Virginia

Virginia (1913) is a novel by Ellen Glasgow about a wife and mother who in vain seeks happiness by serving her family. This novel, her eleventh, marked a clear departure from Glasgow's previous work—she had written a series of bestsellers before publishing Virginia—in that it attacked, in a subtle yet unmistakable way, the very layer of society that constituted her readership. Also, as its heroine, though virtuous and god-fearing, is denied the happiness she is craving, its plot did not live up to readers' expectations as far as poetic justice is concerned and was bound to upset some of them. Today, Virginia is seen by many as an outstanding achievement in Glasgow's career, exactly because the author defied literary convention by questioning the foundations of American society around the dawn of the 20th century, be it capitalism, religion or racism. Plot Born in 1864 to a clergyman and his dutiful wife, Virginia grows up as a Southern belle in the town of Dinwiddie, Virginia. Her education is strictly limited to the bare minimum, with anything that might disturb her quiet and comfortable existence vigorously avoided. Thus prepared for life, Virginia falls for the first handsome young man who crosses her path—Oliver Treadwell, the black sheep of a family of capitalist entrepreneurs who, during the time of Reconstruction, brought industry and the railroad to the South. Oliver, who has been abroad and has only recently arrived in Dinwiddie, is a dreamer and an intellectual. An aspiring playwright, his literary ambitions are more important to him than money, and he refuses his uncle's offer to work in his bank. However, when Virginia falls in love with him he realizes that he must be able to support a family, and eventually accepts his uncle's offer to work for the railroad. The young couple get married and have three children, a boy and two girls. Gradually perfecting her household skills, Virginia is able to get by on very little money. When, after many years, Oliver's first play is put on the stage in New York City, his expectations are high. However, the show is a complete failure as the play is far too intellectual and radical for a Broadway audience who wants to be entertained rather than reformed.