Quills

Quills is a 2000 period film directed by Philip Kaufman and adapted from the Obie award-winning 1995 play by Doug Wright, who also wrote the original screenplay. Inspired by the life and work of the Marquis de Sade, Quills re-imagines the last years of the Marquis's incarceration in the insane asylum at Charenton. It stars Geoffrey Rush as de Sade, Kate Winslet as laundress Madeleine "Maddie" LeClerc, Joaquin Phoenix as the Abbé de Coulmier, and Michael Caine as Dr. Royer-Collard. Well received by critics, Quills garnered acclaim for its performances from Rush, and Winslet and its screenplay. The film received nominations for three Academy Awards, four BAFTA Awards, two Golden Globe Awards, and two Screen Actors Guild Awards. The National Board of Review named it the Best Film of 2000. The Writers Guild of America awarded Doug Wright with the Paul Selvin Award. The film was a modest art house success, averaging $27,709 per screen its debut weekend, and eventually grossing $17,989,277 internationally. Noted for its artistic licenses, Quills filmmakers and writers said they were not making a biography of de Sade, but exploring issues such as censorship, pornography, sex, art, mental illness, and religion. Plot Quills begins in Paris during the Reign of Terror, with the incarcerated Marquis de Sade penning a story about the libidinous Mademoiselle Renard, a ravishing young aristocrat who meets the imprisoned sadist. Several years later, the Marquis is confined to the asylum for the insane at Charenton, overseen by the enlightened Abbé du Coulmier. The Marquis has been publishing his work through laundress Madeleine "Maddy" LeClerc, who smuggles manuscripts through an anonymous horseman to a publisher. The Marquis' latest work, Justine, is published on the black market to great success. Emperor Napoléon I Bonaparte orders all copies of the book to be torched and the author shot, but his advisor, Delbené, tempers this contentious idea with one of his own: send alienist Dr. Royer-Collard to assess Charenton and silence the Marquis. Meanwhile, the Abbé teaches Madeleine to read and write, while they resist their growing mutual attraction. Madeleine reads the Marquis de Sade's stories to her fellow workers. Whilst Madeleine is fascinated with the Marquis de Sade she remains reluctant to give in to his advances. The Abbé and Marquis converse on the Marquis' inappropriate advances on young women.