The Marilyn Monroe biopic ā€œBlondeā€ is receiving criticism from Planned Parenthood.

According to The Hollywood Reporter, the film depicts Monroe as ā€œhaving had two illegal abortions, which were imposed upon her against her will and which tormented her.ā€

The film also portrays a fetus asking her, ā€œYou won’t hurt me this time, will you?ā€

Caren Spruch, Planned Parenthood Federation of America’s national director of arts and Entertainment engagement, responded to the film’s depiction of Abortion in a statement to the outlet.

ā€œAs film and TV shapes many people’s understanding of sexual and reproductive health, it’s critical these depictions accurately portray women’s real decisions and experiences,ā€ Spruch said.

She argued while Abortion is ā€œsafe, essential health care, anti-Abortion zealots have long contributed to Abortion stigma by using medically inaccurate descriptions of fetuses and pregnancy. Andrew Dominik’s new film, Blonde, bolsters their message with a CGI-talking fetus, depicted to look like a fully formed baby.ā€

Spruch argued Planned Parenthood ā€œrespects artistic license and freedom. However, false images only serve to reinforce misinformation and perpetuate stigma around sexual and reproductive health care. Every pregnancy outcome — especially Abortion — should be portrayed sensitively, authentically and accurately in the media.ā€

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She continued, ā€œWe still have much work to do to ensure that everyone who has an Abortion can see themselves onscreen. It is a shame that the creators of Blonde chose to contribute to anti-Abortion propaganda and stigmatize people’s health care decisions instead.ā€

During an interview with The Wrap, director Andrew Dominik was asked about claims that the film is anti-Abortion.

ā€œWhat the movie is saying is she’s not seeing reality. She’s seeing her own fears and desires projected onto the world around her,ā€ Dominik said.

He explained, ā€œYou see it constantly time and again that she’s reacting to a story that she’s carrying inside her. And I think sort of this desire to look at ā€˜Blonde’ through this Roe v. Wade lens is everybody else doing the same thing. They’ve got a certain agenda where they feel like the freedoms of women are being compromised, and they look at ā€˜Blonde’ and they see a demon, but it’s not really about that.ā€

Dominik told the outlet he believes ā€œit’s very difficult for people to step outside of the stories they carry inside themselves and see things of their own volition. And I think that’s really what the movie is about.ā€

He continued, ā€œThe dangers of that. But you know, it’s difficult for people to be able to hold two things in their mind at once. It’s either black or white.ā€

Joyce Carol Oates, the author of the biographical fiction novel the film is based on, took to Twitter to share her thoughts on the film.

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ā€œI think it was/is a brilliant work of cinematic art obviously not for everyone,ā€ she tweeted.

The author added, ā€œSurprising that in a post#MeToo era the stark exposure of sexual predation in Hollywood has been interpreted as ā€˜exploitation.’ surely Andrew Dominik meant to tell Norma Jeane’s story sincerely.ā€

The film was released on the streaming service last month.