Snakes and Ladders

Snakes and Ladders is a 1996 Irish comedy film directed by Trish McAdam. Plot summary Jean (Pom Boyd) and Kate (Gina Moxley) are two "nearing-thirty" best friends, who share a flat in contemporary Dublin and support themselves by working as street performers in the city. The two women do battle with the conflicting pressures of friendship, family, love and the struggle for success. The unsettled Jean has a major attitude problem, and while she rejects the older generation as represented by her interfering mother Nora (Rosaleen Linehan), she is also unable to fully embrace the alternative lifestyle of her boyfriend musician, Martin (Sean Hughes), her partner Kate and their gay friend Orla (Cathy White). Impulsively accepting a marriage proposal from Martin, she soon panics at the prospect of the wedding and sets in motion a chaotic series of events which affect all the characters' lives. Cast Pom Boyd - Jean Gina Moxley - Kate Sean Hughes - Martin Rosaleen Linehan - Nora Catherine White - Orla Pierce Turner - Dave Paudge Behan - Dan Stella McCusker - Maureen Marie Mullen - Patricia Maureen Toal - Rose Laurie Morton - Gwen Barry Cassin - Mr. Duffy Ena May - Bridie Bernie Downes - Shop Assistant Joe Dolan - Self Anne-Sophie Briest - Sybille Eamonn Hunt - Producer Oliver Maguire - 1st Interviewer Reception As described by the Irish Film Institute in their 2019 retrospective of the work of McAdam, the film "captures a strong sense of Dublin in the nineties as a city with a vibrant music, pub and club scene. Music plays a crucial role, with a fine score composed and performed by Pierce Turner, who plays the lead singer in Martin’s band. (There's also an amusing cameo appearance by Joe Dolan, singing Make Me an Island and You're Such a Good Looking Woman to the delight of members of The Dead Husbands Club). But the film is no fulsome celebration of great times. As the title itself implies, the game of life has its ups and down, with failures as well as successes. Dublin is now a city of youth, life and colour, says McAdam, but behind that colour the grey past still lingers. We may have moved on in recent years to new-found confidence, but behind that confidence the old basic everyday emotional problems will always be with us."