thicknesses, distances, indices, etc., of the lenses); therefore their dependence on the refractive index, and consequently on the color, are calculable. The refractive indices for different wavelengths must be known for each kind of glass made use of. In this manner the conditions are maintained that any one constant of reproduction is equal for two different colors, i.e. this constant is achromatized. For example, it is possible, with one thick lens in air, to achromatize the position of a focal plane of the magnitude of the focal length. If all three constants of reproduction be achromatized, then the Gaussian image for all distances of objects is the same for the two colors, and the system is said to be in stable achromatism.
In practice it is more advantageous (after Abbe) to determine the chromatic aberration (for instance, that of the distance of intersection) for a fixed position of the object, and express it by a sum in which each component conlins the amount due to each refracting surface. In a plane containing the image point of one color, another colour produces a disk of confusion; this is similar to the confusion caused by two zones in spherical aberration. For infinitely distant objects the radius Of the chromatic disk of confusion is proportional to the linear aperture, and independent of the focal length (vide supra, Monochromatic Aberration of the Axis Point); and since this disk becomes the less harmful with an increasing image of a given object, or with increasing focal length, it follows that the deterioration of the image is proportional to the ratio of the aperture to the focal length, i.e. the relative aperture. (This explains the gigantic focal lengths in vogue before the discovery of achromatism.)
