Pig Destroyer

Pig Destroyer is an American grindcore band formed in 1997 in Alexandria, Virginia. The band was formed by vocalist J.R. Hayes, guitarist Scott Hull, and drummer John Evans. Throughout the band's earlier history, they were a three-piece group until sampler Blake Harrison joined in 2006, notably had no bassist until the inclusion of John Jarvis in 2013, and went through 2 past drummers with the role currently held by Adam Jarvis. Pig Destroyer is one of the most well-known grindcore bands in the genre due to Hayes's poetic lyrics, Hull's incorporation of thrash, punk, and doom influences in songwriting, and technical drum work. Biography The band formed in 1997 after the break-up of a short-lived political hardcore band, Treblinka, with 2 former members of said band, vocalist J. R. Hayes (Enemy Soil), guitarist Scott Hull (Agoraphobic Nosebleed, Japanese Torture Comedy Hour, ex-Anal Cunt), and drummer John Evans, who left the band for an unspecified school not long after the band's formation. After the departure of Evans, he was soon replaced by Brian Harvey. In an interview, Scott Hull claims that they picked the band name on the criteria that it was insulting, yet somewhat more creative than the name of his last band, Anal Cunt. Deciding that "Cop Killer" or "Cop Destroyer" would be tactless, they eventually settled on "Pig Destroyer" ("pig" being a pejorative American slang term for the police). Derived from a non-musical source as extreme as the band's sound, Pig Destroyer's easily identifiable logo was created using a graphic from ANSWER Me! magazine as a template. Relapse Records signed the band and issued a split 7-inch with Isis on the label's Singles Series in July 2000. 38 Counts of Battery was a complete discography of Pig Destroyer releases up to the year 2000, which included split records with Gnob and influential screamo act Orchid, as well as their debut album, Explosions In Ward 6, and the demo that secured their record deal. Prowler in the Yard, released in 2001, was the first of the band's records to really break through to what could contextually be considered the "mainstream".