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Join the room“Through the figures of lesbian vampress and her human romantic interest, the author examines the promises of female empowerment and agency, transformations of class and gender relations, release from the bonds of patriarchy and a consequent quest for women's liberated identity.”
“The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman.”
“You must understand that it is little rest a vampire gets on earth, with so many fine young fellows like yourself going about everywhere eager to be destroyed.”
“Most vampires, I’ve discovered, are men, for some reason. I guess it’s because Dracula, people are kind of feeding off that.”
“She [Susan] is very lovely, Mr. Mears — very toothsome if I may be permitted a small bon mot.”
“The world is coming down around our ears and you're sticking at a few vampires.”
Quotes via Wikiquote (CC BY-SA), each with its original source.
Love and Pain es una pintura de 1895 de Edvard Munch; también ha sido llamada Vampire, aunque no por Munch. La pintura representa a un hombre y una mujer abrazados, con la mujer besando al hombre en el cuello. Munch pintó seis versiones diferentes del mismo tema entre 1893 y 1895. Tres versiones están en la colección del Museo Munch en Oslo, una está en el Gothenburg Museum of Art, una es propiedad de un coleccionista privado, y la obra final no se encuentra. Munch pintó varias versiones adicionales y derivaciones de la obra más tarde en su carrera.
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