The Earrings of Madame de...

The Earrings of Madame de... is a 1953 romantic drama film directed by Max Ophüls from a screenplay he co-wrote with Marcel Achard and Annette Wademant, based on the 1951 novel Madame de... by Louise Lévêque de Vilmorin. The film is considered a masterpiece of 1950s French cinema. Andrew Sarris called it "the most perfect film ever made". Ophüls said the story's construction attracted him, stating "there is always the same axis around which the action continually turns like a carousel. A tiny, scarcely visible axis: a pair of earrings". The film's different titles reflect on the fact that the surname of the Madame in question – the same as that of her husband's – is never heard nor seen onscreen. The few times in the film when it might be revealed, it is eluded by noise or a camera trick. Plot Louise (Danielle Darrieux) is an aristocratic woman of Belle Époque Paris, married to André (Charles Boyer), both a count and a high-ranking French army general. Louise is a beautiful, but spoiled and superficial woman who has amassed debts due to her lifestyle. She arranges to secretly sell her costly heart-shaped diamond earrings, a wedding present from her husband, to the original jeweler, Mr Rémy (Jean Debucourt). Relations between Louise and André are companionable, but they sleep in separate beds, have no children, and André has a secret mistress, of whom he has recently tired. Louise disguises the disappearance of the earrings by pretending to have lost them at the opera. The search for them eventually reaches the newspapers ("Theft at the Theatre") which in turn prompts Rémy to go to André and "discreetly" offer to sell them back. He accepts cheerfully and, rather than confront his wife, coolly gives the earrings to his mistress, Lola (Lia Di Leo), whom he happens to be seeing off permanently to Constantinople. At her destination, however, Lola soon sells the earrings herself to settle gambling debts and they are later purchased by an Italian baron, Fabrizio Donati (Vittorio De Sica), who is on his way to a high diplomatic post in Paris. Through a series of encounters, Donati becomes infatuated with Louise, later dancing with her long into the night at a ball. André's long absence "on maneuvers" facilitates the couple's affair. With each passage of time, the baron asks Louise if she has heard from her husband.