Career
Shaker gave herself the stage name "Shadia", after the name of a newborn of one of her family's friends. She began acting at the age of fifteen. In her heyday during the 1950s and 1960s, Shadia acted in numerous melodramas, romance, and comedy films. However, it was her singing talent that established Shadia as one of the most important Egyptian cinema stars of her era.
Overall, as "Shadia", she performed in more than 100 films. Shadia is credited for acting alongside leading man Salah Zulfikar in his film debut, "Oyoun Sahrana" (Wakeful Eyes, 1956). Later, she paired with Zulfikar in six films, forming a famous duet, achieving major commercial and critical success, and becoming an Egyptian cinema classic. She also starred in more than 30 films with the actor Kamal El Shennawy, and sang opposite Farid El Atrash and Abdel Halim Hafez, such as in "Ma'boudat El Gamaheer" (The People's Idol, 1967). She appeared with Faten Hamama in Ezz El-Dine Zulfikar's "Mawe'd Ma'a El Hayah" (Appointment with Life, 1954), and in "El Mar'a El Maghula" (The Unknown Woman, 1959) by Mahmoud Zulfikar, she played the role of Fatma in a heavy melodrama.
Other films she starred in include "El les we El Kelab" (The Thief and the Dogs, 1962) with Shoukry Sarhan, where she played the role of a prostitute for the first time. She starred in comedy roles in films such as "El Zouga raqam 13" (Wife Number 13, 1962). She also starred alongside Salah Zulfikar in the romantic drama "Aghla Min Hayati" (Dearer than My Life, 1965), and the film was a success and it turned out to be a romantic classic in Egyptian cinema and the two main characters of Ahmed and Mona became a symbol of love and affection among Egyptians.
Her famous trilogy alongside Salah Zulfikar; "Merati Modir 'Am " (My Wife, the Director General, 1966), "Karamat Zawgaty" (My Wife's Dignity, 1967) and "Afrit Merati" (My Wife's Goblin, 1968), were huge successes. Shadia was often cast in cunning and cheeky roles, however, she also played serious roles, such as in Salah Zulfikar Films production; "Shey Min El Khouf" (A Taste of Fear, 1969) and "Uyoon Sahranah" (Wakeful Eyes, 1956) by Ezz El-Dine Zulfikar and "El Tareeq" (The Road, 1964) based on a book by Naguib Mahfouz, and "Lamset Hanan" (A Toutch of Tenderness, 1971), her last film opposite Salah Zulfikar.
Shadia performed in the 1985 stage version of "Raya and Sakina", which was based on the 1953 film and true story of two Alexandrian serial killers, directed by Salah Abu Seif. She produced two films, and appeared in several films in Japan.
As a singer, Shadia was called "the voice of Egypt". During hard and war times, she was famous for her Egyptian patriotic songs, especially "Ya Habibti Ya Masr" (Oh Egypt, My Love) and "Aqwa Mn El Zaman" (Stronger Than Time). She participated in many operettas about Egypt and the Arab world along with other Egyptian and Arabic singers, including: "Al Watan Al Akbar" (The Great Nation), "El Geel El Sa'ed" (The Rising Generation), and "Soot El Gamaheer" (The Voice of the Masses). Her mega hit song "Ya Habibti Ya Masr" (Oh Egypt, My Love), was considered one of the best patriotic songs ever. During a TV-interview, Shadia said regarding her famous patriotic song: "When I am singing to my homeland, it is even way more romantic and more honest than any romantic song. Here I am singing to my home, my land. There was a period when Egypt's name was erased (Nasser's era), Egypt’s name will never get erased from our hearts". After almost 25 years of retirement, Shadia's song became an anthem of the Egyptian Revolution of 2011.
Upon returning from the premiere of "Raya and Sakina", Shadia stated that she gave serious thought that night to the idea of repentance. The following morning, she informed her producers that she wanted no part in the play from then on, but eventually promised to finish her work when they insisted that she do so. Thereafter, Shadia retired from the film and music industry, and went on a Umrah to Mecca, where she met the popular Egyptian Azhari scholar Sheikh El Shaarawy. Her meeting with El-Shaarawy influenced Shadia to reach her final decision to start wearing the hijab.
