Vladimir Maksimov

Vladimir Yemelyanovich Maksimov (, born Lev Alekseyevich Samsonov, Лев Алексеевич Самсонов; 27 November 1930 — 26 March 1995) was a Soviet and Russian writer, publicist, essayist and editor, one of the leading figures of the Soviet and post-Soviet dissident movement abroad. Biography Born in Moscow into a working class family, Lev Samsonov spent an unhappy childhood in and out of orphanages and colonies after his father was prosecuted in 1937 during the anti-Trotskyism purge. He went to Siberia to travel there under an assumed name, Vladimir Maksimov (to become later his pen name), spent time in jails and labour camps, then worked as a bricklayer and construction worker. In 1951 he settled in one of the Kuban stanitsas and started to write short stories and poems for local newspapers. His debut book Pokolenye na chasakh (Generation on the Look-out) came out in Cherkessk in 1956. In 1956 Maksimov returned to Moscow and published, among other pieces, the short novel My obzhivayem zemlyu (We Harness the Land, 1961) telling the story of Siberian hobos, courageous, but deeply troubled men, trying to find each their own way of settling down into the unfriendly Soviet reality. It was followed by Zhiv chelovek (Man is Alive). The former caught the attention of Konstantin Paustovsky who included it into his almanac Pages from Tarusa. The latter found its champion in Vsevolod Kochetov who in 1962 published it in Oktyabr, which he was then in charge of. It was met with both public and critical acclaim and was produced in 1965 by the Moscow Pushkin Drama Theatre. In 1963 Maksimov became a member of the Union of Soviet Writers and in the mid-1960s joined the Oktyabr magazine's staff. All the while, though, his literary output was getting harsher, darker and more pessimistic. Two of Maksimov's early 1970s novels, Sem dney tvorenya (Seven Days of Creation, 1971) and The Quarantin (1973) proved to be the turning point of his career. On the one hand, in retrospect they marked the high point of his creativity. On the other, steeped with the longing for Christian ideals and skeptical as to the viability of the Communist morality, both went against the grain of the norms and the criteria of Socialist realism. They were rejected by all Soviet publishers, came out in Samizdat, were officially banned and got their author into serious trouble. In June 1973 he was expelled from the Writers' Union, and spent several months in a psychiatric ward.