Xá Lợi Pagoda

History

Construction

Construction began on 5 August 1956, according to the plans drawn up by the architects Trần Văn Đường and Đỗ Bá Vinh, while the directing engineers were Dư Ngọc Ánh and Hồ Tố Thuận. The pagoda was opened on 2 May 1958, by the Most Venerable Thich Khanh Anh. The pagoda was built to enshrine a sample of the relics of Gautama Buddha, giving its name.

Protests and raids in 1963

A series of raids in response to Vietnamese Buddhists' protests for civil rights in the face of religious persecution from the government of the Roman Catholic President Ngô Đình Diệm. Squads of Special Forces, led by Lê Quang Tung and combat police flattened the gates and smashed their way into the pagoda at around 00:20 on 21 August 1963, as Xá Lợi's brass gong was clanged as a warning signal of the attack. Nhu's men were armed with pistols, submachine guns, carbines, shotguns, grenades and tear gas. The Special Forces were joined by truckloads of combat police in army camouflage uniforms. Monks and nuns who barricaded themselves behind wooden shields were attacked with rifle butts and bayonets. The gong of the pagoda was drowned out by the burst of automatic weapons fire, the sound of exploding grenades, shattering glass and human screaming. One monk was thrown from the balcony down to the courtyard six meters below. Nhu's men vandalized the main altar and managed to confiscate the intact charred heart of Thích Quảng Đức, the monk who had self-immolated in protest against the policies of the regime. Two monks jumped the back wall of the pagoda into the grounds of the adjoining US Aid Mission, where they were granted asylum.

Thich Tinh Khiet, the 80-year-old Buddhist patriarch of Vietnam, was seized and taken to a military hospital on the outskirts of Saigon. The commander of the III Corps of the ARVN, General Tôn Thất Đính, soon announced military control over Saigon, canceling all commercial flights into the city and instituting press censorship. Across the country, hundreds were estimated to have died or vanished, and more than one thousand monks were incarcerated.

Administrative function

The pagoda served as the headquarters of the Vietnamese Buddhist Association until 1981, and as its second office until May 1993.

Site

The site includes a number of buildings, including the main ceremonial hall and the bell tower. The pagoda is separated from the street by a gated fence. Inside the fence is a popular Chinese-style statue of Quan Âm holding a vial of elixir in one hand and making the gesture of removing obstacles with the other. The main hall of the pagoda is located on the upper level. Men ascend by the stairs on the left hand side, women by those on the right. The hall is rectangular in shape, and is supported by pillars. Facing the entrance is the shrine, which is dominated by a large statue of Gautama Buddha.

Shrine

The statue of Gautama depicts the Buddha seated in meditation on a lotus blossom. He is wearing the garb of a monk. As usual, he is depicted with ears lengthened by the use of jewelry (indicating his royal origins), closely cropped curly hair (indicating renunciation of the worldly life), and a large protuberance on his head (indicating aptitude). Behind his head is a sun disc. This statue was crafted by sculptors from Biên Hòa, a city just north of Ho Chi Minh City. It has been in its current state since 1969, when a gold coating was applied to it. In front of the statue of Gautama Buddha is the shrine dedicated to the relics of the Buddha, with the relics being held in a small stupa. Towards the front of the shrine is a small porcelain image of the "Laughing Buddha" Maitreya, the Buddha of the future. Between the small statue of Maitreya and the large statue of Gautama is a golden image of multi-armed Cundi (Chuan De) bodhisattva sitting in meditation on a lotus blossom. The bodhisattva's many hands grasp familiar attributes such as the sword, the wheel, and the trident. Elegant Chinese-style vases on either side of the shrine hold flowers of various colors.

Scenes from the life of Gautama Buddha

The walls of the main hall play host to a sequence of large panels depicting fourteen scenes from the life of the Gautama Buddha, from his birth as Prince Siddhartha to his attainment of nirvana. The images were created by Dr. Nguyen Van Long of the Gia Dinh Art School. Arranged sequentially high on the two side walls, the images are reminiscent of the depictions of the life of Jesus or of the Stations of the Cross found in some Christian churches. The fourteen scenes are as follows:

Queen Maya, the mother of the historical Buddha, dreams that an elephant with six tusks enters her through her right side.

The young Siddhartha walks on open lotus flowers, pointing at the Heaven and the Earth.

The elder Asita notes the auspicious marks on the body of the infant Siddhartha that indicate he will be a great secular or religious leader.

Prince Siddhartha sees an old man and a sick man, leading him to ponder the devastation to the human body caused by old age and disease.

The prince sees a corpse, and then a monk who is in perfect condition.

Having decided to renounce the secular life and to lead a life of religion, the prince looks for the last time upon his family as they lie sleeping.

Having left the royal city of Kapilavastu with his horse Kanthaka and horseman Channa, Siddhartha cuts off his long hair in order to symbolize his entry into the religious life.

Three demon princesses representing ambition, anxiety, and voluptuousness try unsuccessfully to seduce the prince.

Mara the king of demons and his minions attempt unsuccessfully to intimidate the prince by violence.

Bell tower

The bell tower of Xá Lợi Pagoda was opened in 1961. The tower stands 32 m, has seven stories, and is the highest bell tower in Vietnam. On the highest level, there is a bell weighing two tonnes, which was cast in the model of the bell of Thiên Mụ Pagoda in Huế.