Scent of a Woman is a 1992 American drama film produced and directed by Martin Brest that tells the story of a preparatory school student who takes a short-term job near Thanksgiving as a companion and assistant to a retired Army lieutenant colonel who is blind, depressed and irritable.
The film was adapted by Bo Goldman from the Italian novel Il buio e il miele (Italian: Darkness and Honey) by Giovanni Arpino. This was previously adapted by Dino Risi for his 1974 Italian film Profumo di donna.
The American film stars Al Pacino and Chris O'Donnell, with James Rebhorn, Philip Seymour Hoffman, Gabrielle Anwar and Bradley Whitford in supporting roles.
The film was shot primarily around New York State, and on location at Princeton University in New Jersey. Scenes were shot at the Emma Willard School, an all-girls school in Troy, New York; as well as at the Waldorf-Astoria Hotel and the Fieldston School in New York City.
The film had a limited theatrical release on December 23, 1992 by Universal Pictures, expanding nationwide on January 8, 1993. It received generally positive responses from critics and was a box-office success. Pacino won the Academy Award for Best Actor for his performance and the film was also nominated for Best Picture, Best Director and Best Screenplay Based on Material Previously Produced or Published.
The film won three Golden Globe Awards, for Best Screenplay, Best Actor, and Best Motion Picture – Drama.
Contents
Plot
Charlie Simms is a scholarship student at Baird, an exclusive New England preparatory school. Karen Rossi hires him to watch her uncle, retired Army Lieutenant Colonel Frank Slade, during Thanksgiving weekend. Charlie accepts so he can buy a plane ticket home to Gresham, Oregon for Christmas. He meets Frank, a highly decorated, blind Vietnam War veteran who has become a cantankerous and cynical alcoholic.
Charlie and student George Willis Jr. witness three classmates set up a prank to humiliate the headmaster, Mr. Trask, by dousing his prized automobile, a Jaguar XJ, with flour and water. Afterward, Trask learns of the witnesses and unsuccessfully presses them to name the perpetrators. He privately offers Charlie virtually guaranteed acceptance to Harvard University if he informs on the other students. Trask schedules a meeting of the school disciplinary committee to take place on the Monday after the Thanksgiving weekend.
Frank Slade unexpectedly takes Charlie on a trip to New York City and arranges their stay at the Waldorf-Astoria hotel. During dinner in the Oak Room at the Plaza Hotel, Frank reveals that the goals of his trip are to stay at a luxurious hotel, enjoy good food and wine, visit his older brother, and have sex with a "terrific" woman. Afterward, he intends to die by suicide.
On Thanksgiving Day, they visit Frank's brother at his home in White Plains. Frank provokes everyone at dinner, which ends in a confrontation with his nephew Randy, who reveals that Frank was not blinded heroically in combat, but in an accident that occurred when he drunkenly juggled live grenades to show off for a group of younger officers. Frank assaults Randy for repeatedly calling Charlie "Chucky", a name Charlie despises, revealing Frank's growing affection for Charlie.
As they return to the city, Charlie mentions his problem at school. Frank advises he turn informant, warning that George will probably submit to Trask's pressure, so he should act first so he can attend Harvard. While at The Pierre's Cotillion Ballroom, Frank identifies the scent (Ogleby Sisters soap) of a young woman waiting for her date. He introduces himself and offers to teach her the tango. The evening ends with Frank having sex with a high-class escort, completing the stated objectives of his trip.
Production
The rights to remake Dino Risi's Profumo di donna were purchased by Ovidio G. Assonitis and first slated for presale by Ronald DeNeef's Rainbow International at MIFED (Mercato internazionale del film e del documentario) in October 1988, alongside Assonitis's Beyond the Door III and Midnight Ride (then called Nowhere to Run). When Assonitis became Chairman of Cannon Pictures Inc. in 1989, he announced that his films currently in development and production, including the remake of Scent of a Woman, would be made and released under the Cannon banner.
By May 1990, Cannon Pictures had entered into an agreement with Universal Pictures to produce the film. In 1991, Bo Goldman was hired to write the screenplay. He later said, "If there is a moral to the film, it is that if we leave ourselves open and available to the surprising contradictions in life, we will find the strength to go on."
Martin Brest was approached to direct the film in April 1991, and chose this film over another potential remake with which he was presented, a remake of Death Takes a Holiday (which he later made as Meet Joe Black, released in 1998 starring Brad Pitt, Claire Forlani and Anthony Hopkins). By early August, Brest had officially signed, and Al Pacino was being sought for the lead. Pacino officially signed on the following month.
Casting
Rising young actors, including Matt Damon, Ben Affleck, Brendan Fraser, Anthony Rapp, Randall Batinkoff, Chris Rock and Stephen Dorff auditioned for the role of Charlie Simms before Chris O'Donnell was cast in November 1991. Jack Nicholson was offered the role of Lt. Col. Frank Slade but turned it down.
Research
Pacino painstakingly researched his part in Scent of a Woman. To understand what it feels like to be blind, he met clients of New York's Associated Blind, being particularly interested in accounts by those who had lost their sight due to trauma. Clients traced the entire progression for him—from the moment when they knew that they would never see again to the depression and through to acceptance and adjustment. The Lighthouse, an advocacy group for the blind also in New York, schooled him in techniques that a vision impaired person might use to find a chair and seat themselves, pour liquid from a bottle, and light a cigar.
Filming
Production on Scent of a Woman began on December 3, 1991, in New York City, and ran until April 1992. It was filmed in the following US locations.
Brooklyn, New York City
Dumbo neighborhood, Brooklyn, New York City
Emma Willard School, 285 Pawling Avenue, Troy, New York
Hempstead House, Sands Point Preserve, 95 Middleneck Road, Port Washington, Long Island, New York
Long Island, New York
Manhattan, New York City
Meeting House for the New York Society of Ethical Culture, Adler Hall, 2 W 64th St, New York, NY (Frank's speech defending Charlie)
Newark Liberty International Airport, Newark, New Jersey
The Oak Room, The Plaza Hotel, Fifth Avenue at 59th Street, Manhattan, New York City (where Frank and Charlie have dinner)
Pierre Hotel, Fifth Avenue & 61st Street, Manhattan, New York City, Cotillion Ballroom (where Frank and Donna dance the tango)
Port Washington, Long Island, New York
Prince's Bay, Staten Island, New York City
Princeton, New Jersey
Queens, New York City
Rockefeller College—Upper Madison Hall, Princeton University, Princeton, New Jersey (scene at the Baird library)
Music
The soundtrack music for the film is composed and conducted by Thomas Newman. The tango to which Frank and Donna dance is "Por una Cabeza".
Track listing
Reception
Box office
The film opened at number 20 at the US Box Office. It would go on to earn $63,095,253 in the US and Canada and over $71 million internationally (excluding Italy), totaling $134,095,253 worldwide.
Critical response
As of 2026, the film holds an 82% approval rating on review aggregator Rotten Tomatoes from 50 reviews. The site's consensus states: "It might soar on Al Pacino's performance more than the drama itself, but what a performance it is – big, bold, occasionally over-the-top, and finally giving the Academy pause to award the star his first Oscar." The film holds a score of 57 out of 100 on Metacritic, based on 52 critic reviews.
Two critics criticized the film for its length. Variety's Todd McCarthy said it "goes on nearly an hour too long". Newsweek's David Ansen writes that the "two-character conceit doesn't warrant a two-and-a-half-hour running time".
Accolades
Al Pacino won an Academy Award for Best Actor, the first of his career after four previous nominations for Best Actor. It was his eighth overall nomination. Ovidio G. Assonitis, who had originated the project and chose to go uncredited on the final cut of the film, took out a full-page advert in Variety congratulating Tom Pollock, Universal Pictures and Martin Brest for making the adaptation successful and praising Pacino on his Oscar win.