In 1972, Lily Tomlin calmly answered an actor's sexist remark
Lily Tomlin turned toward Chad Everett on the set of The Dick Cavett Show and said, “You own?” It was March 31, 1972. Tomlin had arrived first that evening to promote her Edith Ann comedy album And That’s the Truth. She later recalled that she had already endured a run of sexist talk-show moments and felt finished with them. On the Mike Douglas show she had shared a panel with Carol Channing when actor Robert Shaw treated the women as if they needed settling down; she refused his handshake afterward. an appearance on the David Frost show. By the time she reached Cavett she was ready to draw a line. After a break, Everett sat down beside her. He was promoting Medical Center and a nature special called It Takes a Lot of Love. As a gag gift he handed Tomlin a paperback with a brassiere tucked inside. Cavett steered the talk toward the animals on Everett’s ranch. Everett replied, “I have three horses, and three dogs, and a wife.” Dick Cavett tried to give him an exit. “You may want to think about the billing order there,” the host said. Everett pressed on instead. “She’s the most beautiful animal I own,” he said. The studio air changed. Tomlin rose with steady poise and answered only, “I have to leave.” She crossed the stage and walked off while the audience applauded. Everett first treated the departure lightly, then found the chair beside him empty and the silence real. “Gee that was a disturbing thing to do. I’m sorry she did that. She’s having fun, right?” Everett said. He called after her, “Lily! Come on back! The joke’s over!” The awkward exchange with Cavett stretched on. Everett made a follow-up remark that gestured at Tomlin’s sexuality, then tried to recover by reading a poem he had written about his wife. Tomlin had been with her wife Jane Wagner since 1971, a year before the interview. Everett’s own birth name had been Ray Crampton before Warner Brothers renamed him. None of that altered what had just happened on camera. Tomlin simply did not return. Years afterward she described the walkout in a New York Times interview. “It was a perfectly pure act. I felt angels walk me off,” she said. The March 31 clip still circulates because the choice was so plain: she stood, spoke two short sentences, and left the set under applause, refusing to sit beside a claim that a woman could be owned.




