Michael Jackson's catalog defined pop for decades with innovative production, dance moves, and anthemic hooks that still dominate playlists and debates. From Thriller's record-breaking run to later social statements, these tracks represent peak artistry and cultural impact. Vote to reorder them by your own criteria.
What counts: Best means a mix of chart dominance, cultural staying power, innovation, and replay value; figures are approximate Billboard peaks and certifications.
Billie Jean▲ Rising
Billie Jean topped charts worldwide in 1983 and introduced the moonwalk to a global audience on Motown 25. Its bassline and mystery narrative made it the defining MJ single. No other track combined mystery, groove, and performance spectacle as tightly.
Year: 1982Album: ThrillerUS Peak: 1 posGrammy Noms: 2Signature Move: ✓
added by IJRin 4 rankingsBillie Jean
Don't Stop 'Til You Get Enough▲ Rising
Don't Stop 'Til You Get Enough launched MJ's solo reign in 1979 with its sparkling disco strings and confident falsetto. The song's joy and mirror-ball energy defined Off the Wall's breakthrough. It remains his purest dance-floor starter.
Year: 1979Album: Off the WallUS Peak: 1 posGrammy Noms: 1Signature Move: ✓
added by IJRin 2 rankingsDon't Stop 'Til You Get Enough
Thriller▲ Rising
The 1983 title track turned a horror concept into the best-selling album ever and spawned the most iconic music video of all time. Its Vincent Price rap and zombie choreography reset pop expectations. The song still drives Halloween culture decades later.
Year: 1982Album: ThrillerUS Peak: 4 posGrammy Noms: 1Signature Move: ✓
added by IJRin 5 rankingsThriller
Bad's 1987 title track asserted MJ's maturity with its aggressive funk and Wesley Snipes video confrontation. It proved he could headline stadiums without Thriller's momentum. The song's attitude shift marked his evolution into adult pop star.
Year: 1987Album: BadUS Peak: 1 posGrammy Noms: 1Signature Move: ✓
added by IJRin 2 rankingsBad
Beat It▲ Rising
Eddie Van Halen's guitar solo on Beat It fused rock and pop in 1983 and helped break MTV's color barrier. The song's anti-violence message and street-dance video gave MJ crossover credibility. It remains the ultimate rock-pop hybrid single.
Year: 1982Album: ThrillerUS Peak: 1 posGrammy Noms: 2Signature Move: —
added by IJRBeat It
Smooth Criminal▲ Rising
Smooth Criminal's 1987 lean and the 'Annie are you okay' hook became MJ's most replayed live spectacle. The song's cinematic narrative and brass stabs made it a concert centerpiece. Its forensic detail and 45-degree lean cemented visual legend status.
Year: 1987Album: BadUS Peak: 7 posGrammy Noms: 1Signature Move: ✓
added by IJRSmooth Criminal
Man in the Mirror▲ Rising
Man in the Mirror's 1988 gospel swell turned self-reflection into MJ's most emotionally direct ballad. Its call for personal change resonated beyond pop charts. The track's choir and message remain his clearest social statement.
Year: 1987Album: BadUS Peak: 1 posGrammy Noms: 0Signature Move: —
added by IJRMan in the Mirror
Rock With You's 1979 shimmering synths and romantic invitation made it MJ's smoothest dance hit. The song's light-up suit performance and effortless groove captured late-70s optimism. It solidified his transition from child star to adult icon.
Year: 1979Album: Off the WallUS Peak: 1 posGrammy Noms: 0Signature Move: ✓
added by IJRRock With You
Wanna Be Startin' Somethin' opened Thriller with urgent percussion and the famous 'mama-say' chant that became a global hook. Its paranoia theme and live-band energy set the album's ambitious tone. The track remains a concert opener staple.
Year: 1982Album: ThrillerUS Peak: 5 posGrammy Noms: 0Signature Move: ✓
added by IJRWanna Be Startin' Somethin'
The Way You Make Me Feel▲ Rising
The Way You Make Me Feel's 1987 street-corner strut and playful chase video showcased MJ's flirtatious side. Its handclap groove and call-and-response made it a live sing-along favorite. The track balanced Bad's toughness with charm.
Year: 1987Album: BadUS Peak: 1 posGrammy Noms: 0Signature Move: ✓
added by IJRThe Way You Make Me Feel
Remember the Time's 1992 Egyptian-themed video and new-jack swing beat gave MJ a fresh 90s sound. Its memory-game narrative and celebrity cameos made it a visual highlight of Dangerous. The song refreshed his image successfully.
Year: 1991Album: DangerousUS Peak: 3 posGrammy Noms: 1Signature Move: ✓
added by IJRRemember the Time
Heal the World closed Dangerous with an earnest environmental plea that MJ later turned into a foundation. Its choir and gentle melody aimed for We Are the World scale. The song remains his clearest humanitarian single.
Year: 1991Album: DangerousUS Peak: 27 posGrammy Noms: 0Signature Move: —
added by IJRHeal the World
You Are Not Alone's 1995 R. Kelly-penned ballad gave MJ his first simultaneous UK-US number one. Its intimate vocal and simple message of comfort stood out on HIStory. The track proved his ballad power endured.
Year: 1995Album: HIStoryUS Peak: 1 posGrammy Noms: 1Signature Move: —
added by IJRYou Are Not Alone
Black or White's 1991 morphing video and rock-rap fusion made it the biggest post-Thriller debut single. It addressed race directly while topping charts globally. The track's bold production signaled MJ's 90s evolution.
Year: 1991Album: DangerousUS Peak: 1 posGrammy Noms: 1Signature Move: ✓
added by IJRin 2 rankingsBlack or White
Earth Song▲ Rising
Earth Song's 1995 epic production and environmental imagery made it MJ's biggest European hit of the 90s. Its orchestral swells and live animal footage created a dramatic stage piece. The track showed his willingness to go grandiose.
Year: 1995Album: HIStoryUS Peak: —Grammy Noms: 0Signature Move: —
added by IJREarth Song
Leave Me Alone's 1989 playful swipe at tabloids and innovative video effects showed MJ fighting back with humor. Its funky bass and cartoon visuals made criticism fun. The track became a fan-favorite deep cut from Bad.
Year: 1987Album: BadUS Peak: —Grammy Noms: 1Signature Move: —
added by IJRLeave Me Alone
Human Nature's dreamy synths and vulnerable lyrics offered a quiet contrast on Thriller and became a concert ballad staple. Its introspective tone revealed MJ's softer side amid the album's spectacle. The song's gentle pulse still feels timeless.
Year: 1982Album: ThrillerUS Peak: 7 posGrammy Noms: 0Signature Move: —
added by IJRHuman Nature
They Don't Care About Us's 1996 protest lyrics and Spike Lee videos addressed racism and injustice head-on. Its marching rhythm and chant made it a powerful statement track. The song remains MJ's most overtly political single.
Year: 1995Album: HIStoryUS Peak: 30 posGrammy Noms: 0Signature Move: ✓
added by IJRThey Don't Care About Us
Scream's 1995 Janet duet and futuristic production gave HIStory its angriest, most modern single. Its jet-pack video and sibling chemistry created a landmark 90s moment. The track marked MJ's defiant response to tabloid pressure.
Year: 1995Album: HIStoryUS Peak: 5 posGrammy Noms: 1Signature Move: ✓
added by IJRin 4 rankingsScream
Ben▼ Falling
Ben's 1972 tender ballad about friendship became MJ's first number-one solo hit and showed his early dramatic range. The song's gentle orchestration and sincere delivery launched his adult career. It remains his earliest signature ballad.
Year: 1972Album: BenUS Peak: 1 posGrammy Noms: 1Signature Move: —
added by IJRBen
Dirty Diana▼ Falling
Dirty Diana's 1988 rock edge and Steve Stevens guitar gave MJ another number-one hit with darker subject matter. Its warning about groupies showed a mature, cautionary side. The track proved his rock credibility extended beyond Beat It.
Year: 1987Album: BadUS Peak: 1 posGrammy Noms: 0Signature Move: —
added by IJRDirty Diana
P.Y.T. (Pretty Young Thing)▼ Falling
P.Y.T.'s 1982 funky synths and James Ingram backing gave Thriller a light, flirtatious closer. Its playful spelling and groove made it a radio favorite. The track balanced the album's heavier moments with fun.
Year: 1982Album: ThrillerUS Peak: 10 posGrammy Noms: 0Signature Move: —
added by IJRP.Y.T. (Pretty Young Thing)
Workin' Day and Night
Workin' Day and Night's relentless percussion and double-time energy drove Off the Wall's dance floor intensity. Its live-band drive showed MJ's work ethic theme. The track remains a deep-cut favorite for its stamina.
Year: 1979Album: Off the WallUS Peak: —Grammy Noms: 0Signature Move: ✓
added by IJR
Off the Wall's 1979 title track celebrated nightlife escape with Quincy Jones' polished disco. Its carefree lyrics and strings captured MJ's first solo artistic peak. The song set the template for his 80s dominance.
Year: 1979Album: Off the WallUS Peak: 10 posGrammy Noms: 0Signature Move: ✓
added by IJROff the Wall
She's Out of My Life▼ Falling
She's Out of My Life's 1980 raw emotion and spoken-word outro captured genuine heartbreak on Off the Wall. Its stripped-back arrangement highlighted MJ's vocal vulnerability. The song proved his range early in solo career.
Year: 1979Album: Off the WallUS Peak: 10 posGrammy Noms: 0Signature Move: —
added by IJRShe's Out of My Life
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Wild that Billie Jean is winning this. Scroll down — the real answer is further down the board.
The criteria line matters here. Read it before you vote or you're arguing about a different list.
Came for the argument, stayed for the comparison grid. The numbers settle half the fights here.
This is the most honest version of this ranking I've seen anywhere. The pros and cons are fair.
Missing a few names that belong in the top ten, but the top three is basically right.