Shattered Image

Plot

Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman, Jessie (Anne Parillaud) recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her new husband Brian (William Baldwin), who is trying to help her recover. As Jessie switches between realities through her dreams she seeks to figure out who the other Jessie is and why she is seeing her. As the dramatically different realities start to merge causing grave implications questions start to arise. Is someone trying to kill Jessie, can Jessie trust her new husband Brian, and most importantly who is the real Jessie?

Cast

William Baldwin as Brian

Anne Parillaud as Jessie Markham

Lisanne Falk as Paula/Laura

Graham Greene as Detective

Bulle Ogier as Mrs. Ford

Billy Wilmott as Lamond

O'Neil Peart as Simon

Leonie Forbes as Isabel

Reception

The film received mixed reviews. New York Times critic Stephen Holden wrote that the film, "leaves an ambiguous impression" as he explains, "The movie, which aggressively parodies the Alfred Hitchcock of Vertigo and Marnie, may be a tongue-in-cheek spoof. Or it could be an homage. Mr. Ruiz probably wanted it both ways." Kevin Thomas of the Los Angeles Times was positive about the film, complimenting Ruiz for his filmmaking skills and the actors Parillaud and Baldwin for their ability to shift between roles. Thomas writes, "Ruiz piles on such questions to such dizzying heights that his picture begins to boggle the mind, like looking too long at a labyrinthine M.C. Esher drawing. It's best to let the film simply wash over you because trying to sort everything out invites a certain tedium. However, it's worth going along with Ruiz because his payoff is so stunning that you realize that as usual he's carefully building toward it every step of the way. Ruiz verges on pure cinema, relying on the camera rather than dialogue to reveal character, tell the story and express his preoccupation with the duality of human nature." Despite some positive reception many critics panned the film. Edward Guthmann of the San Francisco Chronicle writes, "Movie patrons who sit through Shattered Image, a dreadful thriller that opens today, deserve a reward. A bottle of cognac. A poinsettia. Maybe a bay cruise. And a written apology." Guthmann continues, "The concept is vaguely intriguing, but the execution is bad enough to put you off movies for good... Ruiz's direction is clumsy, his pacing is slack and Parillaud delivers her lines in a semi-intelligible, monotone whisper."

Academic Michael Goddard writes about the Hollywood kitsch and B-movie style of Shattered Image in his comprehensive analysis of Ruiz films in The Cinema of Raúl Ruiz: Impossible Cartographies. Goddard mentions that Jessie is a reprisal of the character Nikita from Luc Besson's La Femme Nikita (1990). He further mentions that the script of this film was unconventional for Ruiz as he used a B grade script by Duane Poole, who spent most of his career writing for television series like The Love Boat and The Smurfs. Goddard summarizes, " While not a straight to video release, Shattered Image was not far from it and certainly resembles the kind of mass-produced kitsch Hollywood B thrillers that were in vogue at that time in the 1990s, complete with a sub-Hitchcock mystery narrative, exotic locations and intimations of both sex and violence... Certainly it is the only Ruiz film one is likely to see screened on late night satellite TV, and not on an 'Indie' channel but one specialising in actions films."

Goddard wrestles with Ruiz's choice to make a film that so strongly goes against Ruiz's filmic ideologies including the notorious central conflict theory. Goddard decides," the script of Shattered Image fell into the category of being so bad it ended up being unintentionally good. In other words while there is an attempt to construct a generic and cliche narrative based on suspense, mystery, betrayal and sex, all taking place against the backdrop of the exotic location of Jamaica, the script really fails to tie all of its elements together, attaining in the process an involuntary Surrealism." According to Goddard, Shattered Image is a confusing and surreal film about complicated identities which "parallel David Lynch's Moebius strip style films also dealing with parallel identities and realities that he was making at [the same] time, Lost Highway (1997) and Mulholland Dr. (2001)."