The Innocence (Catalan: La innocència) is a 2019 Spanish drama film directed by Lucía Alemany (in her feature film debut), starring Carmen Arrufat alongside Laia Marull, Sergi López, and Joel Bosqued.
The film was nominated for two Goya Awards.
Contents
Plot
Set in a rural area of the province of Castellón, the plot deals about Lis, a girl who dreams of becoming a circus artist and escaping her small town, even though she knows that to achieve this she'll have to defy her parents. It's summer, and Lis spends her days playing in the street and flirting with a boy. When the neighbors begin to whisper about their relationship, Lis is forced to keep it a secret from her parents. It will be a relationship that changes her life forever.
Production
The film was produced by Turanga Films, Un Capricho de Producciones, and Lagarto Films, with additional backing from IVC, ICEC, À Punt, TV3, Movistar Plus+ and ECAM's La Incubadora.
Director-screenwriter Alemany had an abortion when she was 17 and was raised in Traiguera, the main shooting location for the film.
Themes
Female perspective in cinema
Director Lucía Alemany has described The Innocence as a film that could "only have been made by a woman," highlighting its focus on intimate female relationships and lived experience. In an interview with eCartelera, she positioned the film within a broader wave of contemporary Spanish cinema made by women, such as Summer 1993 by Carla Simón and Journey to a Mother's Room by Celia Rico Clavellino. These works, she argued, offer narratives shaped by a specifically female gaze, particularly in their exploration of mother–daughter dynamics: "She’s the one who gave you life, you’ve been in her womb for nine months and she’s passed everything on to you, her fears and phobias… Healing that relationship is important — otherwise, your life feels a bit blocked."
Adolescence and embodiment
A central theme of the film is the transition from girlhood to womanhood, especially as experienced in a small, conservative town. Alemany portrays the physical and emotional shifts of adolescence in a candid and non-idealised manner. She noted that she wanted the lead character Lis to reflect a recognisable teenage reality, including the discomfort that arises when a young girl’s body is prematurely sexualised by society: "One of the requirements I had for Lis was that she have big boobs, because there’s something in that — in the sense that ‘two days ago I was a child, and now I have something that is sexually very attractive’."
Representation vs. voyeurism
Alemany was deliberate in how the teenage characters’ bodies were portrayed on screen. While scenes depict girls in underwear or in intimate situations, she emphasised that the intent was never to sexualise the characters, but rather to reflect everyday adolescent behaviour authentically and without judgement: "It’s really common when you’re getting ready to go out, at home with your friends, to be in that kind of underwear. But I didn’t want it to have a sexualised gaze, because what you’re seeing is a girl. But at the same time, they are sexual objects." This duality – the contrast between internal experience and external perception – underlines the film’s broader concern with how young women are seen, judged, and constrained by their environments.
Release
The film premiered at the 67th San Sebastián International Film Festival in September 2019. Distributed by Filmax, the film was released theatrically in Spain on 10 January 2020.
Reception
The Innocence received positive reviews from film critics. It holds a 100% approval rating on review aggregator website Rotten Tomatoes based on six reviews, with an average rating of 6.8/10.


