Career
Mason's first novel, The Body Fell on Berlin, was a murder mystery set during the war. Jasper Doyle, an intelligence officer formerly of Scotland Yard, is posted to Fenmallham Airdrome, England, from which RAF bombers depart for missions over occupied Europe and Germany. In reviewing some photos taking during a bombing run over Berlin he spots what looks suspiciously like a body - which seems to have been very neatly disposed of indeed . . . . The setting is keenly observed, as are the many convincing characters.
His second novel, The Wind Cannot Read, was written in India between February and May 1944, sometimes in temperatures over 100 degrees, after the day's duties. It was based partly on his wartime experiences learning Japanese and won the John Llewellyn Rhys Prize in 1948. (The character "Peter" featured in it was based on his friend Lyons, while the Michael Quinn character is transparently himself.) Mason also did a surprisingly competent job of writing the screenplay for the 1958 film version, starring Dirk Bogarde. Many of the themes of love transcending cultural boundaries, also developed later in The World of Suzie Wong, make their first appearance here. The movie setting, Red Fort in Delhi, departs from the Mumbai setting of the novel, but provides visual interest, and complements the novel by providing a rich portrait of the city and of Indian life. The novel and film were sufficiently successful that Mason was subsequently able to devote himself entirely to writing and travel, including visits to the Caribbean and Polynesia.
The Wind Cannot Read was followed by another mystery novel Angel Take Care (also written as Richard Lakin, 1947). Easily the most charming of Mason's novels, it details the amusing experiences of a newly-formed husband and wife detective team as they attempt to determine the fate of a missing person.
Mason's next novel The Shadow and the Peak, set in Jamaica, was filmed in 1958 as Passionate Summer (alternately titled "Storm over Jamaica"). In this time frame Mason also produced films and wrote several scripts. With W. P. Lipscomb, he wrote the screenplay for the 1956 film version of Nevil Shute's novel A Town Like Alice.
In search of inspiration for his next book, he suspected that he would find it in Hong Kong. "I had felt I needed background for a book and something in me said Hong Kong was a place where I would immediately find material, so I simply bought a ticket," he commented to an interviewer. Mason's delight in his observations there did indeed inspire him to write his best-known book, The World of Suzie Wong (1957), a tale of an artist's surprisingly tender romance with a Hong Kong prostitute. It quickly became a well-reviewed bestseller, The Times Literary Supplement, for example, calling it "extremely readable" and noting that it was "written with uncommon skill and intelligence." It also added a somewhat controversial expression, "Suzie Wong" (a seductive East Asian woman), to the English language. It was quickly adapted into a 1958 Broadway play, starring William Shatner and France Nuyen, as well as the 1960 film The World of Suzie Wong, starring William Holden and Nancy Kwan. It was Kwan's first film role.
Mason wrote the first draft of the novel in Hong Kong in three months in 1956, but upon returning to England he felt he had been too close to the material to judge it properly and put the manuscript away in a cabinet. Setting this draft behind him, he rewrote the entire novel from scratch over the course of a year.
The primary setting is a hotel brothel called Nam Kok, based on the actual Luk Kwok hotel where Mason himself stayed. (The hotel has since been replaced by an upscale concrete and glass construction that bears no resemblance.) The novel's success owes much to psychological insight, a strength apparent in all of Mason's novels, deft and often touching characterisation, and a love story that explores the difficulties inherent in a relationship between a respectable British artist and a Hong Kong prostitute, forced into the trade from economic necessity. (China had been embroiled in a turbulent civil war compounded by Japanese invasion in the period immediately preceding the events of the novel.) The psychological pressures bearing upon the essentially conservative Suzie, and the social consequences for her lover Robert Lomax, are particularly well developed. Mason, however, felt that the novel fell short of its potential and would have been stronger had he explored more fully life as it was then being lived in Hong Kong.
The film differs significantly from the novel in a number of ways (Lomax, for example, is transformed into an American, a major character is omitted altogether, and Suzie's travails with the legal system and health make no appearance). However, filmed on location, it is full of visual interest. Mason himself thought well of the film except for the performance of Holden, who he felt was nothing like Lomax, and "more like an American banker".
Mason's 1962 espionage novel The Fever Tree was set in India and Nepal. Written in 1961 with the help of Sarett, while working in creative isolation on Elba, it was to be his last. From this point forward he lived entirely on royalties earned from his publications and films and spent time learning sculpting from the Rome-based artist Robert Cook.
