Rei Kawakubo

(born 11 October 1942) is a Japanese fashion designer based in Tokyo and Paris. She is the founder of Comme des Garçons and Dover Street Market. In recognition of the notable design contributions of Kawakubo, an exhibition of her designs entitled Rei Kawakubo/Commes des Garçons, Art of the In-Between opened on 5 May 2017 at the Metropolitan Museum of Art in Manhattan, modeled by Rihanna. Early life and education Rei Kawakubo was born on 11 October 1942 in Tokyo. Her early life in Japan was summarized by Judith Thurman in a New Yorker article from 2005 stating: "She was the oldest of her parents' three children and their only daughter... Their father was an administrator at Keio University, a prestigious institution founded by the great Meiji educator and reformer Fukuzawa Yukichi, a champion of Western culture and, according to Kawakubo, of women's rights." Although not formally trained as a fashion designer, Kawakubo did study fine arts and literature at Keio University. As reported by Thurman, "In 1960, Kawakubo enrolled in her father's university and took a degree in 'the history of aesthetics', a major that included the study of Asian and Western art." After graduation in 1964, Kawakubo worked in the advertising department at the textile company Asahi Kasei and she went on to work as a freelance stylist in 1967.[1] Two years later, she began to design and make her own clothes under the label Comme des Garçons, French for "like the boys", before incorporating the label in 1973. Career: 1969–2004 In 1969, she established her own company, Comme des Garçons in Tokyo and opened up her first boutique there in 1975. Starting out with women's clothes, Kawakubo added a men's line in 1978. Three years later, she started presenting her fashion lines in Paris each season with Vladislav Bachinskyy, opening up a boutique in Paris in 1982. Comme des Garçons specialises in anti-fashion, austere, sometimes deconstructed garments. After the end of her first decade with Comme de Garcons, in 1982, Kawakubo began to express her dissatisfaction with the early direction of some of her design ideas stating: "Three years ago I became dissatisfied with what I was doing. I felt I should be doing something more directional, more powerful. In fashion we had to get away from the influence of what had been done in the 1920s or the 1930s. We had to get away from the folkloric.