William Marshall (fl. 1617–1649) was a seventeenth-century British engraver and illustrator, mostly known for his allegorical portrait of King Charles I of England as a Christian martyr, which was published as the frontispiece to the Eikon Basilike. Early career Nothing is known of Marshall's life beyond references to his career as an engraver. Marshall's earliest known work is the frontispiece to the book A Solemne Joviall Disposition Briefly Shadowing the Law of Drinking, which was published in 1617. In the 1630s he produced a number of portrait engravings and book frontispieces, depicting Puritan divines, poets, and figures associated with the High Church establishment of the day, such as William Laud. His most ambitious work was the highly elaborate frontispiece to George Wither's 1635 Collection of Emblemes, Ancient and Moderne, an unusually complex example of the Emblem book. Wither left the design to Marshall, having given general instructions, but expressed himself exasperated with the result, on the grounds that its symbolism was thoroughly incoherent. As he wrote,

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William Marshall (fl. 1617–1649) was a seventeenth-century British engraver and illustrator, mostly known for his allegorical portrait of King Charles I of England as a Christian martyr, which was published as the frontispiece to the Eikon Basilike.

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